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    that's gwen stefani's music

    Blake Shelton — and surprise guest Gwen Stefani — kick off RodeoHouston 2024

    Craig Hlavaty
    Feb 27, 2024 | 11:03 pm

    The 2024 edition of the Houston Livestock Show and Rodeo kicked off Tuesday night just as the pop-culture world surrounding the Bayou City has once again embraced country music vibes as its aesthetic du jour. Being Houston, we always have a little giddyup in our daily struts, even if we drive SLABs or lifted F-5000s to this particular function.

    The first night of RodeoHouston seems to always have a certain nervous magic to it, our return to the muggy and starched confines of NRG Park. The urban cowpokes of the Greater Houston area have returned and the city is healing itself, one corn dog and giant alien plush doll at a time.

    Tuesday night marked Blake Shelton’s first appearance at RodeoHouston in six years and the sixth time he’s mounted the famous revolving stage in the middle of the stadium. Shelton’s brand of workhorse country has always been aggressively crowd-pleasing.

    Shelton started the night with the fiery testimonial “God’s Country” — a sort of “A Country Boy Can Survive” update from 2019. Five years on, it seems to have kicked in the doors for the likes of Jelly Roll and Hardy. Fittingly, the latter has a songwriting credit for it, vibe-checking the Charlie Daniels Band and Bocephus along the way.

    Shelton is an elder statesman of sorts in the corner of the pop country world that he inhabits alongside fellow 2024 performers Luke Bryan and Brad Paisley. The aw shucks everyman with a truck bed full of hooks and an earnest twang beating under his sweaty pearl snap Poncho shirt.

    To the delight of every beating heart in NRG Stadium, Shelton’s wife of three years, Gwen Stefani, joined him onstage for one of the dynamic duo’s many duets they’ve recorded together — “Nobody But You” and “Purple Irises.” Keen eyes probably knew something was up when a black SUV rolled up near the stage in the middle of Shelton’s set. The recently-released music video for Gwen-centric “Irises” shows the pair clad in couture denim in a vintage living room swooning like Kenny and Dolly. If wedding songs are still a thing, add it to the Spotify playlist.

    “Holy hell Gwen Stefani came out here and sang tonight,” Shelton said, looking genuinely flushed and revving up his cover of George Jones’ “Ol’ Red.”

    Blake Shelton Gwen Stefani RodeoHouston 2024Gwen Stefani joined Blake Shelton for one song.Photo by Craig Hlavaty

    When the towering Okie debuted on country radio airwaves in 2001 with “Austin” he was up against Brooks & Dunn and Lonestar for FM supremacy. The song that broke Shelton open wide made its way late into Tuesday night’s setlist and got the smartphone flashlight nebula treatment, a high honor at RodeoHouston.

    “What kind of people come out here in Houston to a stadium to watch a rodeo and then a damn country music concert on a Tuesday night?” Shelton chuckled, launching into “Hillbilly Bone”.

    Lock in Houston, this horsey ride lasts until March 17.

    Attendance: 59,461

    Blake Shelton, February 27, 2024 at RodeoHouston

    God’s Country
    Guy With A Girl
    Neon Light
    Sangria
    God Gave Me You
    Nobody But You
    Purple Irises (with Gwen Stefani)
    Ol’ Red
    Austin
    Honey Bee
    Hillbilly Bone
    Boys Round Here

    EXTRA FUN FACT: Back in 2010 when Shelton made his rodeo debut he was a part of a packed bill that reads like a murderer’s row of elderly zoomer nostalgia, featuring Demi Lovato, Justin Bieber, The Jonas Brothers, The Black Eyed Peas and Selena Gomez. Yes, 2010 was 14 years ago.

    Blake Shelton RodeoHouston 2024

    Photo courtesy of Houston Livestock Show & Rodeo

    Over 59,000 people saw Blake Shelton perform.

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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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