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    partying free

    Houston's first Sober Fest brings boss beats, country, pop, a Heights rockin' rollerblader, and more in booze-free showcase

    Steven Devadanam
    May 18, 2023 | 6:30 pm

    Not too long ago, Houstonian Max Flinn was a promising high school quarterback for Bellaire High School, an All Greater Houston and district MVP with eyes on a bright college football career. But something dark was chasing the young athlete and musician.

    “I played guitar for fun as a kid and throughout high school,” Flinn recalls to CultureMap, “and then when my addiction really took hold, there was no music. I mean, literally, I would pawn my guitars to pay for drugs and things.”

    A DWI followed, changing his college football trajectory. “I got sober and then sort of rediscovered — reignited — my love for, for music and decided to make it a career,” he says. He left his job in oil and gas in 2017, and now, he's an accomplished singer-songwriter with national writing credits to his name.

    Welcome to Sober Fest

    With a 10-year sobriety track record and seasoned music career, Flinn is the perfect music curator for Houston's inaugural Sober Fest. The diverse — and completely alcohol and drug-free — music showcase hits White Oak Music Hall on Sunday, May 21. The talented roster of artists perform from noon to 6 pm, playing everything from Texas country to '80s, video-game inspired pop.

    Flinn, a country crooner who looks fit for the upcoming season of Yellowstone, will take the stage along with faith-based performer Marshall Camp; Texas soul singer Micah Edwards; singer-songwriter Chris Lively; country singer — and former Baylor basketball player — John Heard; vocalist Catterina; Texas country performer South Texas Tweek; DJ StevieRay; and Legacy Man, the Heights sensation who rocks '80s anime pop — on rollerblades.

    Music fans should check out the lineup list here with each artist's Spotify playlist.

    “We wanted a really diverse line up and I think we accomplished that,“ says Flinn. “We've got men, we've got women, we've got different ethnicities, and we've got a wide-ranging style of music.”

    More a Sunday matinee concert and less a sobriety Ted Talk, Sober Fest celebrates the sober life, sobriety, and those who looking for a good time without imbibing. Fans can expect barbecue, and plenty of alcohol-free refreshments. The event, a first for Houston, is produced by the Party Sober Partnership, an organization that throws sober theme parties across town.

    “This is just a music festival,” promises Flinn. “It's not gonna be a place that feels awkward for somebody who's not sober and it won’t feel preachy to someone who's thinking about getting sober. I really want this to be all-inclusive for everybody.”

    Sober — but not sobering

    Catterina

    Catterina/Instagram

    Vocalist Catterina.

    “I think that there's a misconception for people, especially those newly sober or even thinking about it — we call it sober curious — that it's like the death of fun,” Flinn notes. The show takes place on a Sunday, known as Sunday Funday for the party crowd, but Flinn thinks that can be overplayed, too.

    “The truth is, Sunday Funday as they knew it might be all over,” he says of those who might miss the boozy revelry. “But that wasn't too much fun to begin with — or else they wouldn't find themselves thinking about getting sober.”

    The dichotomy of celebrating sobriety in a scene that often celebrates debauchery, booze, and drugs isn't lost on Flinn. “Nowadays, after many years of sobriety, I'm perfectly comfortable being out in bars and clubs and where alcohol is served. I mean, I'm probably in those environments more often than I am in recovery groups,” he notes. But that wasn't always so easy.

    “In early recovery, I didn't go to bars. I didn't go out to live music for the first year-and-a-half, maybe two years, because I really needed to insulate myself. It was hard to be in those types of environments and not feel the urge, the peer pressure, the trigger — whatever you wanna call it — to not to not drink or use.”

    The freedom of booze-free

    Now, Flinn can “go anywhere and do anything without that sort of temptation. That's, that's the miracle of it,” he says. “But, for those people that are still in that place and for some, it takes longer than others just to have a safe place to go and enjoy music where they otherwise maybe don't feel comfortable to do that. It's cool for me, all these years later to be a part of something that sort of reminds me of where I was early on.”

    A booze-free show, on the other hand, can actually be liberating for those who perhaps get a little carried away at shows. “I meet a lot of people who maybe are not necessarily sober or alcoholics or have a problem, but they do end up drinking more than they wish to drink because they're out of a concert and everybody else is doing it.”

    “So, here's an opportunity to come out on a Sunday afternoon and just enjoy music in a sober environment, support the recovery community, and not have to worry about drunks, getting in fights, or drinks hitting your car on your way home.”

    Tuned in to a movement

    Flinn isn't afraid of sharing his story, but he does so in moderation. “When I talk about it on stage, I give it 10 to 20 seconds and it's usually just talking about being sober and how much it's great for me,” he says.“I also say it's not for everybody.”

    Some of the Sober Fest acts are also in recovery, while others are supportive. “Some other artists aren't necessarily in recovery, but they're what I would call sober allies,” Flinn notes, “they support our mission, they support our community.”

    Spirited fun — with no spirits

    Flinn knows that sobriety and the sober-curious movement is on the rise. “My wife even told me that it's becoming even sort of cool and trendy in places like Europe to be sober. And you do have a lot of these nonalcoholic beer companies popping up, like Athletic Brewing here in Houston, and places like Sipple — they're co-sponsoring our event with Rambler. So I do think that the stigma is breaking and that it is becoming more mainstream and cool.”

    As someone who's lived in both worlds, Flinn channels the partier and sober in his work. “You don't want to only sing from where you're at all the time. I think that would get a little stale. I can sing a drinking song and a recovery song with equal fervor.”

    Even in an industry that is known for handing performers booze and drugs, Flinn finds support. “On occasion you'll get some smartass comment like, ‘well, more for me,’ but I'd say 95 percent of the responses to me telling people that I'm sober is, ‘that's awesome.’” I also get a lot of ‘I wish I could do that,’ or ‘I should probably do that, especially in my world,’ — which is the world of club owners and promoters and people that are out partying.”

    Not that Flinn really relies on others' opinions, anyway. “Here's the deal. I only take my own experience and as I've grown more comfortable in who I am in the way that God made me, I really just care a lot less what people think is cool or not. I'm having fun — more fun than I could ever have — in a way that I can be proud of and that doesn't wreck the lives of my own and people around me.”

    Just a good time

    Seriousness aside, Flinn just wants folks to have fun. “We want to show people that it's great to go out to live music if you're sober. I think if you're sober and you wanna go to watch Snoop Dogg and Willie Nelson smoke weed together on stage because you enjoy their music, you should be able to do that, too.

    “This is an event that celebrates the recovery community, that shows people that we're not squares, we're not dull, and just shows the outside community that we like to have a good time. It also shows people newly in sobriety that we can have a lot of fun — any time we can.”

    -----

    Sober Fest runs from noon to 6 pm at White Oak Music Hall, 2915 N Main St. For tickets and more information, visit the official site.

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    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 15, 2026 | 10:00 am
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

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