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best november concerts

Jelly Roll and Usher headline Houston's 10 best November concerts

Johnston Farrow
Nov 4, 2024 | 10:04 am

In stressful times, one reliable way to blow off steam is live concerts. These settings might be some of the last bastions for melting away all our differences to experience artists performing their distinct brand of melodies, hooks, and beats. Music rarely, if ever, lets us down.

So in a particularly tense cultural climate, restore your faith in humanity by attending any of the 10 biggest concerts happening in Houston this month.

Old 97’s with Fastball, November 10, The Heights Theater
Two of the more underrated Texas acts that found initial success in the ‘90s will visit the intimate confines of the Heights Theater this November. Led by the handsome Rhett Miller, the Dallas-formed Old 97’s carved out a respectable and prolific career on the foundation of hook-filled alt-rock-meets-Americana, their latest being this year’s critically acclaimed American Primitive. Meanwhile, the Austin-formed Fastball garnered attention for the still-great rock radio hit, “The Way,” with their latest album being Sonic Ranch.

Can’t Miss Songs: “Question," "The Way."

Cyndi Lauper, November 16, Toyota Center
The neon-bright feminist icon Cyndi Lauper is doing one last dance, embarking on her Girls Just Wanna Have Fun Farewell tour to celebrate 40 years as one of the most successful pop stars of all time. The Grammy, Emmy, and Tony Award-winning songwriter ruled the charts in the ‘80s, and her outspoken voice on women’s issues has endured over the years alongside her hits. The Lauper-influenced pop duo AJ & Aly will open.

Can’t Miss Songs: “Girls Just Wanna Have Fun,” “Time After Time,” “True Colors,” and “She Bop.”

Jelly Roll, November 17, Toyota Center
The first of several former RodeoHouston headliners to perform in Houston this month, Nashville’s Jelly Roll is, well, on a roll these days, taking over the country charts in true crossover fashion that’s become a popular strategy for hip-hop artists. His No. 1-hit “Save Me” has been inescapable since it was released in 2020, and he has parlayed that into a stratospheric rise to mainstream popularity after starting his career as an indie rapper. His new album, Beautifully Broken, scored him his first Billboard #1 pop and country album.

Can’t Miss Songs: “Save Me,” “Need a Favor”

GWAR, November 17, Warehouse Live Midtown
Not for the faint of heart, heavy metal legends GWAR are on a mission to melt your face off with their hyper-sexual, mythological and frankly, uncouth, guitar assault. Best known for their exuberantly over-the-top and grotesque costumes and interactive performances that involve actual audience members being consumed by onstage props or being sprayed by fake bodily fluids, GWAR have no time for pearl clutching. In other words, are you not entertained?

Can’t Miss Songs: “Immortal Corruptor,” “Lust in Space”

Mariah Carey, November 19, Toyota Center
The Queen of Christmas is coming. We’re not just talking about Mariah Carey’s biggest holiday hit song of all time, “All I Want For Christmas,” which should start blasting from speakers any day now. For those who haven’t heard enough of that tune, the superstar will also be taking the show on the road with a setlist full of festive favorites alongside non-Yuletide-themed hits.

Can’t Miss Songs: “All I Want For Christmas,” “Hero”

Manchester Orchestra, November 20, Bayou Music Center
A festival favorite, Manchester Orchestra, has steadily been building a solid fanbase in the Bayou City, seemingly playing city stages every year, even when there’s no new music to tout. Thanks to the genius of singer/guitarist Andy Hull, the Atlanta band’s sprawling, multi-genre sound is the catharsis many crave. Their last original album may have been released in 2021, but their strong live presence forged on large stages means that they’ll continue to draw a crowd.

Can’t Miss Songs: “The Gold,” “The Alien”

Kacey Musgraves, November 21, Toyota Center
The Texas-raised, seven-time Grammy winner Kacey Musgraves is one of the brightest lights in the new country scene. After winning multiple awards for 2018’s groundbreaking full-length, Golden Hour, Musgraves achieved her first No. 1 pop chart hit with Zach Bryan, “I Remember Everything,” and she appeared on Saturday Night Live following the release of her new album, Deeper Well. The strength of her live performance has only grown since she opened RodeoHouston in 2019, and Lord Huron and Nickel Creek round out a solid line-up at this Toyota Center headlining gig.

Can’t Miss Songs: “Follow Your Arrow,” “Butterflies”

Better Than Ezra, November 22, House of Blues
Three bands that had their own 15 minutes of fame on ‘90s alt-rock radio are playing within days of each other on different Houston stages. Denton’s Deep Blue Something (“Breakfast at Tiffany’s”) perform on November 22 at the Last Concert Café and SoCal rockers Everclear (“Santa Monica”) are at Sawyer Park Icehouse on Nov. 24. Of the three, our pick is Better Than Ezra at House of Blues, a trio that released a series of good-to-great albums featuring the power-pop gems, “Good,” “King of New Orleans,” and “Desperately Wanting” that found alt-rock radio success.

Can’t Miss Songs: “Good,” “Desperately Wanting”

Usher, November 27, 29 and 30, Toyota Center
Is R&B heartthrob Usher the biggest artist in the world right now? A sell-out Las Vegas residency, a Super Bowl halftime performance, and three-night run at Toyota Center at the end of the month points to (cue Lil Jon voice) “Yeah!” The seemingly ageless performer who first broke out during the Total Request Live era will draw from a vast catalog of hits in what might be some of the biggest shows of the year in Houston.

Can’t Miss Songs: “Burn,” “You Make Me Wanna,” “Yeah!”

Midland, November 29, 713 Music Hall
Country act Midland heads down the highway from their Central Texas home for a headlining gig at 713 Music Hall, their Eagles meets ‘80s country a perfect fit for their blue steel looks. A few years removed from their 2020 RodeoHouston opener, in many ways this trio pointed the way forward for country acts today, with outlaw attitudes up against catchy hooks as a recipe for success. They are back on the road with their new album, Barely Blue.

Can’t Miss Songs: “Drinkin’ Problem,” “Mr. Lonely”

Usher, Unite Forever Gala
Photos by Jordan Taylor Wright

R&B super star Usher comes to H-Town for a three-night run at the Toyota Center, November 27, 29, and 30.

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Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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