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    a name to know

    Powerful new Netflix film Rustin showcases forgotten civil rights activist and pioneer

    Alex Bentley
    Nov 2, 2023 | 12:40 pm

    Certain people in the Civil Rights Movement of the 1950s and 1960s became so iconic that it’s easy to recall their names, people like Martin Luther King, Jr., Rosa Parks, and Medgar Evers. But others are not as well-known despite accomplishing monumental deeds, including Bayard Rustin, who was one of the co-organizers of 1963’s March on Washington.

    The new film Rustin attempts to rescue his reputation from the dustbin of history by showing just how influential he was. The film tracks Rustin (Colman Domingo), who had been a leader in the movement for decades, as he tries to push fellow Black leaders to go beyond what they think is possible. An attempt to protest the 1960 Democratic National Convention puts him on the outs with the NAACP and others, but he persists.

    Colman Domingo in Rustin

    Photo courtesy of Netflix

    Colman Domingo in Rustin.

    When he revives the idea of a March on Washington – which he and A. Philip Randolph (Glynn Turman) attempted to organize in 1941 – he once again meets resistance, most notably from NAACP Executive Director Roy Wilkins (Chris Rock). But his friendship with King (Aml Ameen) – to whom he introduced the idea of non-violent protest – and his sheer tenacity keeps the project on track, a remarkable feat given that he was also having to hide the fact that he was gay from many, even those in his inner circle.

    Directed by George C. Wolfe and written by Julian Breece and Dustin Lance Black, the film is a powerful take on the Civil Rights Movement from a perspective that rarely gets shown. The front-facing people like King, Wilkins, and Rep. Adam Clayton Powell, Jr. (Jeffrey Wright) get a lot of the credit, but the grunt work, especially for the march, was being done by Rustin and his group of both Black and white volunteers.

    Unlike Rustin was forced to do, the filmmakers don’t hide Rustin’s gayness, although they do acknowledge the difficulty that came with being gay in the early ’60s. Rustin knows just where to go in his private time to be able to live relatively openly, but relationships are tricky, whether it’s with Tom (Gus Halper), his partner/work assistant, or Elias Taylor (Johnny Ramey), a married man in the movement with whom he has an affair.

    The struggles in both sides of his life complement each other, as Rustin had to fight tooth and nail against racists, homophobes, and powerful people in the movement. Wolfe and his team keep the film from becoming too grim by utilizing fast-paced editing and, often, a jazzy score that fits with the against-all-odds mission Rustin is trying to accomplish.

    Domingo, who’s been an actor on the rise in recent years, knocks the lead role out of the park. Utilizing a distinctive voice and never-back-down attitude, he is everything the role needed and more. The rest of cast is mix between notable Black actors like Rock, Wright, Turman, and CCH Pounder to go with lesser knowns like Ameen, Ramey, and Michael Potts to make for a potent acting crew.

    The events in Rustin happened 60 years ago, but its story is as resonant as ever, especially because it gives us a new view on a famous moment. Bayard Rustin may not have spoken at the March on Washington, but this film teaches us that he was as responsible as anyone for cementing its place in the history books.

    ---

    Rustin opens at IPIC Houston on November 3; it will debut on Netflix on November 17.

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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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