Movie review

Beloved book 'Are You There God? It's Me, Margaret' turns page into new gem of a film

As Judy Blume is one of the best-selling children’s/young adult authors over the past 50+ years, it’s natural to assume that her various books would have been adapted many times over. However, save for a handful of mostly forgettable entries, both on TV and in theaters, Blume’s stories have remained solely on paper.

Her seminal 1970 YA book, Are You There God? It’s Me, Margaret, has finally come to the big screen, and despite taking place in the past, its story is as resonant as ever. Margaret (Abby Ryder Fortson) is an 11-year-old girl in the early 1970s who, much to her and her grandmother’s (Kathy Bates) chagrin, moves from New York City to New Jersey with her mom, Barbara (Rachel McAdams), and dad, Herb (Benny Safdie), when Herb gets a new job.

Margaret is quickly taken into a friend group led by Nancy Wheeler (Elle Graham), who is obsessed with all things puberty-related, like getting her first period, growing breasts, and what boys everyone likes. Margaret, in order to assimilate, goes along with the fixation, with some reluctance. At the same time, she – the non-religious daughter of a Christian mother and Jewish father – starts exploring different aspects of religion, including her own private dialogue with God.

The reason it’s taken this particular book so long to be adapted is because the now 85-year-old Blume would not previously allow it. But it appears Blume was right in waiting so long, as writer/director Kelly Fremon Craig has made a film that’s almost miraculous in its empathy and storytelling. Taking a cue from Blume, who released her book at a time when its subject matter was far more taboo, Craig tackles the story’s tricky topics with forthright honesty that’s still family-friendly.

There have certainly been many movies and TV shows through the years that have dealt with puberty, but Craig sets this film apart thanks to the upfront nature of how the pre-teen characters talk about their thoughts and the humor with which the film deals with them. As any adult knows, puberty is a natural part of life, and Craig makes sure to treat it as such with no reservations.

There are big laughs that come throughout thanks to the period – no pun intended – details. Every realization that Margaret has about the realities of puberty, from the size of the menstruation pads to the discomfort of bras, is hilarious to witness. The production design also does a great job at re-creating the feel of the era, something older audience members will appreciate.

The religious part of the film plays a big role, and Craig impresses in this aspect, as well. Without putting her thumb on the scale in any way, the filmmaker has Margaret go to multiple different places of worship to see what they have to offer. Religion can often be a lightning rod, but here it’s dealt with in a straightforward manner, allowing Margaret – and the audience – to see the pros and cons for herself.

The adults are typically an afterthought in kid-centric movies like this, but Craig smartly gives them more to do than just be a support system for Margaret. Barbara is shown adjusting to being a stay-at-home mom, and her family backstory grounds the film even more than it already is. Margaret’s teacher Mr. Benedict (Echo Kellum) only has a few scenes, but each of them is impactful. The film's treatment of adult relationships is just as responsible for the success of the film as the kid friendships.

Fortson is darn near perfect as Margaret, infusing her with a wide-eyed wonder, enthusiasm, and sense of purpose. McAdams is also wonderful, turning into an ideal-yet-realistic mother. Safdie initially seems like an odd choice, but he acquits himself well. Bates is a joy to watch, even if having her play a Jewish grandmother feels a little off. And the child actors are uniformly fun and interesting, especially Elle Graham and Isol Young.

Nearly every part of Are You There God? It’s Me, Margaret works like a charm, and not just as a movie for pre-teens/teenagers. Blume’s story has always been a universal one, and this gem of a film lives up to its legacy in every way.

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Are You There God? It’s Me, Margaret opens in theaters on April 28.

Photo by Dana Hawley

Abby Ryder Fortson, Amari Price, Elle Graham, and Katherine Kupferer in Are You There God? It's Me, Margaret.

Judy Blume's Are You There God? It's Me, Margaret film movies

hoop it up

Houston festival hosts dramatic reading of basketball-inspired TV show

Photo by Trent Wittenbach

Hoopzdreams tells the story of a gifted, multiracial athelete.

This year’s Houston Cinema Arts Festival (HCAF), which starts this Thursday, November 6, offers plenty of film screenings – both feature-length films and shorts – as well as panel discussions, Q&As, workshops, etc. But the fest will also have a staged reading of the TV pilot Hoopztown, this Saturday at 2 pm at Six Foot Studios.

Hoopztown centers around Maya Hernandez, a gifted, multiracial athlete on track to be considered for the inaugural WNBA in 1996. She moves back to her hometown of Houston, where it’s revealed that her mother, a janitor at Houston Medical Center, is diagnosed with cancer.

The project is created and written by Fleurette S. Fernando, an educator, director, choreographer, arts administrator, and founding director of the M.A. in Arts Leadership Program at University of Houston, where she serves as an associate professor. “I wrote this story for the women in my life; my mother, my sisters, my teachers, my colleagues, my girlfriends, my students and particularly for my daughter,” says Fernando. “Her journey as a student athlete and the relationships she built with the girls on her various teams through the turbulent and magical years of her youth was an inspiration.”

hoopztown Fleurette S. Fernando Elizabeth Sosa Bailey Collaborators Elizabeth Sosa Bailey and Fleurette S. Fernando.Courtesy of Elizabeth Sosa Bailey

Hoopztown has gone through multiple iterations. During the 2015 ATX TV Festival Pitch Competition, Fernando was a finalist for her concept of the project. From there, the pilot (originally titled Hoopz) and loglines for a 10-episode run were put into motion. That first episode, titled “Rebound,” focuses on Maya’s first day at her new job, coaching a girls’ basketball team at a racially and socioeconomically diverse high school.

“Hoopztown is an ode to a woman’s journey through the lens of many races, ages and circumstances,” she says. “It’s a tribute to the underdog and a homage to a woman’s perilous path through a man’s world. Nowhere is this struggle more acutely demonstrated, mentally, emotionally, physically and economically, than in the arena of competitive sports in America.”

Since Fernando and her creative partner, Elizabeth Sosa Bailey, are both active members of

the Houston Cinema Arts Society (HCAS) board, they knew they had to do a reading during this year’s fest.

“There is so much of myself that I see in this story, as someone who left a career to return home when my father was diagnosed with cancer and as a mixed race Latina understanding the duality of identity,” says Sosa Bailey. “Even the high school that Hoopztown is set in is much like my own. I attended Lamar High School, making me about a decade younger than the characters in the story. There are all of these wonderful little coincidences in Hoopztown.”

The project is a beneficiary of its second Houston Arts Alliance grant made possible through the

City of Houston Mayors Office of Cultural Affairs (MOCA). The reading cast includes over 20 actors, with Eva Marie Thomas playing the main role. Open to the public with a Pay What You Can ticket structure, the event invites the audience to experience the first run-through of what is slated to be the first episode, filmed in Houston using local cast and crew. The audience can also provide feedback and contribute to the project’s fundraising initiative to get to the next stage of filming.

For tickets, go to the Houston Cinema Arts Festival website.

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Beloved book 'Are You There God? It's Me, Margaret' turns page into new gem of a film

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