gaming the system

Gamestop stock saga gets fun, star-filled movie treatment with Dumb Money

The stock market feels like one of those aspects of American life that only a select few truly understand. The rest of us acknowledge it as something that exists and affects our lives in some way, but how and why any particular stock is traded and becomes more (or less) valuable can be a complete mystery.

Dumb Money tackles one of the most interesting recent stories to come out of the stock market, the surprising inflation of Gamestop stock in late 2020/early 2021. The film bounces around to a variety of characters, but centers mostly on Keith Gill (Paul Dano), a YouTuber who went by the name of Roaring Kitty. Gill, an amateur stock trader, took an early position about liking the lightly-regarded Gamestop stock, regularly posting videos and on the Reddit thread WallStreetBets about how his significant investment in the stock was doing.

Concurrently, hedge fund managers like Gabe Plotkin (Seth Rogen) were actively trying to short, or bet against, the stock. That began a battle by Gill and other similarly minded individual investors to fight back against what they saw as unfair trading practices by the big firms, resulting in Gamestop’s stock rising astronomically in a relatively short period of time.

Directed by Craig Gillespie (I, Tonya) and written by Lauren Schuker Blum and Rebecca Angelo, the film is notable for what it is not, a deep dive into the inner workings of the stock market. Instead of getting into the nitty gritty details, the filmmakers treat it as the ultimate David vs. Goliath story, with Gill and other everyday people like a nurse, Jenny (America Ferrera), Gamestop worker Marcus (Anthony Ramos), and college student Harmony (Talia Ryder) going up against billionaires like Plotkin, Steve Cohen (Vincent D’Onofrio), Ken Griffin (Nick Offerman), and Vlad Tenev (Sebastian Stan).

Photo by Claire Folger/Sony Pictures

Paul Dano in Dumb Money.

It doesn’t hurt that Gill is an eccentric character who wears cat-emblazoned shirts and a headband, and that the Reddit community he inspires communicates primarily in memes, upping the entertainment factor of their side immensely. The story is also a suspense in a way; as the variety of individuals drive the stock ever higher, their net worth – on paper – also grows exponentially, and the longer each of them holds on without selling ups the potential that they could be burned.

Because the real-life event happened during the thick of the pandemic when it was still up in the air as to the full impact of COVID-19, the story takes on a little more significance. Characters mask up regularly, conversations take place on the phone or over Zoom, and a general feeling of unease permeates the film. That may or may not have influenced how certain people approached the situation, but in the context of the film, it definitely seems to play a part.

The back-and-forth between the haves and have-nots takes up so much time in the film that it barely has time for such well-known actors as Shailene Woodley, Dane Dehaan, Olivia Thirlby, and Pete Davidson, among others. Each of them plays a supporting character to one of the main people, and all of them deliver that little something extra in what could have been throwaway roles.

Dano is a chameleonic actor who’s gone between drama and comedy with ease throughout his career. This role is a mixture of both, and he has an effortlessness about him that makes everything he says instantly believable. Rogen is great casting as Plotkin, amiably playing the buffoon of the story. After her big role in Barbie, Ferrera once again shows that she deserves as many showcases as Hollywood can give her.

Storytellers can rarely go wrong in showing people with little power taking on those with great wealth, and the fact that the story shown in Dumb Money is (mostly) true makes it that much better. You may not understand the stock market any more than you already did at the end, but you’ll be so entertained that it won’t matter.

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Dumb Money opens in theaters on September 22.

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Movie Review

Korean monster movie Hope starts strong, then chews too much scenery

Photo courtesy of Neon

Hwang Jung-Min and Hoyeon in Hope.

Monster movies can take on all sorts of different flavors, from all-out mayhem to quieter ones where the monster can sometimes be the protagonist. The new South Korean film Hope splits the difference to a degree, delivering action-packed sequences while also attempting to understand the non-humans in a way.

The story starts in medias res, with an unseen creature having already done great damage to a huge bull and laying waste to much of a small Korean town. The local sheriff, Beom Seok (Hwang Jung-Min), tries to take control of the situation in the town, while a group of hunters led by Sung Ki (Zo In-Sung) travel into the nearby woods to see what they can find there.

Thus starts a nearly nonstop, 160-minute epic of each side trying (and mostly failing) to defend themselves against gigantic creatures who seem hellbent on destroying everything in their path. It’s not until 40 minutes into the film that the audience is shown one of the monsters in detail, and the less said the better about what it actually looks like, as the mystery behind it keeps the intrigue going.

That initial section of the film is the best, as Beom Seok — eventually joined by deputy Sung Ae (Hoyeon) — goes on a frantic hunt around the town, always just far enough behind the monster to keep from seeing it. The utter destruction he witnesses and his interactions with various locals are intense and oddly funny, with the hectic conversations he has laced with fear and incredulity over how different people choose to act.

Writer-director Na Hong-jin bounces back and forth between the people in the town and the group in the forest, doing his best to maintain the momentum of the first section. This approach works for a while as each group makes their own discoveries about the creatures and has run-ins with them that more often than not are ill-fated. Using a mixture of relatively good CGI, great production design, and an abundance of gore, the filmmaker shows he knows how to make an effective blockbuster-style film.

The trouble is, he doesn’t know when to stop. Somewhere around the two-hour mark of the movie, the story starts to become repetitive and Hong-jin introduces elements that don’t mesh well with what has come before. For some reason, he decides that some of the creatures should speak, a move that is baffling on several fronts. The biggest one is that they are voiced by English-speaking actors like Michael Fassbender, Alicia Vikander, and Taylor Russell, but each speaks a non-human language, rendering their performances moot.

Jung-min puts in a fantastic lead performance, one that requires him to vacillate between abject terror and in-control leadership. In-Sung is almost as good, although his character requires him to play one note over and over again. Hoyeon, who some may recognize from Squid Game, delivers an extra shot of energy when she enters the film, something she keeps going despite her character being forced to say some bad lines.

If Hong-jin had kept the focus Hope a little tighter, the sci-fi thriller might have ended up toward the top of this year’s films. But by choosing to extend the story into territories that don’t add much to the plot or make much sense, the filmmaker puts a damper on what was a fun and brutal monster movie.

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Hope is now playing in theaters.

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