no shoes, no sweat

Kenny Chesney and No Shoes Nation chill out at RodeoHouston with a beachy, beer-lovin' vibe

NRG Stadium quickly became No Shoes Nation when Chesney took the stage.

Kenny Chesney RodeoHouston 2023 Houston Livestock Show & Rodeo

Every time Kenny Chesney graces the revolving RodeoHouston stage, it offers us all a slice of carefree beach life in the middle of a bustling neon and concrete jungle.

The unofficial rodeo dress code loosens a bit. A little less Cavender's and more Port Aransas beach shop during spring break. Square-toe boots give way to actually exposed toes, even with a sMarch cold front blowing down the carnival alleyways.

If you squint, the most coddled dirt in Harris County — found on the floor of NRG Stadium — could be mistaken for ruddy beach sand, at least from all way up top in the RodeoHouston press box.

On Wednesday March 15, Chesney's "No Shoes Nation" yacht (and the accompanying Blue Chair Bay Rum bus) docked at NRG Stadium for his ninth RodeoHouston performance on the star stage, in front of a crowd of 72,078.

Chesney's had a somewhat lengthy layoff from the rodeo, last appearing here in 2016. COVID, of course, likely delayed a sooner return. Early in his career, he was a rodeo mainstay each year when he was another 'hat act' looking to be the next George Strait.

His relationship with the Houston Livestock Show and Rodeo dates back to the Astrodome in 2001, putting him in rare air amongst this year's lineup of upstarts and young bucks.

In starker perspective, 2023's season opener Parker McCollum was just an eight-year-old in the Conroe area when Chesney debuted next door at the Dome in 2001.

Chesney stepped out to beachy, upbeat tunes like "Beer in Mexico."Kenny Chesney RodeoHouston 2023 Houston Livestock Show & Rodeo

The easy brush to paint 54-year-old Chesney with is the "Jimmy Buffett in Bedazzled Jeans." Dive into his discography, and you find devastatingly heartfelt passages hidden next to the "gulf and western" pirate anthems about chasing rum on a weekday and running romantically aground. Living for the night but always dreading the next day's inevitable hangover.Chesney

On Wednesday night, Chesney jumped out of his Ford chariot and returned to the RodeoHouston stage, offering us a "Beer In Mexico" from 2005's The Road and the Radio, with his sturdy touring band locked in the pocket for a hits set.

One of Chesney's secret weapons live has long been having an arena rock-ready touring band. Fans had complained that last weekend's top act, the Turnpike Troubadours, had been plagued with sound issues, but Chesney's road-tested was born and raised on stages bigger than even this one.

The flirtatiously reggae "Everybody Wants To Go To Heaven" would perfectly fit into a custom Spotify 'This is RodeoHouston' playlist, along with "Somewhere With You" and its chiming arena-tonk vocals.

"When the Sun Goes Down" was a stark reminder that Chesney was one of the more cheerful solo acts on the rodeo bill this season. He's happier bounding across the stage with an imaginary drink in his hand like a motivational speaker on a booze cruise. It also made for a longer setlist than most.

"Tonight they told me that this night was my ninth night playing the Houston rodeo," Chesney said from the stage, mentioning his vast collection of HLSR belt buckles, gifts from each headlining set. "We hope to make it to ten real soon."

We've not seen the last invasion of No Shoes Nation at RodeoHouston, not with the Gulf Of Mexico this close by. Hoist that rum-soaked flag — and pass the SPF 100.

Setlist

Beer In Mexico

Reality

Til It's Gone

Here And Now

Summertime

Everybody Wants to Go To Heaven

Somewhere With You

I Go Back

Get Along

When The Sun Goes Down

All the Pretty Girls

Living in Fast Forward

Young

American Kids

Setting The World On Fire

Don’t Happen Twice

Movie Review

Offbeat drama Pillion features command performance by Alexander Skarsgård

Photo courtesy of A24

Alexander Skarsgård and Harry Melling in Pillion.

Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

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Pillion is now playing in theaters.

movies film

no shoes, no sweat

Kenny Chesney and No Shoes Nation chill out at RodeoHouston with a beachy, beer-lovin' vibe

Movie Review

Offbeat drama Pillion features command performance by Alexander Skarsgård

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