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    does HLSR take requests?

    Dolly, Creed, and ZZ Top: 20 artists that should play RodeoHouston in 2026

    Craig Hlavaty
    Mar 24, 2025 | 5:15 pm
    George Strait

    It's time for George Strait to return to RodeoHouston.

    Photo by D. Foster

    Now that the horses are back in the barn, the cows are back on the pasture, and the carnival is heading down the highway, we can start making our picks for RodeoHouston performers in 2026.

    The 2025 season was marked by amazing Houston weather from start to finish, the grand debuts of Zach Top and Post Malone, a short and fiery set by Journey, and, oddly enough, no record concert crowds to beat out last year’s Jonas Brothers attendance of more than 75,000. No one cracked 72,000 in 2025, even though a handful came very close.

    On Saturday, total attendance on the grounds was 199,220, a new single-day attendance record dating back to 2003. That included the Brooks & Dunn concert, too. Overall, HLSR set a new attendance record in 2025, with more than 2.7 million people through the gates (this month’s excellent weather certainly helped).

    The lineup will be released in January 2026, but for now, here are our picks for next season without regard to budget or artist availability. (Editor’s note: Even though Craig went 0 for 10 last year, we think it's fun to contemplate who might be performing next year.)

    Dolly Parton
    It’s absurd that Parton hasn’t played Houston proper since December 2016 and hasn’t graced the rodeo stage since March 5, 1978. Other big acts on the schedule that year? Johnny Cash with June Carter and Conway Twitty with Loretta Lynn. While Parton still continues to make new music with the likes of Sabrina Carpenter, she’s said she’s done touring aside from special shows. Well, RodeoHouston is pretty dang special, we think.

    Lainey Wilson
    Wilson wowed me in 2024 and turned in the best performance on the schedule. By late 2025 and early 2026, she should also have some new material on tap.

    Creed
    In 2024, Creed’s alt-rock contemporaries Nickelback attracted a crowd of just over 75,000. This is a no-brainer for the elderly millennials and the Generation Alpha kids who can’t remember how badly we hated Creed throughout most of the 2000s. Come back, Scott Stapp; all is forgiven.

    Los Tigres Del Norte
    “Go Tejano Day” legends, they pulled in record audiences in 2019 and 2024.

    Bun B
    The unofficial mayor of Houston’s Black Heritage Day show has become a RodeoHouston institution. Bun is quickly becoming a lock for the Star Trail of Fame. What would he pull out for his fifth straight performance? There’s always Kendrick…

    Megan Moroney
    I had Moroney on my list for 2025, but she didn’t make the cut. She’s had one of the biggest years of anyone in country music, and this would be another notch in her blue belt. Kenny Chesney can vouch for her, too.

    Chris Stapleton
    Stapleton’s RodeoHouston appearances are easily some of the most impeccable performances of any season. The only pity is that they are only slightly over an hour long. I could watch him for six hours.

    Zach Bryan
    Bryan sold out NRG Stadium just last summer, and he’s now a stadium act. With ZB in town, the dive bars in Montrose and Midtown would be on high alert. We could see him posted up at Two Headed Dog, easy.

    Sierra Ferrell
    I would love to hear “Fox Hunt” coming from that rodeo stage. If you know, you know. She’s guested on some of the biggest albums of the past few years, and she’s beyond ready to stake her claim at RodeoHouston.

    Zach Top
    Top made quite the impression in 2025 and had one of the year's biggest crowds. There’s nowhere for Top to go but…farther to the top.

    Morgan Wallen
    Wallen has never played RodeoHouston. He might be too massive for the rodeo at this point, but this would be an easy sellout.

    ZZ Top
    Billy and Frank haven’t played RodeoHouston since 2017. Sadly, Dusty Hill won’t be with the boys this time around, but his spirit will undoubtedly be dancing in the aisles.

    Cody Johnson
    Hometown boy Johnson has a sturdy sound made for RodeoHouston. This would be his fifth time on the revolving stage.

    Shania Twain
    Can RodeoHouston pry Twain away from the Las Vegas strip? She last played RodeoHouston in 1999. That seems prehistoric.

    The Red Clay Strays
    One of the biggest success stories of the past year would attract a crowd as big as Turnpike Troubadours did in 2023 when they pulled in 74,657 true believers.

    Journey
    We’ll probably need to make up for the 2025 electrical fire under the stage sometime.

    Shaboozey
    It was a surprise that RodeoHouston didn’t land Shaboozey in 2025. “A Bar Song (Tipsy)” has been the most ubiquitous song throughout the NRG complex this year. I swear I heard it on repeat at the carnival one Friday afternoon.

    Teddy Swims
    One of the best new voices in pop, a Friday night show from the Atlanta native would kill during spring break. He’d also nail a George Strait cover.

    Nate Smith
    With nearly 9 million listeners on Spotify — that’s good, right? — he could be an ideal weekday draw.

    George Strait
    King George’s influence was constant in 2025, with several artists, like Charley Crockett and Post Malone, putting their own spins on his classics. He’s not played NRG Stadium since 2022, so we’re due.

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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