jaw-dropping jaws

Gigantic 50-foot shark dives into Houston museum for jaw-dropping new showcase of Earth's greatest predator

By the numbers, the great white shark is one of the most fearsome predators to ever exist on planet Earth. Consider:

Sharks! The Meg, The Monsters & The Myths HMNS

Photo courtesy of Houston Museum of Natural Science

Yes, this is actually scale.

The largest great white ever recorded spanned 20 feet – half the size of a school bus — and weighed at least 5,000 pounds.
At any given moment, great whites possess 300 teeth — measuring up to 6.6 inches — and can regenerate and replace up to 20,000 in a lifetime.
Swimming up to 35 miles per hour, a great white can launch itself out of the water like a missile.

But those stats are child's play to the great white's prehistoric predecessor, the megalodon (which literally means "big tooth"), which grew to 65 feet long. Known by scientists and fans as the "Meg," the massive monster will star in Houston Museum of Natural Science's new exhibit Sharks! The Meg, The Monsters & The Myths.

The immersive shark fest opens Friday, May 26 to members and Saturday, May 27 to the general public. Tickets are available online.

Dive into the shark tank

Meant to educate and inspire awe and curiosity rather than hysteria, the new exhibition features six galleries that include live shark tank, 14 life-sized models, interactive and touchable items, dazzling digital displays, fun photo ops, and meg-sized chunks of information about the ocean's apex predators.

Visitors can meet these fin-tastic friends via a 360-square-foot virtual “shark tank,” where sharks of all shapes and sizes (there are eight different orders and more than 500 species) swim by, showing off their sleek shapes, bioluminescence, and grace.

Meet the monster Meg

A giant, life-sized, 50-foot model of a female megalodon — in full swim pose and jaws that easily down an entire refrigerator or a few humans — wide open in a toothy grin. The megalodon's sheer mass compared to humans, its color (gray to reflect the sea wall with a "great white" belly) will be on display for photos and wow moments.

Another gallery takes viewers back more than 400 million years to the earliest sharks and fossilized shark teeth. Each visitor can select a fossilized tooth dating back to the Miocene era to keep as part of the journey.

Some gentle bamboo and epaulette sharks will join stingrays (cousins of sharks), sea urchins, and a host of other sea dwellers in an easily viewable tank, which will offer an up-close-and-personal perspective as to why these creatures are so essential to the ecosystem.

No excursion would be complete without swag, and this one offers up toys, puzzles, t-shirts, magnets, and more at the Island Store, which also houses megalodon teeth, fossilized coral, and a 100,000-year-old giant fossil clamshell.

Fans of these finned friends

While they have survived every mass extinction event in the past 450 million years and have ruled their water kingdom for some 300,000 years, sharks are now in peril by the worst predator of all: humans. Spurred by bloodlust after the release of the 1975 epic film and novel Jaws and other sensational pop culture vehicles, an average of 100 million sharks are killed by humans each year.

Whether for sport, shark fin soup (where fins are cut off while the shark is cast back still alive and left to drown), scientists worry that this decimation could mean the end for many of these astounding creatures. '

“Sharks are remarkably diverse and efficient predators but are more threatened than threatening. In fact, over one-third of shark species are now facing the threat of extinction,” said Nicole Temple, the exhibit curator. “With this exhibition, we hope that our guests are able to explore the misconceptions, mysteries, and mystique of sharks to help pave the way for conservation efforts, as well as explore their unique adaptations and behaviors that continue to inspire scientific innovation around the world.”

“Sharks are critical to maintaining the health of our oceans, which are a huge carbon sink for the planet,” Temple adds. “Really, sharks help keep us alive.”

Consider this a chance to visit to a monstrous meg, snap a selfie, and say thanks.

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Sharks! The Meg, The Monsters & The Myths opens Friday, May 26 (members) and Saturday, May 27 (general public) at Houston Museum of Natural Science, 5555 Hermann Park Dr. For tickets and more information, visit HMNS online.

Movie review

New movie Eddington confronts the chaos of early pandemic life

Photo courtesy of A24

Joaquin Phoenix and Pedro Pascal in Eddington.

The coronavirus pandemic had a profound impact on the entire world, one that has been shown in various ways by movies and TV shows. However, even though a number of productions have attempted to show what life was like during the early days of the pandemic, few have tried to truly reckon with the way lockdowns and restrictions changed people.

Filmmaker provocateur Ari Aster does just that in Eddington, set in a fictional small town in New Mexico in early 2020 that proves to be a microcosm of the debates taking place worldwide at that time. Sheriff Joe Cross (Joaquin Phoenix) is not a fan of mask mandates or other restrictions imposed by the government, while mayor Ted Garcia (Pedro Pascal) tries to lead by example in an effort to keep his community safe.

The men butt heads not just on how to deal with the pandemic, but also over a personal history involving Joe’s wife, Louise (Emma Stone). When news of the murder of George Floyd in Minnesota makes its way to town, it starts a slow simmer among the town’s youth population, putting even more stress on Joe and his small department. Conspiracy theories, white guilt, partisan politics, cults, and more combine to make the community into a powder keg that threatens to explode at the slightest provocation.

Aster (Midsommar, Beau is Afraid) takes aim at all sides in a film that’s part satire and part thriller. No matter how each viewer reacted to the pandemic, the film offers at least a character or two that will come close to representing their viewpoint. Although opinions may differ, it seems clear that Aster is not portraying one side as “right” or more righteous than the other. What he is doing is demonstrating just how much was happening in a short period of time, and how those things could negatively affect anyone.

On the flip side, the film also challenges viewers with viewpoints that may not match their own, which can make for an uncomfortable experience at times. The reactions various characters have to certain events range from rational to wholly unexpected, and Aster seems to delight in keeping the audience on their toes the entire time. This is especially true when violence rears its ugly head, resulting in some intense and upsetting scenes.

Not everything in the film lands, though. A subplot involving Louise and Vernon (Austin Butler), a cult leader who preys on her fears, feels tacked on, with no relation to the film as a whole. In fact, the character of Louise is a misfire in general, one whose purpose makes little sense. Aster also lets (asks?) some actors speak in almost inaudible tones at various points in the film, a frustrating experience in a film as dialogue-heavy as this one.

Phoenix loves to dig into off-kilter characters, and this one ranks high on that scale. Even if you don’t enjoy what his character does, it’s hard to fault the performance that brings him to life. Most of Pascal’s scenes are with Phoenix, and while he matches Phoenix’s energy, the lower key nature of his character leaves him overshadowed. The nature of the film means few others make an impact, although Deidre O’Connell as Joe’s passive-aggressive mother-in-law and William Belleau as Officer Jiminiz Butterfly stand out in their scenes.

Few of us would volunteer to go back to the baffling days of early 2020, but Eddington does a great job of examining what was happening at the time and how events united some and divided others. It’s not a feel-good film, but it is one that will make viewers re-examine their reactions at the time and how those influenced the current reality.

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Eddington is now playing in theaters.

coronavirus pandemic film movies