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    10 Best June Concerts

    Presenting the 10 best concerts happening in Houston this month

    Johnston Farrow
    Jun 3, 2024 | 11:00 am

    May showers give way to hot summer concerts.

    Houston’s rainy season almost always leads to issues with the live music schedule, especially for outdoor shows, and each year there seems to be a few gigs that either get cancelled or rescheduled due to a strong Mother Nature flex. However, this year, the city’s concert venues came out of the deluge relatively unscathed, only to set up the next big challenge for the ticket buying masses – the heat.

    It takes a hearty sort to be a Bayou City music fan. The June concert slate includes numerous big shows set at open-air lawns and amphitheaters. That means knowing to apply copious amounts of sunscreen, dressing appropriately, and hydrating enough to make Aquaman nod in approval.

    But for those who can hack the aggressive temperatures and insane humidity, plenty of shows ahead will make the effort worth it. Here are 10 shows for the month of June that offer ample rewards for live music lovers.

    The Kid Laroi, June 4, 713 Music Hall
    Following the career path of none other than Canadian pop sensation, Justin Beiber, the young Australian rapper The Kid Laroi found a receptive American audience with his No. 1 hit collaboration, “Stay.” His 2020 mix-tape, F*ck Love, also hit the top of the charts, and he found himself firmly in the center of the cultural zeitgeist last summer when his track, “Forever & Again” made it’s way onto the soundtrack for the biggest movie of the year, Barbie. Glaive and Chase Shakur take on the early slots.

    Vampire Weekend, June 6, 713 Music Hall
    The debate as to whether wearing shorts on stage is cool or not cool rages on when the New York City indie darlings Vampire Weekend return to Houston. They are back after an extended hiatus with the critically acclaimed Only God Was Above Us, years after they became Pitchfork heroes with their 2008 self-titled debut and 2010’s Contra. They’ll be headlining festivals for the near future, so seeing them at 713 Music Hall will be as intimate as it gets for their legion of fans. La Lom opens.

    Saint Arnold Brewing Company 30th Anniversary, June 8, Saint Arnold Brewery
    The granddaddy of independently-owned, Texas craft breweries, Saint Arnold is celebrating its 30th Anniversary in style with a blow out party at its downtown campus, featuring a who’s-who of Houston musical talent. Aside from rivers of tasty beer, what makes the party a must-attend is the lineup, including The Suffers lead singer Kam Franklin, rapper Devin the Dude, singer-songwriter Robert Ellis, hip-hop artist Fat Tony, and Splice Records’ R&B house band Bayou City Funk, who will all come together to perform, superjam-style, as The Houston Super Group. DJ Shante and the Blue Heron Yacht Club are also on tap.

    Silversun Pickups, June 11, House of Blues
    One of the better live acts in the alternative rock world over the last 15 years, the Los Angeles-based Siliversun Pickups got there with a healthy dose of peak-era Smashing Pumpkins hooks and a bit of shoegaze – see “Lazy Eye” and “Panic Switch” for proof. They’re back with their new album, Physical Thrills, produced by peak-era Pumpkins producer, Butch Vig. Coincidence? We think not. Hello Mary opens.

    Megan Thee Stallion, June 14 & 15, Toyota Center
    She left the Bayou City, conquered the world, and now she’s back to celebrate with some of her biggest headline gigs yet. The Texas Southern grad, massive hip-hop star, Megan Thee Stallion, blew up in 2018 with the then-inescapable smash singles “Hot Girl Summer” and “Cash Sh*t,” later winning Grammys in a guest-starring role on Cardi B’s raunchy send up, “WAP.” Since then, she’s won countless more awards, released chart-topping singles and albums, and now she’s playing two nights at one of the biggest venues in town. GloRilla opens.

    Alanis Morissette, June 16, Cynthia Woods Mitchell Pavilion
    One of Canada’s most important and successful musical exports, Alanis Morrisette’s cultural caché recently received a much-deserved boost from the new wave of ‘90s-influenced female pop stars, including Olivia Rodrigo, that cite her as a major influence on their confessional, angst-driven hits. While her commercial peak is long past the days when Jagged Little Pill produced a number of radio smashes (“You Oughta Know,” “Ironic,” “Hand in My Pocket”) en route to selling 33 million copies, Morissette transcends the nostalgia circuit due to the massive cultural impact left in her wake. The immortal rock legends Joan Jett & The Blackhearts open along with Morgan Wade.

    DIIV, June 19, White Oak Music Hall
    Recently handpicked to open a portion of Depeche Mode’s recent North American leg of their Momento Mori tour, Brooklyn post-punk band DIIV is now playing the headliner, a gift to anyone that saw them crush it at Toyota Center last October. They're on the road supporting their new album, the dark and moody Frog In Boiling Water, which continues a string of fantastic records dating back to the excellent 2012 offering, Oshin. They Are Gutting a Body of Water and untitled (halo) open.

    Styx & Foreigner, June 22, Cynthia Woods Mitchell Pavilion
    Don’t worry, dads, there’s plenty of shows for you to enjoy during Father’s Day month, as the nostalgia circuit revs up with classic rockers Styx and Foreigner. Styx, led by guitarist Tommy Shaw, found fame in the ‘70s, racking up 20 million album sales and eight top ten singles, including “Come Sail Away,” “Renegade,” and “Blue Collar Man.” Foreigner is one of the best selling bands of all time with over 80 million albums sold (“I Want to Know What Love Is,” “Cold As Ice”), receiving a nod to the 2024 class of the Rock and Roll Hall of Fame. John Waite opens.

    Mother Mother, June 25, 713 Music Hall
    Like many acts today, the Vancouver-based Mother Mother grew their audience via social media, long-dormant songs finding new life during the pandemic on TikTok. Once a modest band only known to Canadian audiences, their song “Hayloft” blew up in excess of hundreds of million streams and they found themselves playing 12,500-capacity venues in music capitals such as London. The tour will be co-headlined by Cavetown; Meet Me @ the Altar starts the night.

    Doobie Brothers, June 30, Cynthia Woods Mitchell Pavilion
    A powerhouse of the '70s, the Doobie Brothers brings decades of hits and millions of albums sold, following a successful 50th anniversary tour. That jaunt saw famed member Michael McDonald (the source of an excellent gag in The 40-Year-Old Virgin) come back to the fold after a 25-year break, his buttery vocals a much-welcomed return to the band that saw success with radio-friendly singles such as “What a Fool Believes” and “Long Train Runnin.’” Grammy Award-winning jazz-blue-rock act The Robert Cray Band opens.

    DIIV

    Photo by Louie Kovatch

    The dark and moody DIIV headlines at White Oak Music Hall on June 19.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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