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Movie Review

Marvel's overstuffed Eternals needs to kick up the superhero kapow

Alex Bentley
Nov 4, 2021 | 10:45 am
Marvel's overstuffed Eternals needs to kick up the superhero kapow
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The powers that be in the Marvel Cinematic Universe have been masters at making moviegoers care about characters relatively few people know. Once they got past undeniably popular ones like Iron Man, Captain America, Thor, and Hulk, making lower tier characters like Black Widow, Hawkeye, the Guardians of the Galaxy, Ant-Man, and more equally as popular was the result of strong marketing and solid storytelling.

Now that we’ve entered Phase 4 of the MCU master plan, though, some cracks are developing under the weight of it all. Black Widow was entertaining enough, but felt like it came too little, too late for Scarlett Johansson’s now-deceased character. Shang-Chi and the Legend of the Ten Rings featured some spectacular set-pieces, but an overabundance of CGI. Now comes Eternals, featuring a group of all-powerful beings with a mission to protect Earth.

That group includes … deep breath … Ajak (Salma Hayek), who has healing powers; Sersi (Gemma Chan), who can change matter with her hands; Ikaris (Richard Madden), who can fly and shoot lasers from his eyes (no, he’s not Superman); Thena (Angelina Jolie), who can create any type of weapon out of thin air; Kingo (Kumail Nanjiani), who shoots blasts from his fingers; Sprite (Lia McHugh), who can alter the look of reality; Phastos (Brian Tyree Henry), who can conjure any type of machinery; Makkari (Lauren Ridloff), who has super speed; Druig (Barry Keoghan), who can take over people’s minds; and Gilgamesh (Ma Dong-seok), who has super-strong fists.

They were sent to Earth over 7,000 years ago by a Celestial named Arishem to protect humans from the invasive Deviants, a group of shape-shifting creatures. The catch is, that’s their entire mission; no matter what other bad things happen to humans (say, Thanos) or humans try to do to each other (like genocide), the Eternals are forbidden from interfering. The struggle between their mission and their collective conscience is what drives the story of the film.

Written and directed by Chloé Zhao (Nomadland), with writing help from Patrick Burleigh, Ryan Firpo, and Kaz Firpo, the film is a sprawling epic with scenes ranging from modern-day to ancient Mesopotamia, with multiple other stops along the way. It attempts to include everything from existential questions about the fate of humanity to individual romances, with varying degrees of success.

When it comes to the personal feelings of the Eternals, the film is stuck between two worlds. Since they are close to immortal, they tend to keep their relations to humans at a distance. But it becomes clear that human feelings are part of who they are, especially the longer they linger on Earth. Zhao and her team do their best to sell the emotions of the group, but it’s sometimes difficult to match up their words with their actions.

Ultimately, it’s just too many characters for an introductory story. Only a few of them truly stand out, and with the film running over two-and-a-half hours, there is too much time for the audience to ponder if certain characters’ powers are all that useful. Combine that with the fact that their individual stories are meted out in drips and drabs, and it’s difficult to empathize or relate to any of them.

Much of the action involves people pointing or conjuring with their hands, things that only look slightly less ridiculous because of the CGI. Few of the fight scenes measure up in any meaningful way to those of previous MCU films. Zhao, who is known for her internal stories, just can’t seem to get across the scope that the big set-pieces deserve.

One nice thing is that the film features a cast that’s diverse in its skin color, gender, and level of fame. Six of the 10 characters are non-white, half are women, and only Hayek and Jolie could be considered stars. Even if we don’t get to know any of the characters that well, due to the overstuffed roster, the diversity allows the filmmakers explore avenues other MCU films haven’t, including a same-sex relationship.

Perhaps Eternals will gain traction the more we get to see what the rest of the MCU’s Phase 4 involves. On its own, though, the story lacks the excitement that audiences have come to expect from Marvel films.

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Eternals opens in theaters on November 5.

Don Lee, Angelina Jolie, Richard Madden, Salma Hayek, Gemma Chan, and Lia McHugh in Eternals.

Don Lee, Angelina Jolie, Richard Madden, Salma Hayek, Gemma Chan, and Lia McHugh in Eternals
Photo courtesy of Marvel Studios
Don Lee, Angelina Jolie, Richard Madden, Salma Hayek, Gemma Chan, and Lia McHugh in Eternals.
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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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