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    See these shows

    From 50 Cent to Eric Church, these are the top 10 RodeoHouston concerts to catch

    Johnston Farrow
    Feb 26, 2024 | 2:00 pm
    Blake Shelton

    Country star Blake Shelton kicks off the 2024 RodeoHouston season on February 27.

    Courtesy photo

    Major Lazer
    Major Lazer Facebook

    Diplo-led Major Lazer, brings electronic music to NRG Stadium on Friday, March 8.

    Giddy up! This Tuesday, February 27, RodeoHouston takes over NRG Stadium with 20 straight days of musical performances.

    This year’s lineup might be the most diverse in years. Country is always the foundation, but multiple genres will be covered over three next weeks, including pop, rock, rap, Christian, norteño, and electronic music. It’s one of the things RodeoHouston event organizers do well when they put together the concert calendar – they incorporate all the sounds that make Houston a multicultural, auditory melting pot.

    Fun facts: This is the first year two rappers will headline the star-shaped stage (50 Cent, Bun B). Two artists named after currency (Nickelback, 50 Cent again) will perform. And like every year, a few country fan favorites will make a repeat appearance, regardless of whether they have a new album to promote (Brad Paisley, Zac Brown Band).

    We’ve pared down those 20 shows to our top 10 to see over the course of the 2024 season.

    Blake Shelton, Tuesday, February 27
    A safe pick to kick off the RodeoHouston slate, Blake Shelton, the former coach on The Voice is back to his regular gig as a country star, making his sixth appearance. Shelton has earned numerous awards, including 10 Country Music Association (CMA) Awards and six Academy of Country Music (ACM) Awards, racking up No. 1 hits – 28 of them, to be exact. For rock and pop fans, he is also is known as being the spouse of Gwen Stefani, who put on a now-legendary rodeo performance at in 2022.

    50 Cent, Friday, March 1
    The NYC-raised, current Houstonian 50 Cent endeared himself to the Houston Livestock Show and Rodeo execs over the last few years, including dropping big money on wine at the 2022 and 2023 Rodeo Uncorked! events. Since moving here in 2021, he has been seen around the city frequently, mostly promoting his liquor company, Sire Spirits, which will have two themed bars at NRG. For Black Heritage Night, it’s his hit-making – and money-making – catalogue (“In Da Club,” “Candy Shop,” “21 Questions,” among others) that will take center-stage, one of the most talked about shows of the season.

    Jelly Roll, Wednesday, March 6
    What a rise to fame for Nashville’s Jelly Roll. Once strictly an underground rapper, he gained listeners when he leaned into the sounds being produced around his city, including country, folk, blues, and soul. He veered so far away from his early work, that he picked up a New Artist of the Year trophy at the Country Music Awards in 2023 and three more CMT Music Awards on the strength of singles, “Need a Favor,” “Son of a Sinner,” and “Save Me” with fellow RodeoHouston 2024 performer, Lainey Wilson.

    Luke Bryan, March 7
    A rodeo staple, Luke Bryan followed a similar career path to Blake Shelton, building his already impressive fanbase as a TV music competition judge on American Idol. Unlike Shelton, however, Bryan is here for a good time, with a more upbeat approach to country music that has made him a stadium-filler and album-seller with 10 million copies sold worldwide. Expect a high-energy selection from his 25 country singles such as “Drunk on You,” and “Play It Again.”

    Major Lazer, Friday, March 8
    When the rodeo opened the door to electronic dance music (EDM) with The Chainsmokers in 2017, the announcement was met with some measure of doubt and a fair amount of backlash. In reality, DJs make complete sense, integrating perfectly with the state-of-the-art NRG sound and light system (courtesy the Houston-based LD Systems), leading to some of the most fun nights on the music schedule. This year, that honor goes to famed DJ Diplo’s side project, Major Lazer, which will bring a mix of four-to-the-floor beats, dancehall, reggae, house, and more (see “Lean On,” “Be Together,” or “Boom” to get amped).

    Lainey Wilson, March 9
    Like Maren Morris or Kasey Musgraves before her, RodeoHouston often catches female country talent on their rise to the top, naming them as a performer just before they blow up into the mainstream. Lainey Wilson is on a hot streak – weeks ago, she won the Grammy in the Best Country Album category for her hit record, Bell Bottom Country, alongside a F-350 truckload of country music awards over the last few years. No doubt the Yellowstone guest star will be featuring her No. 1 songs, “Things a Man Oughta Know” and “Watermelon Moonshine.”

    Bun B, Tuesday, March 12
    The Underground Kingz legend, Bun B’s stature as an ambassador for the Bayou City and its chopped and screwed scene is stronger than ever, which has parlayed into his third RodeoHouston performance in as many years. The Trill Burgers mastermind is a hip-hop institution, which allows him to cherry pick some of the strongest talent for his rodeo shows, the first in 2022 focusing on those that put Houston hip-hop on the map, the second in 2023 bringing in Southern hip-hop legends. This year, the “All American Takeover” features multi-platinum selling rap stars Nelly and Rick Ross, in addition to E-40, Too Short, and That Mexican OT.

    Nickelback, Wednesday, March 13
    Love them or hate them, the most successful Canadian rock band of all time, Nickelback, has the receipts to back it up (just ask Deadpool). Making their first RodeoHouston appearance, the Chad Kroeger-led act coincidentally formed in cowboy country, starting off in the rural hamlet of Hanna, Alberta in 1995. Since then, they’ve sold 50 million albums, had numerous, inescapable radio hits (“How You Remind Me,” “Photograph,” “Rockstar”), and a reputation for putting on a strong live show – despite what any music snob on the internet will tell you.

    Jonas Brothers, Friday, March 15
    Following their days as Disney stars, the Jonas Brothers, Kevin, Joe, and Nick went onto pursue other artistic pursuits – acting, solo music projects, marrying very famous women – to varying degrees of success. But the second act of the Jonas Brothers’ career following their reunion in 2019 has been their most accomplished yet, producing their first No. 1 single, “Sucker,” and first No. 1 album in a decade in Happiness Begins. Expect a packed house of suburban moms (and their kids) on hand to hear songs from across the Jo Bros long and colorful career.

    Eric Church, Sunday, March 17
    A great choice as a RodeoHouston closer, Eric Church might be the biggest name in country music right now, headlining festivals and selling out venues wherever he goes. The multi-award-winning superstar has 11 No. 1 songs to his credit, including “Drink in My Hand,” “Talladega,” and “Springsteen,” which Rolling Stone named as one of the 100 best country songs ever. Expect his second rodeo appearance to be packed as the 2024 music calendar ends in a rousing, hats, boots, and denim-clad fashion.

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    Movie Review

    Summer camp drama The Plague proves middle school is still pure horror

    Alex Bentley
    Jan 2, 2026 | 2:30 pm
    Everett Blunck in The Plague
    Photo courtesy of IFC
    Everett Blunck in The Plague.

    Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

    A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

    Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

    Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

    No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

    Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

    The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

    Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

    ---

    The Plague is now playing in theaters.

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