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    that's gwen stefani's music

    Blake Shelton — and surprise guest Gwen Stefani — kick off RodeoHouston 2024

    Craig Hlavaty
    Feb 27, 2024 | 11:03 pm

    The 2024 edition of the Houston Livestock Show and Rodeo kicked off Tuesday night just as the pop-culture world surrounding the Bayou City has once again embraced country music vibes as its aesthetic du jour. Being Houston, we always have a little giddyup in our daily struts, even if we drive SLABs or lifted F-5000s to this particular function.

    The first night of RodeoHouston seems to always have a certain nervous magic to it, our return to the muggy and starched confines of NRG Park. The urban cowpokes of the Greater Houston area have returned and the city is healing itself, one corn dog and giant alien plush doll at a time.

    Tuesday night marked Blake Shelton’s first appearance at RodeoHouston in six years and the sixth time he’s mounted the famous revolving stage in the middle of the stadium. Shelton’s brand of workhorse country has always been aggressively crowd-pleasing.

    Shelton started the night with the fiery testimonial “God’s Country” — a sort of “A Country Boy Can Survive” update from 2019. Five years on, it seems to have kicked in the doors for the likes of Jelly Roll and Hardy. Fittingly, the latter has a songwriting credit for it, vibe-checking the Charlie Daniels Band and Bocephus along the way.

    Shelton is an elder statesman of sorts in the corner of the pop country world that he inhabits alongside fellow 2024 performers Luke Bryan and Brad Paisley. The aw shucks everyman with a truck bed full of hooks and an earnest twang beating under his sweaty pearl snap Poncho shirt.

    To the delight of every beating heart in NRG Stadium, Shelton’s wife of three years, Gwen Stefani, joined him onstage for one of the dynamic duo’s many duets they’ve recorded together — “Nobody But You” and “Purple Irises.” Keen eyes probably knew something was up when a black SUV rolled up near the stage in the middle of Shelton’s set. The recently-released music video for Gwen-centric “Irises” shows the pair clad in couture denim in a vintage living room swooning like Kenny and Dolly. If wedding songs are still a thing, add it to the Spotify playlist.

    “Holy hell Gwen Stefani came out here and sang tonight,” Shelton said, looking genuinely flushed and revving up his cover of George Jones’ “Ol’ Red.”

    Blake Shelton Gwen Stefani RodeoHouston 2024Gwen Stefani joined Blake Shelton for one song.Photo by Craig Hlavaty

    When the towering Okie debuted on country radio airwaves in 2001 with “Austin” he was up against Brooks & Dunn and Lonestar for FM supremacy. The song that broke Shelton open wide made its way late into Tuesday night’s setlist and got the smartphone flashlight nebula treatment, a high honor at RodeoHouston.

    “What kind of people come out here in Houston to a stadium to watch a rodeo and then a damn country music concert on a Tuesday night?” Shelton chuckled, launching into “Hillbilly Bone”.

    Lock in Houston, this horsey ride lasts until March 17.

    Attendance: 59,461

    Blake Shelton, February 27, 2024 at RodeoHouston

    God’s Country
    Guy With A Girl
    Neon Light
    Sangria
    God Gave Me You
    Nobody But You
    Purple Irises (with Gwen Stefani)
    Ol’ Red
    Austin
    Honey Bee
    Hillbilly Bone
    Boys Round Here

    EXTRA FUN FACT: Back in 2010 when Shelton made his rodeo debut he was a part of a packed bill that reads like a murderer’s row of elderly zoomer nostalgia, featuring Demi Lovato, Justin Bieber, The Jonas Brothers, The Black Eyed Peas and Selena Gomez. Yes, 2010 was 14 years ago.

    Blake Shelton RodeoHouston 2024

    Photo courtesy of Houston Livestock Show & Rodeo

    Over 59,000 people saw Blake Shelton perform.

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    In Memoriam

    Legendary Texas singer-songwriter Joe Ely dies at 78

    KVUE Staff
    Dec 16, 2025 | 2:00 pm
    Joe Ely
    Joe Ely/Facebook
    Joe Ely was a major figure in Texas' progressive country scene.

    Joe Ely, the legendary songwriter, singer and storyteller whose career spanned more than five decades, has died from complications related to Lewy Body Dementia, Parkinson’s disease, and pneumonia. He was 78.

    In a statement posted to his Facebook page, Ely died at his home in Taos, New Mexico, with his wife, Sharon, and daughter, Marie, at his side.

    Born February 9, 1947, in Amarillo, Texas, Ely was raised in Lubbock and became a central figure among a generation of influential West Texas musicians. He later settled in Austin, helping shape the city’s reputation as a hub for live music.

    As with many local legends, it's hard to tease out what specifically made Ely's time in Austin so great; Austin treasures its live music staples, so being around and staying authentic from the early days is often the most important thing an artist can do.

    Ely got his local start at One Knight Tavern, which later became Stubb's BBQ — the artist and the famous venue share a hometown of Lubbock. He alternated nights with emerging guitar great Stevie Ray Vaughn. He built his own recording studio in Dripping Springs, and kept close relationships with other Texas musicians. Later in his career, Ely brought fans into the live music experience, publishing excerpts from his journal and musings on the road in Bonfire of Roadmaps (2010), and was inducted into the Austin City Limits Hall of Fame in 2022. Austin blues icon Marcia Ball was among Ely's friends who played the induction show.

    "Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls," said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    In the 1970s, Ely signed with MCA Records, launching a career that included decades of recording and touring around the world. His work and performances left a lasting impact on the music scene and influenced a wide range of artists, including the Clash and Bruce Springsteen, according to Rolling Stone.

    "His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto. He began his career in the Flatlanders, with fellow Lubbock natives Jimmie Dale Gilmore and Butch Hancock, and he would mix their songs with his through 50 years of critically acclaimed recordings. [...]"

    --

    Read the full story at KVUE.com. CultureMap has added two paragraphs of context about the Austin portion of Ely's career.

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