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    bun's reasonable message

    Exclusive: Bun B and his team closing in on lost UGK poncho missing after RodeoHouston's Southern Takeover

    Steven Devadanam
    Mar 6, 2023 | 5:25 pm
    Bun B Southern Takeover

    Bun B and his team are closing on the party responsible for taking the UGK poncho.

    Photo by Marco Torres

    As a 30-year music legend, mastermind of the hottest smash burger in the country, and a devoted family man, Bun B has learned to be reasonable in life.

    So it's not surprising that Houston's hip-hop icon and OG sounds very Don Corleone in his message to the person or persons who made off with his custom UGK poncho after his historic RodeoHouston Southern Takeover at NRG Stadium on Friday, March 3. Bun is even offering a $1,000 reward for the custom poncho designed by chic fashion label, Purple.

    But, the clock is ticking for the offender.

    “We’ve already made a level of progress,” Bun B tells CultureMap exclusively regarding the search. “I pretty much know where the thing is. We’re just trying to allow [who's responsible] to do the right thing. I don’t wanna have to publicly embarrass somebody about this. I'm a fair person: Just give me back what’s mine quietly and I'll resolve it quietly.”

    A reasonable offer, right? Bun B tells us there's “no way” the item was merely misplaced — it was clearly taken. In short, the offender can still make this right. Or, things could go very badly for he or she.

    “If I have to make noise in order to get this back, then somebody's gonna be embarrassed,” Bun adds. “I don't have to do anything to anybody. Just the public embarrassment of being outed as the person who took this from me on such a memorable night will do more than enough damage to their public — and quite honestly, their professional — reputation as well.”

    Though he doesn't want to out them — yet — for their safety, Bun assures us that his team are closing in on the party responsible for lifting the celebrated poncho crafted by Purple, the hot New York City-based fashion brand. Purple's co-founder, Luke Cosby, is a Houston success story; he relocated to NYC last year and thus holds the Rodeo — and Bun B and his legendary act UGK — dear. Indeed, Bun B walking out onstage sporting a poncho emblazoned with the logo of the rap duo he co-founded with dearly departed Pimp C was a seminal Rodeo — and Houston — moment.

    And so ideally, this poncho would become a piece of Rodeo history, one preserved in NRG Stadium halls like other hallowed pieces of concert memorabilia from past shows. Thus, the person or persons who've taken the poncho aren't just messing with Bun B and Cosby, but also Rodeo history, Bun adds.

    “Here's the thing: Just the idea of me not being in possession of the garment, that's not a big deal,” he continues. “If it got damaged or anything like that, I'd be okay with it, because the moment was documented and it served its purpose. But this was a one-off, commissioned piece created by one of the top designers in the country — Luke Cosby — who's from Houston and has one of the hottest brands in the country right now. And if for nothing else, the man wanted to keep the piece for posterity's sake. The Rodeo may want that in a glass case, to preserve for history. And you're interfering with that, you're interfering with the destiny of this poncho, its final resting place.”

    Bun even manages to chuckle about how how onstage item has become a cultural headline. “There's a lot more attention on a piece of clothing I think I've ever seen in my life — outside of a murder investigation,” he says. Our OG also agrees that this poncho pilfering is reminiscent of an NFL G.O.A.T.'s jersey being stolen after Super Bowl XLIX in 2017.

    “Oh yeah, this is the Houston equivalent of Tom Brady's jersey for sure,” he says with a laugh. “This is the TB12 jersey after the Super Bowl.”

    Joking aside, Bun B's team, Rodeo staff, and others are “adamantly” looking for the poncho and take the (alleged) theft seriously — namely for the offender's sake. To that end, Bun B is staying reasonable — for now — as to him, it's less about the theft of a garment and more about the repercussions for whomever stole it.

    “Look, I'm not gonna cry because I don't have a f*cking poncho,” he says. “But, I've had several scenarios where people have done me wrong. I've tried my best to resolve these things quietly, because I know that if I pointed to somebody and say 'this person did me wrong,' that they will be basically excommunicated. In the city of Houston, opportunities will be very hard for them. And I don't wish that on anybody.”

    Bun B has spoken. With hope, the party responsible is listening.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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