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    Live Music Now

    13 hottest concerts to catch in Houston this November

    Johnston Farrow
    Nov 3, 2022 | 11:25 am
    13 hottest concerts to catch in Houston this November

    CultureMap Show of the Month: Carrie Underwood, Toyota Center, Thursday, November 3

    Photo by Randee St. Nicholas

    Has 2022 been the best year for live music in H-Town?

    Judging by the pure volume of tours rolling through Houston, there is no doubt this year will go down as one of the most memorable in recent history. November shows no signs of things slowing down, tours only taking a break during Thanksgiving, before picking back up again.

    Concert promoters — still left standing after the pandemic — are in a state of cashing-in euphoria as crowds are seemingly willing to pay whatever price to see a live performance again. How long will the glow-up last for the music industry and how long will concert goers continue to pay often exorbitant numbers? That remains to be seen.

    In the meantime, use this guide to select your shows wisely with CultureMap's most notable shows of the month.

    CultureMap Show of the Month: Carrie Underwood with Jimmie Allen
    Thursday, November 3
    Toyota Center
    1510 Polk St.

    At one point, a few years past her fourth season American Idol win, Carrie Underwood looked like she would rocket into the stratosphere much like a fellow country-leaning ingenue that Swift-ly rose to stadium-conquering levels. While Underwood’s career didn’t quite hit those rarely attainable heights, she is one of the most successful singers of the past 20 years, revered in music circles as one of the most talented vocalists of her generation with eight GRAMMY Awards and three ACM Entertainer of the Year trophies. The pop-country superstar is back in Houston, ready to show off her otherworldly vocal pipes on The Denim & Rhinestones tour.

    Tickets start at $59.50 plus fees. Doors open at 6:30 pm.

    Demi Lovato with Dead Sara
    Thursday, November 3
    713 Music Hall, 401 Franklin St., Suite 1600

    When did Demi Lovato turn into the chameleon of the pop world? Beginning on children’s TV and as a Disney star in the Camp Rock films, Levato has since then transformed herself into an edgy, smart pop queen. Her entire catalog of studio albums placed in the Top Ten on the Billboard charts despite her dealing with some very public personal issues with substance abuse. The name of her Holy Fvck tour says it all about her latest look – infusing vinyl, BDSM-wear with rock hooks.

    Tickets start at $49.50 plus fees. Show starts at 8 pm.

    CultureMap Recommends: Foals with Inner Wave and Gustaf
    Thursday, November 3
    White Oak Music Hall, 2915 N. Main St.

    Hard to describe how huge the danceable U.K. rock act Foals is back home, but we’ll try: six albums landing in the Top Three on the British charts, Brit Awards (the English version of the Grammys) for Best Group, and universal acclaim. Thankfully for us, instead of paying hundreds of pounds to see them at a massive festival, they’ll play in more intimate confines in Houston. Oh yeah, their new album, this year’s Life Is Yours, is one of 2022’s best.

    Tickets start at $35.50 plus fees. Doors open at 7 pm.

    Bonnie Raitt with Mark Cohn
    Friday, November 4
    Smart Financial Centre at Sugar Land, 1811 Lexington Blvd.

    Yet another Grammy Award winner in town in early November, Rock and Roll Hall of Famer and revered singer-songwriter Bonnie Raitt rode her blend of blues, R&B, rock, and pop to mainstream success, namely winning Album of the Year for 1989’s Nick of Time. That album went five-times platinum and she hasn’t really stopped since, a pro’s-pro as a touring musician, hugely influential on the female performers who came after her. Her latest is this year’s Just Like That…, drawing on a range of influences. Cohn, meanwhile, is sure to score singalongs with his hit "Walking in Memphis."

    Tickets start at $49.50 plus fees. Show starts at 8 pm.

    Alvvays with Slow Pulp
    Friday, November 4
    White Oak Music Hall, 2915 N. Main St.

    There’s no other band making better shimmering, beautifully catchy indie-pop like Toronto-based act Alvvays (pronounced Always). Fronted by the seemingly perpetually shy Molly Rankin, she grew up in the fertile Atlantic Canada music scene before forming Alvvays, who garnered immediate attention for their perfect self-titled debut and its equally perfect introductory single, “Archie, Marry Me.” Returning five years after their last record, Antisocialites, this year’s long-awaited Blue Rev veers into heavier, shoegaze sounds and continues their run of impeccable musical production.

    Tickets start at $22.50 plus fees. Doors open at 7 pm.

    Bell Biv Devoe, En Vogue, Tony! Toni! Toné! and Stokely
    Saturday, November 5
    Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Dr.

    It’s about to heat up in The Woodlands as some of the most sultry R&B acts of the early ‘90s take over the suburbs. Bell Biv Devoe hit it big with the timeless singles, “Poison” and “Do Me,” which brought an unabashed sexiness to MTV. En Vogue is one of the most successful all-female R&B groups of all time with 30 million albums sold, is best known for the gender-flipped female empowerment anthems, “Free Your Mind” and “My Lovin' (You're Never Gonna Get It).” The unbelievably named Tony! Toni! Toné! achieved platinum-level success with 1990's The Revival and single, “Feels Good.” Together, they will bring the vibes when they hit Cynthia Woods Mitchell Pavilion on November 5.

    Tickets start at $49.50 plus fees. Gates open at 4:30 pm.

    Red Bull SoundClash: Gary Clark, Jr. vs. Paul Wall
    Thursday, November 10
    713 Music Hall, 401 Franklin St., Suite 1600

    The Red Bull SoundClash is back after the success of last year’s fantastically produced “versus” format that featured the “Queens of Gulf Soul,” represented by Houston’s The Suffers and New Orleans’ Tank and the Bangas. This year, the two-stage setup will be a battle between Austin and Houston with the uber-talented guitarist Gary Clark Jr. and local hip-hop legend Paul Wall representing their respective hometowns. The four-round, back-and-forth performances, and unpredictable guests make this an extremely fun night out with those in attendance determining the winner via crowd-decibel readers.

    Tickets start at $23.50 plus fees. Show starts at 8 pm.

    Chaka Khan
    Friday, November 11
    Arena Theatre, 7326 Southwest Fwy

    Recently honored by Lizzo at her Houston show, the influence of Rock and Roll Hall of Fame inductee Chaka Khan lives on in younger generations of empowered black women thanks to anthems such as “I’m Every Woman” and “Tell Me Something Good” during her time with classic funk act, Rufus. Her storied career spans five decades with 70 million albums sold and a boatload of Grammys to show for it. It’s time to bow to the Queen of Funk.

    Tickets start at $49.50 plus fees. Doors open at 7 pm.

    Girl Talk
    Friday, November 11
    White Oak Music Hall, 2915 N. Main St.

    For a time in the mid-aughts, Pittsburgh’s expert party starter Gregg Gillis aka Girl Talk was a true phenomenon. The DJ rose to fame on the backs of hundreds of indie dance club nights by splicing together seemingly disparate but familiar songs, cashing in on the short-lived, but fondly remembered mash-up era. The artistry of sampling 300 different songs on 2006’s Night Ripper took splicing and dicing to an art form and still gets dance floors banging. Since then, Gillis has released more albums of mash-up magic and found steady work as a producer of up-and-coming and noted rap acts.

    Tickets start at $35 plus fees. Doors open at 8 pm.

    Turnstile with Snail Mail
    Saturday, November 12
    Bayou Music Center, 520 Texas Ave.

    Very few hard rock groups are making as many waves as Baltimore’s Turnstile. Taking cues from the decades of the East Coast hardcore scene, dosed with melodies and psychedelic pop, the quartet making a mark judged solely by the fact that notoriously nostalgic American rock and alternative radio is picking up their singles from the electrifying 2021 album, Glow On, including “Mystery” and “Holiday.” Starting in small clubs, the band is now playing in mid-sized theaters and will go on a national arena tour with Blink-182 next year. Catch them while they’re hot.

    Tickets start at $43 plus fees. Show starts at 7 pm.

    Amanda Shires with Honey Harper
    Saturday, November 12
    The Heights Theater, 339 W 19th Str

    Grammy and Americana-award-winning singer-songwriter and virtuoso violinist Amanda Shires brings her critically acclaimed songbook and new album, Take It Like a Man, to the intimate Heights Theater. A member of husband Jason Isbell’s 400 Unit band, Shires has established herself in the alt-country/Americana world.

    She made noise by forming The Highwomen in 2019, a gender-flipped concept inspired by The Highwaymen supergroup made up of country and western bad boys, Willie Nelson, Kris Kristofferson, Johnny Cash, and Waylon Jennings. Shires shared the stage in that project with heavy hitters Maren Morris, Brandi Carlile, and Natalie Hemby, but has more than earned her stature as an excellent, Grammy Award-winning singer-songwriter.

    Tickets start at $22 plus fees. Doors open at 7 pm.

    The 1975 with Blackstarkids
    Wednesday, November 16
    713 Music Hall, 401 Franklin St., Suite 1600

    The 1975 are huge. And if they aren’t they will tell you otherwise. The world-beating chart-toppers are led by charismatic, and some may say arrogant, frontman Matt Healy who exudes a mix of Liam Gallagher’s brash swagger and the steamy moves of INXS’ Michael Hutchence. Guilty pleasure or not, the fact is The 1975 are sneaky good, mixing the best of the last 40 years of rock, not being afraid to experiment with their sound while keeping enough pop elements to keep their legion of fans interested. Their latest No. 1 is this year’s acclaimed Being Funny in a Foreign Language.

    Tickets start at $65 plus fees. Show starts at 8 pm.

    Judas Priest with Queensryche
    Tuesday, November 29
    713 Music Hall, 401 Franklin St., Suite 1600

    The Judas Priest 50 Heavy Metal Years tour comes to town, a perfect opportunity for those with a penchant for leather, spikes, and “Breaking the Law.” The legendary U.K. metal act – somewhat controversially honored this year by the Rock and Roll Hall of Fame for musical excellence – will pull from their prolific catalog spanning decades. Expect to hear the hits from the godfathers of thrash, including “You Got Another Thing Coming,” “Turbo Lover,” and “Painkiller."

    Tickets start at $59.50 plus fees. Show starts at 8 pm.

    Other can't-miss shows

    King Princess, Thursday, November 3, House of Blues
    Highly Suspect, November 5, 713 Music Hall
    Beabadoobee, November 6, White Oak Music Hall
    She Wants Revenge with Twin Tribes, November 26, White Oak Music Hall
    Better Than Ezra, November 6, House of Blues
    Lucius with Shamir, November 6, Heights Theater
    Gipsy Kings, November 7, House of Blues
    Rina Sawayama, November 13, White Oak Music Hall
    Joe Satriani, November 18, House of Blues
    Deadmau5, November 25, 713 Music Hall
    Bartees Strange, November 28, White Oak Music Hall
    AFI, November 29, White Oak Music Hall

    Photo by Randee St. Nicholas

    CultureMap Show of the Month: Carrie Underwood at Toyota Center, Thursday, November 3.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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