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    Movie Review

    Captain America: Brave New World isn't the MCU's much-needed comeback

    Alex Bentley
    Feb 13, 2025 | 3:22 pm
    Anthony Mackie in Captain America: Brave New World

    Anthony Mackie in Captain America: Brave New World.

    Photo by Eli Adé / courtesy of Marvel

    If it feels like it’s been a long time since the last Marvel Cinematic Universe movie, that’s because it has. Deadpool & Wolverine technically counts, but it was really its own thing that was mostly disconnected from the larger story the MCU is trying to tell. And two out of the three MCU movies in 2023 were underwhelming, so Marvel remains far from the highs of its Avengers days.

    They’re trying to get things going again with Captain America: Brave New World, the first glimpse of Sam Wilson (Anthony Mackie) — formerly known as the Falcon — as the new Captain America. The film thrusts the audience right into the action, with Wilson on a mission to retrieve a MacGuffin stolen package for the U.S. government at the behest of President Thaddeus Ross (Harrison Ford). The two men continue to have a symbiotic relationship for the majority of the movie, with each needing the other and hating the fact that they do.

    The main story of the film improbably (unwisely?) brings together two of the MCU’s least well-received films, 2008’s The Incredible Hulk and 2021’s The Eternals. Dr. Samuel Sterns (Tim Blake Nelson), apparently holding a longtime grudge since the events of The Incredible Hulk, plays a big part, as does the Celestial Island, which was last seen at the end of The Eternals and not mentioned in any property since that time.

    Directed by Julius Onah and written by Onah and four other screenwriters, the best that can be said for this return of the MCU is that Mackie makes for a compelling presence. The combining of the Captain America elements with his Falcon persona makes for some pretty good action, with the character showing off some unique moves. On the downside, though, he’s mostly facing off against anonymous henchmen, so most of his fight scenes feel repetitive and uninspired.

    The story itself is a mishmash of characters that only hardcore Marvel/MCU fans will know, with barely any attempt at reintroducing them to a broad audience. Sidekick Joaquin Torres (Danny Ramirez) and wronged super soldier Isaiah Bradley (Carl Lumbly) return from the Disney+ show The Falcon and the Winter Soldier, providing some levity and gravity, respectively. Having Sterns back in the mix is never explained properly, nor is how he is able to wield influence over a large number of people.

    If there’s to be any lasting memory from this film, it’s the introduction of the (fictional) indestructible material adamantium into the MCU. Previously known from the X-Men universe as what was used to strengthen Wolverine’s skeleton and give him his claws, adamantium is now a prized discovery found in the Celestial Island that, like any valuable material, causes normally level-headed people to get into fights over it.

    Mackie brings enough charm to his acting that he can ably serve as the lead, something he hadn’t previously been asked to do in the MCU. Ford is fine; his years of experience make him a natural for playing another president, although the transformation his character undergoes is goofier than it needed to be. Nelson has to act from behind some truly hideous makeup and he feels one-note most of the time.

    For the MCU to make it back to their previous standing atop the blockbuster landscape, they’re going to have to deliver much more interesting characters and stories than are present in Captain America: Brave New World. It might be time to consider stand-alone stories instead of ones that rely on information that many moviegoers have long since forgotten.

    ---

    Captain America: Brave New World opens in theaters on February 14.

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    In Memoriam

    Legendary Texas singer-songwriter Joe Ely dies at 78

    KVUE Staff
    Dec 16, 2025 | 2:00 pm
    Joe Ely
    Joe Ely/Facebook
    Joe Ely was a major figure in Texas' progressive country scene.

    Joe Ely, the legendary songwriter, singer and storyteller whose career spanned more than five decades, has died from complications related to Lewy Body Dementia, Parkinson’s disease, and pneumonia. He was 78.

    In a statement posted to his Facebook page, Ely died at his home in Taos, New Mexico, with his wife, Sharon, and daughter, Marie, at his side.

    Born February 9, 1947, in Amarillo, Texas, Ely was raised in Lubbock and became a central figure among a generation of influential West Texas musicians. He later settled in Austin, helping shape the city’s reputation as a hub for live music.

    As with many local legends, it's hard to tease out what specifically made Ely's time in Austin so great; Austin treasures its live music staples, so being around and staying authentic from the early days is often the most important thing an artist can do.

    Ely got his local start at One Knight Tavern, which later became Stubb's BBQ — the artist and the famous venue share a hometown of Lubbock. He alternated nights with emerging guitar great Stevie Ray Vaughn. He built his own recording studio in Dripping Springs, and kept close relationships with other Texas musicians. Later in his career, Ely brought fans into the live music experience, publishing excerpts from his journal and musings on the road in Bonfire of Roadmaps (2010), and was inducted into the Austin City Limits Hall of Fame in 2022. Austin blues icon Marcia Ball was among Ely's friends who played the induction show.

    "Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls," said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    In the 1970s, Ely signed with MCA Records, launching a career that included decades of recording and touring around the world. His work and performances left a lasting impact on the music scene and influenced a wide range of artists, including the Clash and Bruce Springsteen, according to Rolling Stone.

    "His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto. He began his career in the Flatlanders, with fellow Lubbock natives Jimmie Dale Gilmore and Butch Hancock, and he would mix their songs with his through 50 years of critically acclaimed recordings. [...]"

    --

    Read the full story at KVUE.com. CultureMap has added two paragraphs of context about the Austin portion of Ely's career.

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