october's best concerts

Foo Fighters, Depeche Mode, Jonas Brothers, and John Mayer headline October's coolest concerts in Houston

This month’s crop of concerts brings a lot of alt-rock and pop-rock nostalgia on tour for all those ’80s and ’90s babies. It’s almost like all those bands from our childhoods know that we now have babysitters we can hire and disposable income to spend on $12 boozy seltzers and $25 parking spaces.

The Foo Fighters invade the 713 Music Hall on October 10, one of the biggest marquee acts to grace one of the newest large-scale stages in Houston since it opened in late 2021. Since its grand debut its played host to Oliva Rodrigo, HAIM, Maña, New Order, and Billy Strings just to name a few.

Elsewhere, Peter Gabriel is celebrating nearly seven decades of crafting enigmatic soundscapes on October 21 at Toyota Center. He’s packing as much as he can into two sets for those who can't wait for “Sledgehammer” or “Solsbury Hill.”

But it's not all old-school jams. This month sees pop sensations like Janelle Monae, Jonas Brothers, SZA, and John Mayer hitting town for some can't-miss fun. Here are our can't-miss concerts for October.

Depeche Mode, October 4, Toyota Center

Goth rockers and New Wavers, it seems, age a sight more graceful than most of their contemporaries in other genres. Maybe its aversion to sunlight? Better moisturizing routines? No band of its kind has aged better than Depeche Mode, with lead singer Dave Gahan now a black-clad velvet crooner of the goth-est and New-Waviest order. Pour out a glass of red wine in the Toyota Center concourse for late keyboardist Andy Fletcher who passed away in May 2022.

Foo Fighters, October 10, 713 Music Hall

One of the last modern rock bands standing, Foo Fighters freaked out the neighborhood when they announced a show at 713 Music Hall (our announcement story pretty much broke the local interwebs). It’s not often that a bonafide stadium act like Dave Grohl’s Foos blesses a city with a show at a venue the size of this downtown gem but we’ll take it. The band’s coming to town touring behind ‘But Here We Are’, its first since the passing of titanic drummer Taylor Hawkins. Tickets are sold out officially via Live Nation, so head to those third-party vendors for coveted tix.

Photo courtesy of Foo Fighters

Rock gods Foo Fighters descend on Houston on October 10.

Janelle Monae, October 10, Bayou Music Center

When Janelle Monae debuted in 2007 with Metropolis, she wasn’t predicting the future, she was actively dragging a sagging music industry into her vision of it. Since then, we’ve all been witnessing an artist recoding her image in real-time, like if David Bowie had 5G in 1975. She’s just comfortable collaborating with Brian Wilson as she is with Big Boi. Prince didn’t really die, his musical brain was just uploaded into Monae’s.

Chris Stapleton, Charley Crockett and Nikki Lane, October 13, Cynthia Woods Mitchell Pavilion

A Chris Stapleton show away from the friendly yet cavernous confines of NRG Stadium during RodeoHouston is a magnificent treat. Not only do you get to see one of the best modern guitarists of any genre do his thing, you get extended jams and a few jaw-dropping covers. Get here early for openers Nikki Lane and Charley Crockett, who represent the best of the current crop of country stalwarts. If we’re lucky, Charley and Nikki will sit in for some magic with Stapes.

SZA, October 14, Toyota Center

SZA SZA season is October 14 in Houston.Photo via SZA Official

Freshly anointed neo-soul queen SZA was seemingly born straight into arenas, instantly captivating ears from the jump. 2022’s blockbuster ‘SOS’ has been cemented at the top albums chart for nearly the last calendar year, no small feat in this streaming times. In concert, her raw confessionals come with the kind of mind-bending light shows you’d see at an arthouse installation.

Sting, October 15, Cynthia Woods Mitchell Pavilion

Seeing Sting live sans law enforcement is always a pleasure, and this tour sees Ace Face on the road unleashing his biggest hits, solo and otherwise. Recent set lists lean heavy into his work away from vaunted The Police, long defunct after an epic reunion run in the late 2000s. It’s perfectly OK to admit that you still get “Brand New Day” stuck in your head every once in a while. Don’t worry, Sting knows you want to hear “Message In A Bottle”.

Peter Gabriel, October 21, Toyota Center

The former Genesis frontman and solo powerhouse is back on the road playing his hits proper. An artist as monumental as Peter Gabriel doesn’t tour without intention and this current jaunt feels like a victory lap of sorts. At a spry 73 years, here’s hoping he’s just cranking up for a late-career heater.

Jonas Brothers, October 23, Toyota Center

One of the biggest teen pop acts of the 2010s, the brothers Jonas are back on the road firmly ensconced in their 30s with a few divorces and children under their white belts, just like their fans. As if we didn’t need anymore reminders of the passage of time, some of those fans will probably have their own kids in tow this time.

Parker McCollum, October 28, Cynthia Woods Mitchell Pavilion

Conroe-native Parker McCollum grew up going to concerts at the deluxe shed in The Woodlands, and like most area kids, he dreamed of playing that very stage himself. Now making his second annual homecoming stop up north, McCollum is a certified pop country star. This year’s Never Enough LP saw McCollum mixing up some sultry ‘80s country drama into ‘Gold Chain George Strait’ persona.

John Mayer, October 30, Toyota Center

John Mayer concert Dreamy John Mayer closes October with a big show on the 30th. Photo via John Mayer

Fresh off a near-decade stint acting as the stylish avatar for Jerry Garcia in Dead & Company, John Mayer hits Toyota Center by his lonesome with a truckful of guitars and a collection of radio hits. His recent solo tours have seen Mayer reclaiming his original singer-songwriter tag, years removed from his reign of polite terror in the tabloids.

Movie Review

Summer camp drama The Plague proves middle school is still pure horror

Photo courtesy of IFC

Everett Blunck in The Plague.

Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

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The Plague is now playing in theaters.

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