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    Best December Concerts

    10 under-the-radar concerts rocking intimate Houston clubs in December

    Johnston Farrow
    Dec 4, 2024 | 3:00 pm

    The concert schedule generally follows the weather forecast.

    Once the chill sets in around the holiday season, national and international artists slow their touring schedule as ticket buyers are more excited about Santa Claus coming to town. However, this gives Houston’s many local venues a chance to spotlight a seemingly bottomless magical sack of talented musical acts from across the region.

    For those who need a break from the bustling Christmas shopping crowds or stressful family gatherings, these upcoming performances are worth checking out at some of the Bayou City’s more intimate and classic clubs, bars, and theaters.

    Girl in a Coma, December 6, Last Concert Café
    Inspired by The Smiths’ song “Girlfriend in a Coma,” San Antonio rock trio Girl in a Coma – frontwoman/guitarist Nina Diaz, sister Phanie Diaz (drums) and Jenn Alva (bass) – recently returned from an extended hiatus and are back on the road. They first got their big break when they were discovered by Joan Jett, who signed them to her Blackheart Records label in the late-aughts. A mix of riot girl attitude and undeniable hooks led to acclaimed albums such as their debut, Both Before I'm Gone, building a devoted cult following with Sia, Tegan and Sara, and the original Smith, Morrissey, among their champions.

    Hayes Carll & Band of Heathens, December 7 & 8, The Heights Theater
    Two acclaimed Texas favorites, The Woodlands-raised Hayes Carll and Austin’s Band of Heathens, join forces for two shows at the intimate Heights Theater. For fans of rock, folk, country, and soulful blues anthems, this supergroup built their relationship by sharing stages across the course of a decade. The idea to team up came back in October 2023, when the musicians got together for a “freewheeling family jam” in Luckenbach, Texas, culminating in plans to bring their musical union to the masses.

    Hey Thanks! with Holy Worm, Letrainiump, December 7, 1810 Ojeman
    The expressively named New Orleans band Hey Thanks! made waves in 2022 with their debut album, Start/Living, recalling upbeat pop, emo, and indie acts like Fall Out Boy, Walk the Moon, and a dash of My Chemical Romance. The former Warped Tour vets are covering the indie circuit having just released the chillwave-sounding single, “Forward,” with surely more music on the horizon.

    Troller, Gleaming, Monochrome Lover, December 7, Axelrad
    [Update: This concert has been postponed.] For those who prefer Krampus to Santa Claus, Dark Entries heralds in a black Christmas at the monthly goth, post-punk, new wave, and synth night at Axelrad. This month’s edition features Austin darkwave and shoegaze-indebted trio Troller, who recently released a synth-drenched cover of the Smashing Pumpkins’ “Today,” following their 2023 album, Drain. Austin's Gleaming and Houston’s Monochrome Lover opens.

    Tomar and the FCs with Tweed Smith and The Internationals, December 14, Dan Electro’s
    An Austin band and Houston favorite, Tomar and the FCs are a soul group that brings the requisite passion to their live performances. In a special treat, they’ll be joined at Dan Electro’s by the legendary Tweed Smith, former backup singer to the band WAR, who knows a thing or two about the world of funk and soul music. With a reputation as a fiery live presence, expect a show with an unmeasurable amount of Yuletide joy.

    Dawes, December 14, Heights Theater
    Although not from the Bayou City, the Los Angeles group Dawes has a strong following here due to their critically acclaimed Laurel Canyon-influenced Americana and folk rock. Led by the buttery-voiced Taylor Goldsmith, they’ve just released another great album in Oh Brother. Prepare for the show by watching Goldsmith perform this stripped back, acoustic version of the quintessential Britpop anthem, Pulp’s “Common People,” for AVClub.com. Winnetka Bowling League opens.

    Robert Glasper, December 17, House of Blues
    One of the best parts about the holidays is when some of our finest talent performs in their hometown. A man with more creativity in his pinky finger than a roomful of musicians combined, Mo City-raised genius Robert Glasper is a five-time Grammy Award-winning jazz pianist, producer, and songwriter who has worked with a who’s-who across the worlds of jazz, pop, R&B, and hip-hop, including Kendrick Lamar, H.E.R., Norah Jones, Herbie Hancock, and Talib Kweli. Taking a break from his many projects for this solo gig, the vibes will go hard.

    A Fistful of Soul, December 21, The Continental Club
    Get on those dancing shoes. Once a long-running monthly series, the DJs behind A Fistful of Soul return to the Continental Club for one special night to celebrate their 15th anniversary as arguably the best Motown-era soul, old school R&B, funk dance party in Houston, mixed and spun on vinyl records. Over the course of its run, the night attracted international soul night DJs from as far away as Mexico City, Scotland, and England to participate in one of the most unique – and fun! – dance nights in the region.

    Tony Kamel, December 26, McGonigel’s Mucky Duck
    Another in a long line of talented local singer-songwriters, Tony Kamel will play up close and personal at the famed Mucky Duck, a mix of bluegrass, country, rock, and soul in his repertoire. Need proof of this his chops? His 2019 album, North of Despair, was nominated for a Best Bluegrass Album Grammy. If you like your music gritty but clever – think Jason Isbell and Sturgill Simpson – Kamel delivers it in spades with a wink and a grin.

    Toadies, House of Blues, December 29
    Despite being 30 years since their groundbreaking alt-rock smash record, Rubberneck, this ain’t no nostalgia gig. Fort Worth’s Toadies still go hard in a live setting, and Houston’s House of Blues has been playing host to the quartet at the end of every year from recent memory, give or take a pandemic. Not that we’re complaining – a group that releases bangers such as “Possum Kingdom,” “Tyler,” and “I Come From the Water,” deserves to celebrate the oncoming new year with us as long as they like.

    Dawes

    Photo by Jon Chu

    California act Dawes gets initimate at The Heights Theater on December 14.

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    Movie Review

    Offbeat drama Pillion features command performance by Alexander Skarsgård

    Alex Bentley
    Feb 20, 2026 | 4:30 pm
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

    ---

    Pillion is now playing in theaters.

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