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a name to know

Powerful new Netflix film Rustin showcases forgotten civil rights activist and pioneer

Alex Bentley
Nov 2, 2023 | 12:40 pm

Certain people in the Civil Rights Movement of the 1950s and 1960s became so iconic that it’s easy to recall their names, people like Martin Luther King, Jr., Rosa Parks, and Medgar Evers. But others are not as well-known despite accomplishing monumental deeds, including Bayard Rustin, who was one of the co-organizers of 1963’s March on Washington.

The new film Rustin attempts to rescue his reputation from the dustbin of history by showing just how influential he was. The film tracks Rustin (Colman Domingo), who had been a leader in the movement for decades, as he tries to push fellow Black leaders to go beyond what they think is possible. An attempt to protest the 1960 Democratic National Convention puts him on the outs with the NAACP and others, but he persists.

Colman Domingo in Rustin

Photo courtesy of Netflix

Colman Domingo in Rustin.

When he revives the idea of a March on Washington – which he and A. Philip Randolph (Glynn Turman) attempted to organize in 1941 – he once again meets resistance, most notably from NAACP Executive Director Roy Wilkins (Chris Rock). But his friendship with King (Aml Ameen) – to whom he introduced the idea of non-violent protest – and his sheer tenacity keeps the project on track, a remarkable feat given that he was also having to hide the fact that he was gay from many, even those in his inner circle.

Directed by George C. Wolfe and written by Julian Breece and Dustin Lance Black, the film is a powerful take on the Civil Rights Movement from a perspective that rarely gets shown. The front-facing people like King, Wilkins, and Rep. Adam Clayton Powell, Jr. (Jeffrey Wright) get a lot of the credit, but the grunt work, especially for the march, was being done by Rustin and his group of both Black and white volunteers.

Unlike Rustin was forced to do, the filmmakers don’t hide Rustin’s gayness, although they do acknowledge the difficulty that came with being gay in the early ’60s. Rustin knows just where to go in his private time to be able to live relatively openly, but relationships are tricky, whether it’s with Tom (Gus Halper), his partner/work assistant, or Elias Taylor (Johnny Ramey), a married man in the movement with whom he has an affair.

The struggles in both sides of his life complement each other, as Rustin had to fight tooth and nail against racists, homophobes, and powerful people in the movement. Wolfe and his team keep the film from becoming too grim by utilizing fast-paced editing and, often, a jazzy score that fits with the against-all-odds mission Rustin is trying to accomplish.

Domingo, who’s been an actor on the rise in recent years, knocks the lead role out of the park. Utilizing a distinctive voice and never-back-down attitude, he is everything the role needed and more. The rest of cast is mix between notable Black actors like Rock, Wright, Turman, and CCH Pounder to go with lesser knowns like Ameen, Ramey, and Michael Potts to make for a potent acting crew.

The events in Rustin happened 60 years ago, but its story is as resonant as ever, especially because it gives us a new view on a famous moment. Bayard Rustin may not have spoken at the March on Washington, but this film teaches us that he was as responsible as anyone for cementing its place in the history books.

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Rustin opens at IPIC Houston on November 3; it will debut on Netflix on November 17.

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Movie Review

Despicable Me sequel Minions & Monsters keeps franchise's goofy vibe

Alex Bentley
Jun 30, 2026 | 4:00 pm
Henry and James in Minions & Monsters
Photo courtesy of Illumination & Universal Pictures
Henry and James in Minions & Monsters.

The Despicable Me franchise is one of the most enduring of the 21st century, now reaching its seventh film in the past 16 years with the release of Minions & Monsters. The Minions, which were originally mere sidekicks to the supervillain Gru, have now arguably become the face of the franchise, even more so when they get their own movie.

Minions & Monsters purports to give even more history for the little yellow pill-shaped beings who want nothing more than to serve bad guys. Instead of fan favorites like Kevin, Stuart, and Bob leading the way, this film features James, a Minion who can’t stop causing chaos, and his best friend, Henry (all Minions are voiced by series creator Pierre Coffin).

After a prologue showing the Minions teaming up with various baddies over centuries, the group shows up in early 20th century Hollywood, gaining attention from filmmakers like Max (Christoph Waltz) and producer brothers Frank and Edward (both voiced by Jeff Bridges). They quickly rise up the ranks, with adventures coming to involve actress Debbie (Zoey Deutch), robot Dort (Jesse Eisenberg), and a Cthulhu named Goomi (Trey Parker).

Co-directed by Coffin and Patrick Delage and co-written by Coffin and Brian Lynch, the film is the loosest one of the franchise to date, using a barely-there story as an excuse to have the Minions engage in as much mayhem as possible. The prologue is the most successful part of the film, as they meet a cyclops, wizard, bank robber, and more, with each sequence getting wilder and funnier.

The 90-minute film is just as interested in entertaining kids with its craziness as it is in giving adults references to early film history. Among the films and actors that get shout-outs are the first-ever movie, The Horse in Motion, Georges Méliès’ A Trip to the Moon, Charlie Chaplin, Buster Keaton, and more. Whether including those historical relics will have kids wanting to seek out the real deals is questionable, but at least it shows the filmmakers know they owe a debt to the greats of the past.

The second half of the film becomes less coherent as the Minions split into different factions. James, Henry, and a hard-of-hearing Minion named Ed go in one direction to make a monster movie, while a larger group led by their antagonist named Dick goes in another. There’s no real purpose to either side’s journey other than to serve up laughs through the Minionese language (which seems to lean toward Spanish, as one scene acknowledges) and their antics.

Anyone purposefully going to a Minions movie likely enjoys Coffin’s performance of each character, each of which is subtly different. The rest of the cast, while star-laden, never truly sounds like the actors portraying them, which is strange when you have distinctive voices like Waltz, Bridges, and Eisenberg. The only people who stand out are Allison Janney as the narrator, Bobby Moynihan, and a cameo by George Lucas.

While Minions & Monsters doesn’t offer up an overly compelling reason for existing, it’s also harmless fun that has the side benefit of exposing kids to bits of film history that they might not have known existed. It also tries something different from the tried-and-true format of previous films, and experimentation should be appreciated even if it’s not fully successful.

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Minions & Monsters opens in theaters on July 1.

movies film
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