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    Movie review

    The Good Nurse flatlines as a great serial killer movie despite Oscar-winning stars

    Alex Bentley
    Oct 27, 2022 | 11:20 am

    It could be argued that American audiences and content makers have an uncomfortable obsession with serial killers. That fixation has only grown through the years with the proliferation of true crime podcasts and streaming shows, each of which has returned to mass murderers repeatedly. A relatively recent killer with an unusual method is showcased in the new Netflix film, The Good Nurse.

    But anyone expected a dark and gritty film may be disappointed, as the film shifts focus from the killer, Charlie Cullen (Eddie Redmayne), to one of his co-workers, Amy Loughren (Jessica Chastain). A nurse at Parkfield Memorial Hospital in New Jersey in 2003, she becomes quick friends with Charlie after he starts there as a night nurse.

    Their bond, one which becomes tighter after Charlie helps hide the fact that Amy has a debilitating heart condition, keeps her from understanding that Charlie is killing patients, poisoning them by injecting insulin into random IV bags in the hospital’s storage room. It’s only when an internal hospital investigation triggers a police inquiry led by detectives Tim Braun (Noah Emmerich) and Danny Baldwin (Nnamdi Asomugha) that Amy starts to have her doubts.

    Directed by Tobias Lindholm and written by Kristy Wilson-Cairns, the film is well done, but never achieves the gravitas that would transform it into something great. Part of this is because the filmmakers never show Charlie as having any outward signs of being evil. He has a bland niceness about him that conceals his lurid impulses; that’s an effective way of showing that you can never know what’s happening in another person’s mind, but an ineffective way of building drama in a film.

    The telegraphed nature of Amy and Charlie’s friendship takes on the feel of a slightly higher-class Lifetime movie, one that doesn’t quite fit the expectations brought by two Oscar winners in the lead roles. What ends up being more compelling is the hospital administrators, led by Linda Garran (Kim Dickens), covering up Charlie’s crimes for unknown reasons, and the doggedness of the two detectives trying to discover what exactly is happening.

    On another note that’s admittedly a minor quibble, the film’s title does the story no favors. Using The Good… as the start of a title is a vastly overused crutch. Recent examples on both TV and in movies have included The Good Doctor, The Good Fight, The Good Wife, The Good Place, The Good Boss, and The Good House. Sometimes a film can overcome the plainness of such a title, but The Good Nurse is hampered by it.

    Chastain and Redmayne each give respectable performances, but they’re nowhere near the award-worthy ones they’ve put on in the past. The most notable actor in the film winds up being Asomugha, a former NFL player who’s been inching into the entertainment industry over the past decade. He’s flat-out great in this role and could use it as a springboard to bigger and better parts.

    The Good Nurse has its fair share of interesting moments and accomplished actors to bring them to life, but it falls short of being a must-watch. It’s a serial killer movie that mostly omits the killing, taking most of its reason for being with it.

    ---

    The Good Nurse is now streaming on Netflix.

    Eddie Redmayne and Jessica Chastain in The Good Nurse

    Photo by JoJo Whilden / Netflix

    Eddie Redmayne and Jessica Chastain in The Good Nurse

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    Movie Review

    Clichéd rom-com You, Me & Tuscany can't get by on Italian charm alone

    Alex Bentley
    Apr 9, 2026 | 2:00 pm
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany
    Photo by Giulia Parmigiani/Universal Pictures
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany.

    The romantic comedy has become an endangered species in movie theaters, as most of those that are released these days go to streamers like Netflix. While there have been a few recent successful rom-coms in theaters, they are few and far between. All of which is to say that a movie like the new You, Me & Tuscany faces an uphill battle before it’s even released.

    Halle Bailey (The Little Mermaid) stars as Anna, a former culinary school student who’s struggling in the wake of her mother's death. When she has a chance meeting with an Italian man named Matteo (Lorenzo de Moor) in New York, her dream of going to the Italian region of Tuscany is reignited. Using her last $500 and a plane ticket her mom bought her, she makes her way to Italy looking for an adventure.

    With nowhere to stay and knowing Matteo’s villa is unoccupied, she finds a key and makes herself at home. When she finds an engagement ring soon before she’s discovered by Matteo’s family, she decides to pretend to be his fiancée. The more time she spends with them, the bigger the lie becomes, especially when she starts falling for Matteo’s adopted brother, Michael (Regé-Jean Page).

    Directed by Kat Coiro and written by husband-and-wife team Ryan and Kristin Engle, the film at times feels like it’s not even trying to be good. While the set-up of the premise is okay, the story quickly turns into an eye-rolling mess when Anna shows up in Italy. Not one bit of the character’s story is believable, and even though Michael catches her in an early lie, every member of the family accepts her at face value despite the abundant red flags.

    Of course, many rom-coms are not based in reality, and the filmmakers lean into the genre’s tropes, almost as if they were saying, “We know this makes no sense - just roll with it!” Surprisingly, the gambit works for the most part, as the odd pairing of an American woman, an English-Italian man, and his fully Italian family is enjoyable despite the many groan-worthy moments they produce. The sweet way in which the family brings in a woman still going through grief almost balances out the shoddy way in which the story is told.

    Naturally, there are precisely zero surprises about where the plot is heading, as Anna and Michael grow closer despite knowing they should resist the other. Strangely, though, the filmmakers don’t go all-in on the budding relationship, choosing to slow-roll things save for one notable sexy scene in a vineyard. Coiro and the Engles play up the family aspect as much as the romance aspect, and that choice allows the film to survive for longer than it should have.

    Bailey, a singer-turned-actor, has not yet found her stride on the acting side of things. Her line deliveries are often stilted and her timing is off in key moments. This doesn’t help her chemistry with older Page, who seems to be getting by on vibes and looks alone. The most enjoyable actors in the film are all Italian, including Marco Calvani, Isabella Ferrari, and Paolo Sassanelli.

    There are glimpses of a fully successful film in You, Me & Tuscany, enough to keep it watchable for its entire 104-minute running time. But then they have the Italian grandmother say a gobsmacking line like “If you wanna tap-a that ass, you should tap-a that ass,” and you remember exactly what type of film you’re watching.

    ---

    You, Me & Tuscany opens in theaters on April 10.

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