october's best concerts

Foo Fighters, Depeche Mode, Jonas Brothers, and John Mayer headline October's coolest concerts in Houston

This month’s crop of concerts brings a lot of alt-rock and pop-rock nostalgia on tour for all those ’80s and ’90s babies. It’s almost like all those bands from our childhoods know that we now have babysitters we can hire and disposable income to spend on $12 boozy seltzers and $25 parking spaces.

The Foo Fighters invade the 713 Music Hall on October 10, one of the biggest marquee acts to grace one of the newest large-scale stages in Houston since it opened in late 2021. Since its grand debut its played host to Oliva Rodrigo, HAIM, Maña, New Order, and Billy Strings just to name a few.

Elsewhere, Peter Gabriel is celebrating nearly seven decades of crafting enigmatic soundscapes on October 21 at Toyota Center. He’s packing as much as he can into two sets for those who can't wait for “Sledgehammer” or “Solsbury Hill.”

But it's not all old-school jams. This month sees pop sensations like Janelle Monae, Jonas Brothers, SZA, and John Mayer hitting town for some can't-miss fun. Here are our can't-miss concerts for October.

Depeche Mode, October 4, Toyota Center

Goth rockers and New Wavers, it seems, age a sight more graceful than most of their contemporaries in other genres. Maybe its aversion to sunlight? Better moisturizing routines? No band of its kind has aged better than Depeche Mode, with lead singer Dave Gahan now a black-clad velvet crooner of the goth-est and New-Waviest order. Pour out a glass of red wine in the Toyota Center concourse for late keyboardist Andy Fletcher who passed away in May 2022.

Foo Fighters, October 10, 713 Music Hall

One of the last modern rock bands standing, Foo Fighters freaked out the neighborhood when they announced a show at 713 Music Hall (our announcement story pretty much broke the local interwebs). It’s not often that a bonafide stadium act like Dave Grohl’s Foos blesses a city with a show at a venue the size of this downtown gem but we’ll take it. The band’s coming to town touring behind ‘But Here We Are’, its first since the passing of titanic drummer Taylor Hawkins. Tickets are sold out officially via Live Nation, so head to those third-party vendors for coveted tix.

Photo courtesy of Foo Fighters

Rock gods Foo Fighters descend on Houston on October 10.

Janelle Monae, October 10, Bayou Music Center

When Janelle Monae debuted in 2007 with Metropolis, she wasn’t predicting the future, she was actively dragging a sagging music industry into her vision of it. Since then, we’ve all been witnessing an artist recoding her image in real-time, like if David Bowie had 5G in 1975. She’s just comfortable collaborating with Brian Wilson as she is with Big Boi. Prince didn’t really die, his musical brain was just uploaded into Monae’s.

Chris Stapleton, Charley Crockett and Nikki Lane, October 13, Cynthia Woods Mitchell Pavilion

A Chris Stapleton show away from the friendly yet cavernous confines of NRG Stadium during RodeoHouston is a magnificent treat. Not only do you get to see one of the best modern guitarists of any genre do his thing, you get extended jams and a few jaw-dropping covers. Get here early for openers Nikki Lane and Charley Crockett, who represent the best of the current crop of country stalwarts. If we’re lucky, Charley and Nikki will sit in for some magic with Stapes.

SZA, October 14, Toyota Center

SZA SZA season is October 14 in Houston.Photo via SZA Official

Freshly anointed neo-soul queen SZA was seemingly born straight into arenas, instantly captivating ears from the jump. 2022’s blockbuster ‘SOS’ has been cemented at the top albums chart for nearly the last calendar year, no small feat in this streaming times. In concert, her raw confessionals come with the kind of mind-bending light shows you’d see at an arthouse installation.

Sting, October 15, Cynthia Woods Mitchell Pavilion

Seeing Sting live sans law enforcement is always a pleasure, and this tour sees Ace Face on the road unleashing his biggest hits, solo and otherwise. Recent set lists lean heavy into his work away from vaunted The Police, long defunct after an epic reunion run in the late 2000s. It’s perfectly OK to admit that you still get “Brand New Day” stuck in your head every once in a while. Don’t worry, Sting knows you want to hear “Message In A Bottle”.

Peter Gabriel, October 21, Toyota Center

The former Genesis frontman and solo powerhouse is back on the road playing his hits proper. An artist as monumental as Peter Gabriel doesn’t tour without intention and this current jaunt feels like a victory lap of sorts. At a spry 73 years, here’s hoping he’s just cranking up for a late-career heater.

Jonas Brothers, October 23, Toyota Center

One of the biggest teen pop acts of the 2010s, the brothers Jonas are back on the road firmly ensconced in their 30s with a few divorces and children under their white belts, just like their fans. As if we didn’t need anymore reminders of the passage of time, some of those fans will probably have their own kids in tow this time.

Parker McCollum, October 28, Cynthia Woods Mitchell Pavilion

Conroe-native Parker McCollum grew up going to concerts at the deluxe shed in The Woodlands, and like most area kids, he dreamed of playing that very stage himself. Now making his second annual homecoming stop up north, McCollum is a certified pop country star. This year’s Never Enough LP saw McCollum mixing up some sultry ‘80s country drama into ‘Gold Chain George Strait’ persona.

John Mayer, October 30, Toyota Center

John Mayer concert Dreamy John Mayer closes October with a big show on the 30th. Photo via John Mayer

Fresh off a near-decade stint acting as the stylish avatar for Jerry Garcia in Dead & Company, John Mayer hits Toyota Center by his lonesome with a truckful of guitars and a collection of radio hits. His recent solo tours have seen Mayer reclaiming his original singer-songwriter tag, years removed from his reign of polite terror in the tabloids.

Movie Review

Margot Robbie ignites provocative new take on Wuthering Heights

Photo courtesy of Warner Bros. Pictures

Jacob Elordi and Margot Robbie in Wuthering Heights.

Emily Brontë’s 1847 novel Wuthering Heights is one of those classic books assigned in high school English classes, and it has received a number of film adaptations over the years — each of which differ in numerous ways from the source material. Purists won’t receive any reprieve from Emerald Fennell’s 2026 adaptation, with a title that is stylized as "Wuthering Heights” for good reason.

Cathy (played as an adult by Margot Robbie) and Heathcliff (Jacob Elordi) have known each other their entire lives, with Cathy’s alcoholic and inveterate gambler father (Martin Clunes) taking in Heathcliff on a whim when he was a boy. The two bond as they grow up together, although Cathy always seems to have an eye on moving up in society from their relatively impoverished lifestyle.

Cathy finally gets her wish when the rich Linton familyled by Edgar (Shazad Latif), moves in down the road, Despite discovering she has feelings for the now grown-up Heathcliff, Cathy sees Edgar as her way out and agrees to marry him. A scorned Heathcliff flees, returning years later as mysteriously wealthy. His reappearance ignites something in Cathy’s soul, and the two engage in a perhaps unwise affair.

Fennell (Promising Young Woman, Saltburn) infuses the dusty material with an energy that’s not typically present in stories set in this particular time and place. Aside from the occasional Charli XCX song (the singer created a whole concept album for the film), the film looks and feels like a period piece, albeit one that doesn’t get bogged down in the drudgery that can sometimes come from films set in the distant past.

Much of that has to do with the lust the filmmaker puts into the story. Even if you’re not familiar with Brontë’s book, you can rest assured that Fennell has strayed far from the text, giving Cathy and Heathcliff thoughts and actions unthinkable in the 19th century. Fennell plays with expectations by opening the film with audio featuring creaking noises and a man grunting, conjuring up a situation far different than what is actually happening, and she also makes liberal use of rain, sweat, and tears to make the actors enticing.

What she can’t do, however, is make the two lead characters compelling. Cathy is a striver who never seems to know what she wants out of life, and Heathcliff goes from a bore to a brute over the course of the film, with no clear indication that he likes anybody, much less Cathy. Anyone expecting some kind of grand romance will be disappointed as Fennell is much more interested in making the film weird, like having the walls of Cathy’s room look like her skin, complete with freckles.

Robbie and Elordi do well enough with the material, and it’s clear that both of them are committed to bringing Fennell’s vision to life. Their styles tend to balance each other out, and if the story had been committed to their characters’ relationship, they might be lauded for their chemistry. In the end, though, the supporting actors feel more interesting, including ones played by Hong Chau, Alison Miller, and Clunes.

This version of Wuthering Heights should never be construed as an alternative to reading the book for any high schoolers out there. While Fennell makes the film interesting with her technical filmmaking choices, the story never finds its footing as it fails to sell the one thing that it seems to promise.

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Wuthering Heights opens in theaters on February 13.

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