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    Movie Review

    Tom Cruise and Mission: Impossible - Dead Reckoning Part One fall flat with A.I.-centric plot

    Alex Bentley
    Jul 12, 2023 | 2:21 pm

    Since Tom Cruise and Christopher McQuarrie started making movies together, the results have been mostly amazing. McQuarrie has either written, or written and directed, Cruise-starring movies like Edge of Tomorrow, Mission: Impossible – Rogue Nation, Mission: Impossible – Fallout, and Top Gun: Maverick (yes, he also wrote Jack Reacher and The Mummy, but nobody’s perfect).

    The duo is back together again in their favorite series with Mission: Impossible – Dead Reckoning Part One, what could be the beginning of the end to Cruise’s three-decade run as IMF agent Ethan Hunt. As always, Hunt and his extreme world-saving adventures have run him afoul of the U.S. government, with Eugene Kittridge (Henry Czerny, returning for the first time since in the original film) tasking a group of mercenaries to take out Hunt once and for all.

    Hunt, naturally, has bigger concerns on his mind, this time an artificial intelligence known as The Entity that threatens to destabilize the entire world. Joined by team members Luther Stickell (Ving Rhames) and Benji Dunn (Simon Pegg), love interest/fellow spy Ilsa Faust (Rebecca Ferguson), and a thief by the name of Grace (Hayley Atwell), Hunt travels around the world trying to track down a cruciform key that could help stop The Entity.

    Directed by McQuarrie and co-written by McQuarrie and Erik Jendresen, the nearly three-hour film is the longest in the series’ history, mostly because the filmmakers fill its running time with a ton of exposition. Even for a series that is famously dense with confusing plots, this one takes the cake, as scene after scene tries to explain how dangerous The Entity is, as well as how new villain Gabriel (Esai Morales) fits into the scheme.

    Somewhat disappointingly, that means that the series’ action scenes take a bit of a backseat. To be sure, there are some truly spectacular sequences, including a finale that will have audiences holding their collective breath, but they’re not as plentiful and definitely not as impactful as ones in previous films. Perhaps McQuarrie is saving the truly great stuff for Part Two, or perhaps – after upping the ante in each film in the series – he and his team were due for a letdown.

    The film also suffers to a degree from a lack of a compelling central villain. The idea of A.I. taking over the world is very timely given the rise of ChatGPT, but in the context of an action film, it’s not that exciting. How or why Gabriel is a conduit for The Entity is also confusing, as is his supposed long antagonistic relationship with Ethan, which is never explored well enough to be noteworthy.

    The 61-year-old Cruise is as fearless as ever, giving his all to each action scene and truly making you feel the depth of Hunt’s emotion. Ferguson, who’s been a boon for the series in the past two films, is great again, although she’s not given as much to do in this film. Atwell fits in nicely, but the presence of Ferguson and Vanessa Kirby as returning character The White Widow makes her superfluous in the “pairing Cruise with femme fatales” game.

    Mission: Impossible – Dead Reckoning Part One is still much better than the majority of franchise films being offered up by studios, but when you have the track record the series has had to this point, anything less than greatness is discouraging.

    Part Two awaits in 2024, so redemption may not be far off.

    ---

    Mission: Impossible – Dead Reckoning Part One is now playing in theaters.

    Hayley Atwell and Tom Cruise in Mission: Impossible - Dead Reckoning Part One

    Photo courtesy of Paramount Pictures

    Hayley Atwell and Tom Cruise in Mission: Impossible - Dead Reckoning Part One.

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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