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    bun's reasonable message

    Exclusive: Bun B and his team closing in on lost UGK poncho missing after RodeoHouston's Southern Takeover

    Steven Devadanam
    Mar 6, 2023 | 5:25 pm
    Bun B Southern Takeover

    Bun B and his team are closing on the party responsible for taking the UGK poncho.

    Photo by Marco Torres

    As a 30-year music legend, mastermind of the hottest smash burger in the country, and a devoted family man, Bun B has learned to be reasonable in life.

    So it's not surprising that Houston's hip-hop icon and OG sounds very Don Corleone in his message to the person or persons who made off with his custom UGK poncho after his historic RodeoHouston Southern Takeover at NRG Stadium on Friday, March 3. Bun is even offering a $1,000 reward for the custom poncho designed by chic fashion label, Purple.

    But, the clock is ticking for the offender.

    “We’ve already made a level of progress,” Bun B tells CultureMap exclusively regarding the search. “I pretty much know where the thing is. We’re just trying to allow [who's responsible] to do the right thing. I don’t wanna have to publicly embarrass somebody about this. I'm a fair person: Just give me back what’s mine quietly and I'll resolve it quietly.”

    A reasonable offer, right? Bun B tells us there's “no way” the item was merely misplaced — it was clearly taken. In short, the offender can still make this right. Or, things could go very badly for he or she.

    “If I have to make noise in order to get this back, then somebody's gonna be embarrassed,” Bun adds. “I don't have to do anything to anybody. Just the public embarrassment of being outed as the person who took this from me on such a memorable night will do more than enough damage to their public — and quite honestly, their professional — reputation as well.”

    Though he doesn't want to out them — yet — for their safety, Bun assures us that his team are closing in on the party responsible for lifting the celebrated poncho crafted by Purple, the hot New York City-based fashion brand. Purple's co-founder, Luke Cosby, is a Houston success story; he relocated to NYC last year and thus holds the Rodeo — and Bun B and his legendary act UGK — dear. Indeed, Bun B walking out onstage sporting a poncho emblazoned with the logo of the rap duo he co-founded with dearly departed Pimp C was a seminal Rodeo — and Houston — moment.

    And so ideally, this poncho would become a piece of Rodeo history, one preserved in NRG Stadium halls like other hallowed pieces of concert memorabilia from past shows. Thus, the person or persons who've taken the poncho aren't just messing with Bun B and Cosby, but also Rodeo history, Bun adds.

    “Here's the thing: Just the idea of me not being in possession of the garment, that's not a big deal,” he continues. “If it got damaged or anything like that, I'd be okay with it, because the moment was documented and it served its purpose. But this was a one-off, commissioned piece created by one of the top designers in the country — Luke Cosby — who's from Houston and has one of the hottest brands in the country right now. And if for nothing else, the man wanted to keep the piece for posterity's sake. The Rodeo may want that in a glass case, to preserve for history. And you're interfering with that, you're interfering with the destiny of this poncho, its final resting place.”

    Bun even manages to chuckle about how how onstage item has become a cultural headline. “There's a lot more attention on a piece of clothing I think I've ever seen in my life — outside of a murder investigation,” he says. Our OG also agrees that this poncho pilfering is reminiscent of an NFL G.O.A.T.'s jersey being stolen after Super Bowl XLIX in 2017.

    “Oh yeah, this is the Houston equivalent of Tom Brady's jersey for sure,” he says with a laugh. “This is the TB12 jersey after the Super Bowl.”

    Joking aside, Bun B's team, Rodeo staff, and others are “adamantly” looking for the poncho and take the (alleged) theft seriously — namely for the offender's sake. To that end, Bun B is staying reasonable — for now — as to him, it's less about the theft of a garment and more about the repercussions for whomever stole it.

    “Look, I'm not gonna cry because I don't have a f*cking poncho,” he says. “But, I've had several scenarios where people have done me wrong. I've tried my best to resolve these things quietly, because I know that if I pointed to somebody and say 'this person did me wrong,' that they will be basically excommunicated. In the city of Houston, opportunities will be very hard for them. And I don't wish that on anybody.”

    Bun B has spoken. With hope, the party responsible is listening.

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    super duper

    Quirky Houston DJ drops genre-blending mix CD inspired by video games

    Craig D. Lindsey
    Dec 26, 2025 | 9:15 am
    DJ Squincy Jones
    Photo by Dustee Torres
    DJ Squincy Jones

    If you’re the type of person who has dubstep, Southern hip-hop, and Koji Kondo’s iconic “Ground Theme” from Super Mario Bros. in your streaming-music library, then Squincy Jones has created the perfect playlist for you..

    DJ Squincy Jones

    Photo by Dustee Torres

    DJ Squincy Jones

    Super Nintendub is the name of the mix where the Houston-born-and-bred DJ mashes up all those aforementioned music genres. A capella bars from Houston heavyweights (Megan Thee Stallion, Paul Wall) and other Dirty South MCs (Three 6 Mafia, 8Ball & MJG) gets laid over grooves from underground dubstep artists (Numa Crew, Blay Vision, Hamdi). But we also get music from various Nintendo (Castlevania III, Ninja Gaiden) and Super Nintendo (Super Mario World, Final Fantasy VI) games. Jones also throws in audio samples from commercials and gaming-heavy movies like WarGames, The Wizard, and the Adam Sandler-produced Grandma’s Boy.

    Needless to say, Jones has always been a gamer. He’s had his run of game systems: NES, SNES, Sega Genesis, even the old-school Atari 2600. He recalls his days blowing the dust out of such cartridges as Contra, Double Dragon, and Duck Hunt. In the past, Jones has released a series of mashup mixes – titled Blend Pack – with cover art that resembles/salutes classic video games.

    “I'm a huge fan of all the eight-bit and 16-bit stuff,” says Jones (government name: Shane Rector), 41. “I play a lot of the new games, or I have played a lot of the new games, but not as much anymore. You know, being a parent and having a full-time job – you don't really have time for video games anymore.”

    Super Nintendub is a sequel to Nintendub, a dubstep mix he played during a party way back in 2008. “I added some a capellas, [like] a Bun B a capella,” he recalls. “I had some other Dirty South tunes from the time. I layered them because they're at the same tempo as dubstep. Another friend that does music gave me a folder of Nintendo songs. So, I just randomly layered it on top and kinda slowed down the Nintendo music, and it sounded cool as hell to me.”

    The mix picked up fans overseas when he dropped it online. “I've always wanted to make a follow-up to it because I got so much good feedback,” he remembers. “People from all over were writing about it."

    Jones decided to release Super on compact disc, sold in rectangular keep cases – packaging that’s very familiar to gamers – with double-sided artwork also by Jones. (A digital link is available upon request to those who buy the CD.) While the limited-edition disc is available for purchase on Jones’s Bandcamp page, the CD mix shouldn’t be confused with the Super mix that’s currently playing on the page.

    “I wanted to have them in the mix as well,” he says. “But I'm not entirely, you know, confident with my production skills. So, I just kinda had it on the side to go along with the release of this mix.”

    Since releasing Super in September, Jones says he’s gotten good feedback from those who’ve bought a copy. “Because it looks like a video game,” he says, “a lot of people are like, ‘Oh, cool! Is it an actual game or an actual DVD or whatnot?’ But it's always hit or miss because some people are like, ‘Oh, man, I don't have a CD player’ or "Wow, you actually printed a CD,’ because everything's, you know, digital.”

    He’s looking into playing a big-screen version of Super, where videos of the rap songs are spliced in with video-game footage and other retro clips, somewhere around here. “I was thinking like either a movie theater or somebody mentioned Aurora Picture Show, or maybe Wonky Power, to do like a viewing or showing or whatever – kind of have a party for it.”

    Even though Jones enjoys merging gaming and music – his dual obsessions – he still prefers to be known as more than a video-game DJ. A veteran of the Houston DJ scene for a quarter of a century, he continues to do gigs like his upcoming monthly residency at Eight Row Flint.

    “I do open-format DJing,” he says. “I've done raves and dubstep parties. I've played on the radio. I've played at Mid Main, where it’s a mainstream crowd. In this day and age, everybody has their branding or whatnot. I just love video games, so I just kind of take that as my branding, I guess.”

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