a star is born

Brad Paisley steals hearts — and a fan's phone — in his Star Trail of Fame RodeoHouston show

Just a few hours before hitting the stage for his 15th show at RodeoHouston on Saturday, March 18, Brad Paisley was inducted into the Houston Livestock Show and Rodeo’s Star Trail of Fame.

The guitar picker joined the likes of Brooks & Dunn, Reba, Charley Pride, Elvis Presley, Gene Autry (the first performer ever), Roy Rogers, Alan Jackson, George Strait, and Selena.

Unless you are a certified rodeo rat like myself and have spent years stalking the halls of the NRG Center assignments, you’ve likely never seen this wall of gold plaques, located on the second floor of NRG Center outside HLSR’s offices.

Paisley’s star is the tenth on the wall, hanging next to Selena. On Saturday, he spoke briefly at an unveiling ceremony hosted by HLSR organizers.

“There’s nothing like this in the world,” Paisley told the assembled Houston press and rodeo brass on Saturday afternoon. “You guys realize that.”

It’s an honor reserved for the performers who’ve made a pronounced mark on the event. For some, like Reba and Strait, it’s about longevity and universal draw. While Selena (1993, 1994, 1995) and Elvis Presley (1970, 1974) only appeared at the rodeo a handful of times, their appearances have grown into sacred cultural milestones for two distinct demographics.

In Houston, you can age a native by who they first saw at the rodeo, like cowboy cosplay carbon dating. It doesn’t take long into a casual conversation about the rodeo without someone bragging about who they first saw.

Not unlike vegans, it won’t take long for someone to edify you with tales of seeing Elvis’ name on the Dome’s exploding scoreboard, or seeing Selena’s famous outfits in living color on Diamond Vision from the cheap seats. For me, it was being four years old and Strait showing off some of his ocean front property in 1987.

Paisley’s rodeo stops have always been breathers, nights to stretch and enjoy the scenery, like an industry night for the rodeo season. He’s performed at every RodeoHouston held since 2014, and without COVID changing the world’s plans, Saturday night’s matinee would have been his 17th show.

I’ve never heard anyone say an unkind word about a Paisley variety show stop. The rodeo’s starred stage, in whatever iteration, feels like home to him. The Grand Ole Opry and Guitar Hall of Fame member could be the house performer at an all-year rodeo theme park and no one would bat an eye.

He’s grown into an ambassador for a gentler, comical side of modern country music that’s always needed. Running counter to the stuffy modern hat acts, the sterner indie-toned traditionalists, and the rap-liters. Paisley’s the dude playing the hits, showing off his picking fingers, and having a beer with everyone in the room. No one else on this year’s rodeo lineup besides Paisley has recorded a song with Ukrainian President Volodymyr Zelensky, either.

On Saturday night, Paisley brought the warmth from his plaque unveiling onto the stage in front of a sold out matinee crowd. “River Bank” kicked things off with Paisley’s slashing riverbilly guitar out front.

It only took three songs for Paisley to make his first tour onto the dirt for “Perfect Storm”, which morphed into a cover of “The Love Boat” TV theme song as Paisley took a victory lap on the west side of the stadium. Of course, “Water” was the next song.

Music videos have always been Paisley’s multimedia creative jam and he made sure to sprinkle some gems from his videography into the set and screens. “Waitin’ On a Woman” came with the requisite posthumous cameo from Andy Griffith from the music video. For “Celebrity,” Paisley’s own mascot from the industry-skewering viral video made a minor cameo in the chute seats.

For a foggy mountain jam, Paisley and his band members with instruments that can go mobile joined him on the dirt for a road trip.

“You’re such a beautiful mix of Budweiser, cow shit, and Brut Cologne,” Paisley told the crowd as “I’m Still A Guy” worked its way into the set list.

Paisley stole a fan’s phone for a spell and began to play on Aurora Fernandez Sordelli’s Instagram account, perusing her socials and critiquing her profile. It completely made sense for United States Congressman Dan Crenshaw to sit in on “American Saturday Night,” playing tambourine more than slightly off beat.

Photo by Houston Livestock Show & Rodeo

“The Brad Paisley Variety Hour has been a certified hit for 15 rodeo seasons running and hopefully, we’re only at the beginning of its run.

Setlist

River Bank

Wrapped Around

Perfect Storm

The Literal Love Boat Theme

Water

Waitin’ On a Woman

Then

Celebrity

Last Time For Everything

Old Alabama

I’m Still A Guy

This is Country Music

American Saturday Night (with Dan Crenshaw on tambourine)

Ticks

She’s Everything

Movie Review

Ben Affleck cooks the books in chaotic sequel The Accountant 2

Photo by Warrick Page/Prime

Jon Bernthal and Ben Affleck in The Accountant 2.

In this Hollywood era of franchises, finding one to call their own is a priority for many movie stars. Over 30 years into his career, Ben Affleck had yet to find one; he did star as Batman in multiple movies, but that role has been interchangeable. He seemed to get a prime action hero role with 2016’s The Accountant, but somehow it’s taken nine years for The Accountant 2 to come out.

Affleck’s character of Christian Wolff is a high-functioning autistic man whose abilities to comb through mounds of data quickly and efficiently are matched only by his fighting skills. When Ray King (J.K. Simmons), a former Treasury agent who had previously hunted Christian, is murdered, King’s replacement, Marybeth Medina (Cynthia Addai-Robinson), calls on Christian to help figure out what happened and track down his killer.

The search quickly finds multiple criminal conspiracies, including a hitman ring, a scheme to abduct migrants, and more. Naturally, Wolff claims to need help in the endeavor, so his mercenary brother Braxton (Jon Bernthal) soon joins in on the quest. The two brothers work together to figure out the puzzle while also stopping to have some fun every now and then.

Directed by Gavin O’Connor and written by Bill Dubuque (both returning from the original), the film feels like it is missing many connective scenes. It often starts down one road and seems to be making good progress when it suddenly veers into another storytelling lane with no explanation. This happens multiple times throughout the film, to the point that it becomes almost impossible to tell what the main story is supposed to be.

In the first film, the oddity of having an autistic math genius also being a world-class marksman and fighter somehow made sense. This film leans much more into Christian’s physical skills, with the autistic side of things showing up in his (mostly) emotionless demeanor. While that works to a certain degree, the choppiness of the story undercuts the character traits that Affleck does his best to impart.

The best examples of the messiness of the film come in the multiple scenes that serve as nothing more than comic relief, with not even an attempt at connecting them to the main plot, such as it is. Two of them involve Christian proving himself to be a ladies man despite his lack of conversational skills, both of which fall flat as they seem to be making fun of his autism rather than highlighting positive aspects of it. Each of the comic scenes is so disparate in tone from the rest of the film that they essentially bring the story to a screeching halt.

Affleck is fine in the part, although he’s much better when Christian turns toward action hero mode than when he has to display the character’s autistic traits. Bernthal is great at being an over-the-top macho guy, and he gets to indulge that side of him throughout the film. Addai-Robinson is disserved by a role that doesn’t give her character any autonomy despite her high-powered position.

Affleck’s career has been one of the most up-and-down ones of any supposed A-list actor, and The Accountant 2 marks another down moment for him. He may have finally gotten his first sequel for a film in which he’s the main character, but don’t expect there to be a third installment.

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The Accountant 2 opens in theaters on April 25.

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