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    Weekend event planner

    These are the 14 best things to do in Houston this weekend

    Craig D. Lindsey
    Jan 2, 2025 | 6:30 pm

    We’re now officially in 2025, and the first weekend of the new year brings plenty to do: Marcie Chapa and Stefanie Pepping will perform live. From the Ashes Theater Company and Theatre Southwest will hit audiences with some straight-up farces. Avant Garden and Improv Houston will have comedians ready to make you laugh. Archway Gallery and Redbud Arts Center will open up new exhibits. And the MFAH will give local cinephiles a very Hitchcockian weekend.

    Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a whole calendar full of the city's best events.

    Thursday, January 2

    Echoes presents Marcie Chapa
    Marcie Chapa, an original member of Beyoncé’s all-female band and a noted percussionist with a love for music and a passion for education in the arts, is playing a special concert at Echoes. Chapa has also worked with stars like Jay-Z, Alicia Keys, Jill Scott, Al Jarreau, Kanye West, Mary J Blige, and more. Gracing the stage with her will be Roy Chapa on trumpet and vocals, Charlie Perez on drums, Tim Ruiz on bass, and Jose-Miguel Yamal on keyboard. Echoes will also offer food and drink specials throughout the night. 8:30 pm.

    Avant Garden presents It’s a Good Time Comedy Show & Happy Hour
    Get ready for laughter and good times upstairs at Avant Garden’s weekly comedy kickback. The intimate setting provides the perfect backdrop for a laid-back and enjoyable evening. As you enjoy the comedic talents on stage, take advantage of the happy hour specials with cheap drinks flowing throughout the night. It's the ultimate combination of laughter, good company, and budget-friendly beverages. It’s free, and RSVPing gives you a wristband that allows $3 wells, $4 Lone Star beers and $5 sangrias (cash only). 9 pm.

    The Big Easy presents Stefanie Pepping and the Sassafras Swing Set
    Stefanie Pepping is a singer, mother, banjo player, herbalist, and damn fine cook. When she’s not serving as an art director/designer for a local church, she’s performing with the Sassafras Swing Set. They will be doing a free show at The Big Easy this weekend, along with Houston bassist Nick Gaitan. Dance the night away with an evening of swinging music, performed by a gal with a voice likened to Peggy Lee and Norah Jones. 9 pm.

    Friday, January 3

    The Museum of Fine Arts, Houston presents My Name is Alfred Hitchcock
    Before you check out the 4K restoration of Alfred Hitchock’s Vertigo at the MFAH this weekend, get to know the man who directed it. Filmmaker Mark Cousins (The Eyes of Orson Welles) looks at the auteur with a new and radical approach: through the use of his own voice. Hitchcock (whose familiar voice is remarkably evoked by Alistair McGowan) narrates excerpts from his films in a journey through his vast career, from early silent films to his memorable classics from the 1940s-1960s and beyond. 7 pm (2 pm Sunday).

    Pink Martini with China Forbes in concert
    Pink Martini, the world-famous “little orchestra” featuring original lead singer China Forbes, is celebrating its 30th anniversary. They will present a cocktail of multilingual delights, from Brazilian Samba music to jaunty Parisian café songs to retro jazz and old-fashioned pop. It’ll be an evening of joyful, dance-friendly tunes guaranteed to make your new year swing. This concert does not feature the Houston Symphony. 7:30 pm (7:30 pm Saturday, 2 pm Sunday).

    From the Ashes Theatre Company presents Daddy's Dyin', Who's Got the Will?
    After years of estrangement, the Turnover family reunites at their small-town Texas estate to bid farewell to the family patriarch, who has suffered a debilitating stroke. Joined by their plus-ones, they bring with them a tangled web of family trauma, greed, and jealousy. This sometimes heartbreaking, often hilarious journey through family dynamics offers moments of sharp wit, surprising warmth, and a poignant reminder: sometimes losing something precious is the only way to find what truly matters. 8 pm (2 and 8 pm Saturday; 2 and 6 pm Sunday).

    Photo courtesy of Pink Martini

    Pink Martini featuring China Forbes will perform at Jones Hall for the Performing Arts on January 3-5.

    Theatre Southwest presents A Comedy of Tenors
    One hotel suite, four tenors, two wives, three girlfriends and a soccer stadium filled with screaming fans. What could possibly go wrong? It's 1930s Paris and the stage is set for the concert of the century - as long as the producer can keep Italian superstar Tito Merelli and Maria, his hot-blooded wife, from causing runaway chaos. A Comedy of Tenors is an uproarious ride full of mistaken identities, bedroom hijinks, and madcap details. 8 pm (3 pm Sunday).

    Saturday, January 4
    Archway Gallery presents Maksim Koloskov: "Brushstrokes: Streetscapes, Style, and Skyline" opening reception
    Archway Gallery presents "Brushstrokes: Streetscapes, Style, and Skyline," featuring watercolors and drawings by Maksim Koloskov. Whether sketching fellow passengers on a bus, painting on a street corner, or drawing in a park, Koloskov reflects life unfolding around him in vibrant, impressionistic watercolors. From skylines and city streets to the sleek runways of Houston’s Fashion Week, Koloskov transports the viewer to the heart of H-Town, revealing a dynamic city alive with color and movement. Through Thursday, January 30. 5 pm.

    Redbud Arts Center presents Nela Garzón: "Not One of Us" opening reception
    “Not One of Us," an exhibition by Nela Garzón, explores themes of migration and colonialism through fiberworks and paintings. The exhibition also features latch-hooked works of endangered species from emigration-prone regions and welcome rugs honoring Bogotá and Colombia. All these pieces are together for spectators to reflect on the intertwined stories of displacement, resilience, and cultural exchange. Through Saturday, February 22. 6 pm.

    Candlelight: Best of Bridgerton on Strings
    We all like Bridgerton, right? We enjoy binge-watching that Shonda Rhimes-produced, Netflix period drama where 19th-century aristocrats of every age, shape and color get amorous all over London. Well, fans can burn for the show at this string-filled gathering. At Candlelight: Best of Bridgerton on Strings, audiences can listen to favorite melodies from the Shondaland series, performed by the Listeso String Quartet. 6:30 and 8:45 pm.

    Improv Houston presents Mark Normand
    Saturday will be the last evening to check out goofball joke machine Mark Normand. Through his relentlessly punchy writing and expert delivery, the New Orleans-born Normand is quickly becoming one of the most talked-about comedians out there. Last year, he self-released a one-hour special, Out To Lunch, on YouTube. A veteran of the late-night shows, Normand also hosts two podcasts: Tuesdays with Stories (with Joe List) and We Might Be Drunk (with Sam Morril). 7 and 9:30 pm Saturday).

    Sunday, January 5

    Flying Saucer Draught Emporium presents 3ish Run/Walk
    Get those beer bellies in shape for the Art Car IPA 5K with this social run/walk. For $35, you get a guided and marked 3-ish mile run/walk plus three tasty brews from Saint Arnold Brewing Company, a pint glass and a Texas Tamale Company breakfast. Check in at Flying Saucer early for the run/walk at 9 am and, when you get back, eat, drink and celebrate Saint Arnold, raise a toast, and crush some tamales and enjoy great times at the Flying Saucer, too. 8 am.

    Alamo Drafthouse LaCenterra presents Speed Racer
    Critically maligned upon its 2008 release, the Wachowskis’ big-screen adaptation of Speed Racer is a hyperkinetic, ultra-stylized cartoon classic that comes to vivid life. With a vibrant color palette, futuristic racecars, and a host of instantly memorable characters, this is a spot-on homage to the original TV series and a film not simply created with a child audience in mind. It is completely sincere, goofy as all get out, and – from start to finish – a neon-crazed, candy-color dream of what cinema is and should be. Noon.

    Holocaust Museum Houston presents "Facing Survival | David Kassan" closing day
    This weekend is the last chance to catch the paintings and drawings of acclaimed artist David Kassan, capturing the poignant stories and portraits of more than 24 Holocaust survivors. By intertwining the visual representation of the survivors with the sketches revealing Kassan’s artistic process, the exhibition transcends conventional forms of testimony, forging a poignant visual language that surpasses the limitations of spoken or written word. Noon.

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    Movie Review

    Over-the-top acting and incoherent plot drag down Her Private Hell

    Alex Bentley
    Jul 23, 2026 | 3:00 pm
    Sophie Thatcher in Her Private Hell
    Photo courtesy of Neon
    Sophie Thatcher in Her Private Hell.

    Danish filmmaker Nicolas Winding Refn is not someone who plays nice with the general film world. His 2011 film Drive introduced him to American audiences in a big way, but that pulsating thriller was followed up with artier films like Only God Forgives and The Neon Demon that eschewed coherent plots in favor of moody, atmospheric pieces.

    Winding Refn, who hasn’t made a feature film in 10 years, has gone fully down the rabbit hole with Her Private Hell. Taking place in a liminal space that kind of resembles Earth but also feels like someone’s dreams/nightmares, the film focuses on Elle (Sophie Thatcher), an actor currently starring in a sci-fi film. Staying at a hotel with newcomer Hunter (Kristine Froseth), the two bond over their shared passion and the legend of Elle’s father, Johnny Thunders (Dougray Scott), who’s now married to Elle’s friend Dominique (Havana Rose Liu).

    After spending a good amount of (mostly incomprehensible) time with that group, Refn introduces Private K (Charles Melton), who seems to be living in post-World War II Japan. He is looking for his daughter, who might have been taken by a mysterious figure known as “Leatherman,” and he will stop at nothing to find her, fighting whoever stands in his way.

    It becomes clear almost right away that Winding Refn has no desire to engage in traditional storytelling in this film. The main characters wander through neon-drenched streets and buildings, which are often surrounded by a mist that is referred to on multiple occasions but never explained. Everyone speaks as if in a constant state of wonderment, and there are many moments where it’s unclear if events are actually happening, part of a movie-within-a-movie, or something else entirely.

    Unlike his previous films, Winding Refn has taken the characters in this film completely out of the real world, with every scene taking place in a sparsely decorated room or street that is obviously a movie set. While there are moments where this decision really works, especially the striking first shot of a human-like figure mixed in with a cityscape and clouds, most of the time it only adds to the stilted nature of the film as a whole.

    In fact, the entire movie has the feel of an avant-garde theater exercise. Every actor seems to be trying to outdo the others with awkward performances and out-sized reactions. Two very specific characters make appearances in both sides of the story for seemingly no reason other than to inject their weirdness into both spaces. The shocking violence that crops up on occasion would have more of an impact if it was related to anything intelligible.

    Thatcher (Companion) and Liu (Tuner) are among the young stars who have had breakout moments in recent years, but neither of them is served well by this hot mess of a movie. They, along with Melton, still demonstrate the talent they possess, but the oddity of the film weighs them down. Scott makes an impression for all the wrong reasons, while Froseth is called upon to play a character who might as well not be there at all.

    If there’s any kind of message that Winding Refn was trying to convey with Her Private Hell, it’s lost among the flashing lights, overload of pink, and jewel-like structures. Filmmakers who try to make art for art’s sake have a place in the world, but this film too often feels like people are making things up as they go, with no real goal in mind.

    ---

    Her Private Hell opens in theaters on July 24.

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