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    rodeohouston 2024

    RodeoHouston reveals 2024 lineup starring Jonas Brothers, Blake Shelton, and a Bun B takeover

    Steven Devadanam
    Jan 11, 2024 | 7:13 pm
    Jonas Brothers

    The Jonas Brothers return after a more than 10-year break.

    Photo courtesy of Jonas Brothers

    Houston, it’s finally here. We now know the entertainment lineup for this year’s Houston Livestock Show and Rodeo concert series, running February 27 – March 17 at NRG Stadium.

    RodeoHouston 2024’s roster is history-making, as multiple rap acts take the stage for the first time ever in one season. Houston rap icon Bun B will return for a final installment of his two groundbreaking H-Town and Southern Takeover shows. But this year, rapper, Newstonian, and Rodeo Uncorked! Boss bidder 50 Cent will headline Black Heritage Day.

    Other notable names include country and pop culture star Blake Shelton, who leads off on Opening Day, and the Jonas Brothers, who last played the rodeo more than 10 years ago. Country fans can look forward to the familiar faces Brad Paisley, Zac Brown, and Luke Bryan, who’ll mark his 10th rodeo show this year.

    Of the 20 performers, half are rodeo newcomers, including 50 Cent and Nickelback. By the numbers, the 20 acts boast 56 Academy of Country Music awards, 47 Country Music Association awards, 17 American Music Awards, and 15 GRAMMY Awards.

    As mentioned, singer and former The Voice host Blake Shelton serves as the headliner for Opening Day on Tuesday, February 27. Carly Pearce follows the next day for Armed Forces Appreciation Day on Wednesday, February 28. Country act For King + Country take the stage the next day on Thursday, February 29.

    Then comes Black Heritage Day on Friday, March 1, with 50 Cent up in da club and, let’s hope, poppin’ some bottles. Already a player on the rodeo scene, 50 Cent made headlines last year when his own Champagne, Le Chemin du Roi Brut, was named Grand Champion Best of Show at the Rodeo Uncorked! competition. Bidders threw $325,000 at his Champagne, a rodeo record.

    HARDY, who’s making waves as a versatile country and rock songwriter and performer, follows 50 on Saturday, March 2. Ivan Cornejo performs on Sunday, March 3, followed by country music prince Hank Williams, Jr., who’ll headline First Responders Day on Monday, March 4.

    Folk-country artist Oliver Anthony and his beautifully bushy beard take the stage on Tuesday, March 5; rapper Jelly Roll drops rhymes on Wednesday, March 6. Luke Bryan, making his 10th rodeo appearance, headlines Volunteer Appreciation Day on Thursday, March 7. EDM fans can catch the Jamaican-vibed trio Major Lazer the next day on Friday, March 8.

    Saturday, March 9 sees Lainey Wilson on stage, with favorite Los Tigres del Norte roaring on Go Tejano Day, Sunday, March 10. Southern rockers (and the pride of Palestine, Texas) Whiskey Myers hit the stage on Monday, March 11.

    In his hotly anticipated, potentially final headlining rodeo show, hip-hop monarch and burger king Bun B will perform on Tuesday, March 12, in what we can only hope will follow the star-studded “Takeover” theme and round out a historic trilogy for Houston’s Trill OG.

    “I wanted people to see that rap and the rodeo could coexist in the room with no one feeling awkward," Bun B tells CultureMap. “I wanted rap to be in the rodeo on a night that didn't say, 'okay cowboys, stay home.' The rodeo has fought very hard to be inclusive. So we fought very hard to be inclusive as well. We did not want to block people out. That was never the case. What we wanted to show actually was that rap music is probably the most inclusive music culture. And I think we've done a pretty good job of that so far and I think this year will prove it even more, to a point where we'll look back one day and we won't even remember precisely when there wasn't rap at the rodeo. That's my dream.”

    “We've proven that rap music can be a part of the rodeo no matter what night you put it on,” he continues, “no matter who you present it to rap has room at the rodeo. The rodeo has made room for us and we're doing right by them.”

    In quite the pivot, the following day sees rockers Nickelback make their rodeo debut on Wednesday, March 13. Fans of the Zac Brown Band can catch them the next day on Thursday, March 14.

    Expect a legion of female fans to pack NRG on Thursday, March 15 as the Jonas Brothers charm the crowd; the always-charming, rodeo fave Brad Paisley follows on Friday, March 16.

    Eric Church, country star singer-songwriter, and entrepreneur, will close out the rodeo on Saturday, March 17.

    Get tickets for this year’s shows online on Thursday, January 18 in two waves: 10 am and 2 pm. Wave 1 covers February 27 – March 7 performances; Wave 2 tickets are for March 8 – 17 shows. Online waiting rooms will open at 9:30 am for Wave 1 and 1:30 pm for Wave 2. Waiting room customers will be randomly selected to enter the store and purchase tickets for the 10 am and 2 pm waves.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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