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    Live Music Now

    These are the top 5 must-see concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Mar 27, 2018 | 4:45 pm

    After three weeks of RodeoHouston and then a big, successful weekend with In Bloom, one would think that the music scene would take a breather before ramping up for the summer months ahead. But spring time continues its hot streak with great shows for the live music fan. Here are the Top 5 shows coming up in Houston:

    Best buzz act to see in a club before they blow up
    To get a sense of how big K.Flay, also known as Kristine Meredith Flaherty, is getting, just look to this past year’s Grammy Awards. The 32-year-old alt-rock singer found herself nominated for two awards, Best Rock Song for her hit “Blood in the Cut” and Best Engineered Album, Non-Classical for her 2017 album Every Where Is Some Where. This put her in the company of Metallica, Foo Fighters, Roger Waters, and Bruno Mars.

    Even though she didn’t pick up any hardware, the future is bright for this talented singer whose exhilarating blend of beats, guitars and in-your-face lyrics a la Alanis Morissette is set to launch her to even greater heights.

    K.Flay brings the fury to White Oak Music Hall, located at 2915 N Main St., on Friday, March 30. Yungblud opens. Tickets are $15 in advance, plus fees. Doors open at 8 pm.

    Yacht rock giants
    The sweet, sweet harmonies of Chicago find their way to Sugar Land, where the classic rock group will bring their hits from across five (!) decades for fans who grew up to on them. Also known as one of the biggest dad rock bands of all time, Chicago has made a good late-career surge on the oldies circuit. The band started in the late-'60s when bands took to naming themselves after geographic locations for some reason (Boston, Kansas, America).

    They started off releasing pretty good rock songs (“25 or 5 to 4”) before veering into the pure cheese of prom night ballads ("If You Leave Me Now," "Hard to Say I'm Sorry/Get Away," "You're the Inspiration") that many '80s kids probably can thank for their conception, but ultimately serve as a time capsule of an era when cars were really big, hair was shaggy, and fashion gaudy. Hey, 100 million albums sold can’t be wrong.

    Chicago brings the oldies to the Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Saturday, March 31. JD & The Straight Shot opens. Tickets start at $79.50 plus fees. Show starts at 8 pm.

    Smoothest R&B sounds of the week
    Critically acclaimed R&B artist Miguel brings his smooth voice and boundary pushing catalog that combines Prince and Stevie Wonder influences with the production sounds of The Weeknd and Frank Ocean to Houston for a sold out show. Miguel has been making big waves on the charts, including three top 10 albums in 2012’s Kaleidoscope Dream, 2015’s Wildheart, and 2017’s War & Leisure, the first of which is considered a modern R&B classic.

    Most urban music fans will know him from the No. 1 Wale smash, “Lotus Flower Bomb, which was all over the radio back in 2011.

    Miguel performs to a full house at Warehouse Live, located at 813 Saint Emanuel St., on Tuesday, April 3. Sir and Nonchalant Savant open. Tickets are sold out but you can try your luck on the ticket exchange. Doors open at 8 pm.

    A side-project with a hella great singer
    Brittany Howard, the booming-voiced lead singer and guitar of the massive Alabama Shakes, is taking a break from her day job to hit the road with friends Becca Mancari and Jesse Lafser as the trio Bermuda Triangle to ply acoustic based Americana tunes. The group only has two recorded songs right now, the tropicalia-tinged “Rosey,” and rootsy “Suzanne” so expect to hear cover tunes and hopefully new renditions of songs from her other band.

    Bermuda Triangle plays at the Heights Theater, located at 339 W. 9th St., on Wednesday, April 4. Liz Cooper & The Stampede, Becca Mancari open. Tickets are $20, plus fees. Doors open at 7 pm.

    Best NOLA party in HOU
    By now, you’ve might have heard the story of Tank and the Bangas. The New Orleans funk-soul band, fronted by Tarriona “Tank” Ball and founded in 2011, broke it big when it won the NPR Tiny Desk Concert competition out of thousands of entries in 2017. The victory launched their career and they’ve been on the road ever since. The group quickly gained fame for putting on thrilling and infectious live shows emphasizing interaction between the band and audience. They are touring behind the release of the 2017 single, “Quick.”

    Tank and the Bangas bring the NOLA party to White Oak Music Hall, located at 2915 N Main St., on Thursday, April 5. Tickets are $16 in advance, plus fees. Doors open at 8 pm.

    Classic rock band Chicago will play the Smart Financial Centre at Sugar Land on Saturday, March 31.

    Chicago band
    Photo by David M. Earnisse
    Classic rock band Chicago will play the Smart Financial Centre at Sugar Land on Saturday, March 31.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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