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    ACL News

    Sabrina Carpenter, The Strokes, and more revealed for 2025 ACL festival

    Brianna Caleri
    May 6, 2025 | 2:30 pm
    Sabrina Carpenter performing

    Sabrina Carpenter is a headliner at ACL Music Festival in 2025.

    Photo by Frazer Harrison/Getty Images for Coachella

    Austin City Limits Music Festival is back for another year of big names including Sabrina Carpenter, Hozier, Doja Cat, Luke Combs, The Strokes, John Summit, Doechii, and more. The event will take place at Austin's Zilker Park from October 3-5 and October 10-13.

    Ticket sales start with three-day wristbands at noon on May 6 at aclfestival.com.

    Just in terms of buzz alone, Sabrina Carpenter and Doechii are two big pulls that perhaps could have been expected, although there are never any guarantees. The pristine pop and artistic rap performers, respectively, are each on a meteoric rise. Their sets could echo Chappell Roan's last year, which stole headlines for sheer excitement and crowd size.

    Hozier, Doja Cat, Luke Combs, and The Strokes are all returning artists. That means nearly half of this year's headliners are making their ACL Fest debut right at the top. One of those newcomers is John Summit, who was speculated to show up in 2024 with Dom Dolla. Fans also expected to see Sabrina Carpenter in 2024 (in part thanks to a misleading advertisement on the "payphone" ACL Fest installed to tease its lineup), so thankfully they didn't have to wait long.

    After the actual headliners, the top line of performers include Colombian reggaeton star Feid, who has collaborated with Bad Bunny, J Balvin, Karol G, and more; alternative rock band Cage the Elephant, who are back from a tumultuous patch; R&B star T-Pain, in the middle of a personal renaissance to remind people he can sing without autotune; Australian electropop duo Empire of the Sun, with alien operatic stage sensibilities; nostalgic solo artist Djo, the nearly incognito solo project of actor Joe Keery from Stranger Things; and iconic post-hardcore band Pierce the Veil, who are back in the studio again.

    Attendees will have a second chance to see local favorite Passion Pit, the defining electropop group that recently dropped out of a 2025 South by Southwest showcase, leaving barely a trace. Japanese Breakfast also promises big crowds; a recent signing appearance at End of An Ear in South Austin created a line around the block for hours. Two more CultureMap favorites (if readers will indulge us) are Southern indie rock band Rainbow Kitten Surprise and British indie, post-punk band Wet Leg; respectively hyper sincere and deadpan, but both fun and high-energy.

    Among Austin artists, two stand out as recent festival favorites: Geto Gala and The Point. Geto Gala is a hip hop duo favoring smooth, nostalgic beats and a laid-back lyrical delivery. The Point, a rock group, spans many styles, but their live sets tend to show off high-energy, world-influenced, and mostly instrumental blues. Dylan Gossett, while not exactly a festival staple, is much higher up on the lineup and is becoming very well-respected as a country-folk songwriter.

    A press release pulls out some additional notable acts from the lineup:

    • Fujii Kaze (W2)
    • ROLE MODEL
    • Gigi Perez
    • CA7RIEL & Paco Amoroso (W2)
    • Olivia Dean
    • Yoke Lore
    • flowerovlove
    • Royal & The Serpent
    • Amble
    • Good Neighbours
    • Celeste (W1)

    And some from Texas:

    • Maren Morris (W1)
    • Dylan Gossett
    • Tanner Usrey
    • Asleep at the Wheel (W1)
    • INOHA (W1)
    • Johnny Stimson (W2)
    • SL Houser (W1)
    • Geto Gala (W1)
    • Farmer’s Wife (W2)
    • Alex Amen (W2)
    • Shallowater (W2)
    • Aaron Page (W1)
    • Huston-Tillotson University Jazz Collective (W2)
    • Disciples of Christ (W1)
    A full lineup can be viewed here:

    Austin City Limits Music Festival lineup 2025ACL's full 2025 lineup.Graphic courtesy of Austin City Limits Music Festival

    Folks who can't make the festival can once again tune in on Hulu, returning as the festival's official streaming partner for performances, interviews, and more. Hulu will stream the first weekend, only.

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    Movie Review

    New thriller Crime 101 majors in cool with Hemsworth at the wheel

    Alex Bentley
    Feb 13, 2026 | 4:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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