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    Eric Church Review

    Country rock star Eric Church sings like Springsteen at RodeoHouston finale

    Craig Hlavaty
    Mar 17, 2024 | 7:51 pm

    The 2024 RodeoHouston season will be remembered for record-breaking crowds, heaps of millennial nostalgia, spring hail storms, rolling SLABs, a mini-concert from Drake, and the debut of femme country boss Lainey Wilson.

    The 20th and final day of Houston’s urban cowpoke convention was also Championship Sunday for the rodeo athletes — animal and human — that defy gravity and the laws of nature every night. It was also the final stand of Leon Coffee, the greatest and most colorful rodeo clown that RodeoHouston will ever see.

    Fittingly, Eric Church’s brand of stoic foot-stomping Waylon-meets-Wilco country rock was perfect for a humid, rain-ridden Sunday afternoon matinee in front of 64,473 people. Sunday night was Church’s first RodeoHouston stand since 2015, when he opened that season.

    Sunday night’s Church service kicked off just after 6:30 pm after the last mutton was busted on the stadium floor. Church’s 2021 single “Heart on Fire” was a great showcase for his expanded band, which now features horns and three brassy backup singers, giving everything “Exile on Music Row with the E Street Band” vibes. Church’s recorded output is decidedly more soul than outlaw, with Church sampling most every genre aside from Norwegian black metal.

    2011’s “Country Music Jesus” pushed Sunday gospel brunch back into dinnertime. In retrospect, the song seemingly prophesied the coming of Chris Stapleton. “Drink in My Hand” was, of course, perfect for a Sunday St. Patrick’s Day set. In 2021, Church ventured into soul country territory with “Heart” and its companion “Soul.” In a live setting, the material gets along like a house on fire.

    Sunday night’s audio quality in the stadium was impeccable, with every bit of burly brass onstage bouncing around the room. 2018’s “Desperate Man” gave Church some time to show some love to his mentor Ray Wylie Hubbard who he co-wrote it with, “Sympathy for the Devil”-style woo-hoos and all.

    Church will be christening his own Nashville bar, Chief’s, with a 19-night residency at the six-story honky tonk starting April 5, and he recently gifted members of his Church Choir fan club with deeds to bricks in the walls of the music venue.

    Judging by Sunday night’s RodeoHouston show, Nashville crowds are in for a fun, hellacious time over the next few months. Church is hitting a stellar bandleader peak.

    Setlist

    How ‘Bout You
    Heart On Fire
    Country Music Jesus
    Drink In My Hand
    Pledge Allegiance to the Hag
    Hell of a View
    Desperate Man
    Record Year
    Cold One
    These Boots
    Smoke A Little Smoke
    Springsteen

    Eric Church RodeoHouston 2024

    Courtesy of the Houston Livestock Show & Rodeo

    Eric Church returned to the rodeo for the first time since 2015.

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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