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Concert Review

Rolling Stones kick off spring 2024 tour with vibrant show in Houston

Associated Press
Apr 29, 2024 | 7:30 am
Mick Jagger NASA

Mick Jagger visited NASA before performing in Houston.

Mick Jagger/Facebook

HOUSTON (AP) — Time marches on and all good things must come to an end. But don’t tell that to The Rolling Stones.

What many believe to be the greatest rock ’n’ roll band in the world showed no signs of slowing down anytime soon as they kicked off their latest tour Sunday night at Houston’s NRG Stadium.

The Stones have been touring for more than 60 years. Frontman Mick Jagger and lead guitarist Keith Richards are both 80, with guitarist Ronnie Wood not far behind at 76. Their tour is being sponsored in part by AARP.

But during a vibrant two-hour show, the Stones played with the energy of band that was on tour for the first time.

“It’s great to be back in the Lone Star State,” Jagger told the packed stadium, filled with longtime fans, many wearing faded concert shirts from previous tours.

Jagger often strutted up and down the stage with seemingly boundless energy while Richards and Wood played many familiar guitar riffs beloved by fans. Jagger often led the audience in sing-alongs.

“The energy level is up and it’s always up with them. The age doesn’t show,” Dale Skjerseth, the Stones’ production director, said Friday before the concert.

The Stones have hit the road to support the release of their latest album, “Hackney Diamonds,” the band’s first record of original music since 2005.

Houston was the first stop on the band’s 16-city tour across the U.S. and Canada. Other cities on the tour include New Orleans, Philadelphia and Vancouver, British Columbia. The tour ends on July 17 in Santa Clara, California.

During Sunday's 18-song concert set list, the Stones played several tracks off the new record, including lead single “Angry.” They also played classics including “Sympathy for the Devil,” “Gimmer Shelter,” Honky Tonk Women” and “Start Me Up.”

After playing “Beast of Burden,” Jagger said that concertgoers in Houston had voted to include it on the set list.

“You can’t go wrong with that,” one man in the audience could be heard screaming.

The Stones also played some unexpected choices, including “Rocks Off,” from their 1972 double album “Exile on Main St.” and “Out of Time,” a 1966 song that Jagger said during the concert had not ever been played by the band in the U.S.

With the 2021 death of drummer Charlie Watts, the Stones are now comprised of the core trio of Jagger, Richards and Wood. On Sunday, they were backed by various musicians including two keyboardists, a new drummer, backup singers and a brass section.
While the stage was surrounded by a large collection of video screens projecting images throughout the show, the main focus of the concert was the band and their songs

Before Sunday’s concert, Jagger spent time on Friday touring NASA’s Johnson Space Center in suburban Houston, posting photos on his Instagram account of him with astronauts inside Mission Control.

“I had an amazing trip to the space center,” Jagger said.

When asked if the band might be thinking about retiring, Skjerseth said he doubts that will happen.

“This is not the end. They’re very enthused,” he said.

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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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