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    lights, camera, action

    Houston film lover will direct programming at iconic River Oaks Theatre

    Jef Rouner
    Jul 16, 2024 | 4:30 pm
    Rob Saucedo is famous in Houston for  innovative cinema events

    Rob Saucedo will be programming the content at the River Oaks Theatre.

    Photo by Yi-Chin Lee

    As the opening of the refurbished River Oaks Theatre draws nigh, Rob Saucedo has been announced as the artistic diretctor and head of programming, promising an incredible line-up of films. Previously, he handled programming for Alamo Drafthouse.

    “It’s been my honor to help make so many movie memories for Houston film fans through my work at the Alamo Drafthouse Cinema for the last 13 years,” Saucedo said in a statement. “I feel fortunate to start my next chapter in the beautifully restored River Oaks Theatre and help Houstonians create some incredible new experiences in this space. River Oaks Theatre is a huge part of the city’s unique culture and history; and I am honored to support Culinary Khancepts with bringing new life into the location and make so many Houston film fans happy.”

    Saucedo’s work at Alamo Drafthouse is legendary in Houston. Some of his more memorable stunts included a Sasquatchploitation film night featuring the alleged corpse of Bigfoot in a freezer, having live crocodiles at a screening of the horror classic Alligator, and numerous musical singalongs. Saucedo was also responsible for bringing many indie, foreign, and cult movies to Houston audiences.

    Fans of that content can be assured Saucedo will bring the same verve to River Oaks. He plans on a regular Saturday feature called The Nasties focusing on weird horror titles.

    “We are going to have something cool to see on the big screen 365 days of the year — whether it’s an all-time cinema classic, a deep cut cult favorite or an unpredictable live event,” Saucedo tells CultureMap. “My goal is to make sure River Oaks Theatre is a destination for anybody in Houston who loves movies.”

    Saucedo also revealed he plans to restart regular screenings of The Rocky Horror Picture Show with a live shadow cast as soon as possible. The River Oaks Theatre has been the traditional home for Houston Rocky since the 1990s. Saucedo is meeting with several potential troupes about having performances at the theater, and previously he hosted one-off screenings at Alamo.

    Loacted at 2009 West Gray, the River Oaks Theatre is Houston’s longest-running cinema. Opening in 1939, it was last managed by the Landmark company as an arthouse theater. It closed in 2021 and was threatened with demolition until Culinary Khancepts purchased the lease in 2022. The company also operates Star Cinema Grill, State Fare, and Liberty Kitchen. It will open Leo's River Oaks, a fine dining steakhouse, next to the theatre.

    Now, the River Oaks is scheduled to open this fall with three refurbished theaters, updated lighting and seating, and other amenities. Not only will it continue to show movies, but also host live shows, music, comedians, and other performances as a community hub. One thing for certain is that it is in good hands.

    “We are thrilled to have Robert join our team and lead the efforts in programming this historic venue,” said Jason Ostrow, vice president of development for Culinary Khancepts. “His wealth of knowledge and experience in cinema, especially here in Houston, is top tier and the perfect fit for our group and this historic project.”

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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