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    Married to Medicine Houston Recap

    Married to Medicine Houston Recap Episode 9: Havana Sights and a San Antonio miracle

    Kaitlin Steinberg
    Dec 30, 2016 | 9:01 pm

    It’s the final countdown, ladies and gents, the second-to-last episode of Married to Medicine Houston (probably ever), which means storylines that we’ve been following all season are finally coming to some sort of resolution.

    Like the damn Havana Nights fundraiser. How many episodes have we been hearing about this ode to old Cuba that will fund the dental area of the new wellness center? The anticipation is killing me. But we’re finally here, at some warehouse-type event venue in Montrose, a neighborhood that seems to be somewhat of a mystery to Ashandra and Rachel when they arrive. I don’t know where you ladies normally hang out, but welcome to Montrose. We have great restaurants, great dive bars and many of the gays. It’s a magical place.

    Not so magical (yet) is the event venue, which is pretty bare bones, but Rachel is confident she can turn it into Cuba in no time. Theresa Roemer (of closet fame) joins the group to discuss the fashion show that will take place at the fundraiser. Ashandra jokes that because Theresa's so buff, she could be security at the event, and I would LOVE to see that.

    Next we catch up with Derika, who enjoy a rare lunch meetup at Croissant Brioche in Rice Village. They chat about what area of medicine Derek might go into after residency, and, over a slice of cake and a ham quiche, the words “colon surgery I love” and “hand-sewn colon anastomosis” come out of Derek’s mouth. The pure delight with which he states, “Colo-rectal sounds super appealing” is actually kind of adorable if you don’t think about it too hard.

    After the news that having a baby is going to be harder than they expected, Derek and Erika have taken a break from all the complicated medical stuff and are trying things the old-fashioned way. Then Derek says he might want to move back to Abilene to work, and I just want to remind him that this is what Abilene looks like. And this is what Houston looks like. I rest my case.

    To salvage her failing relationship, Monica has traveled to San Antonio to visit Imad, since usually he has to come visit her in Houston. Apparently he’s not expecting her, and surprising a dude who can’t commit to anything sounds like a greeeeeat idea. He does seem pleased to see her, though, so I’m the surprised person in this situation.

    I don’t know if it’s because he was at work when Monica showed up so he had to be on his best behavior or if he’s more comfortable in San Antonio or what, but this is the nicest I’ve ever seen Imad. He was almost charming, which freaks me out much more than when he’s being an asshole. I don’t know how to handle these feelings of compassion toward him. I hope he does something rude again soon so I can get back to a state of equilibrium.

    Back at the event space for the Havana Nights fundraiser, Theresa is casting models for her fashion show, and Ashandra, Pegah and Rachel practice their runway walks, as they’ll be modeling as well. Theresa says Ashandra walks like a stripper, and Rachel walks like a chihuahua, so this is one fashion show you won’t want to miss.

    The next day, Monica wakes up at Imad’s house in San Antonio and tries to make breakfast. Evidently, she can’t cook. Like, she can’t even make eggs. But girlfriend can fix hearts, so no judgment here.

    Then, finally, they start talking about their issues. Imad thinks Monica needs to allow her parents to get to know him. They’ve never met because Monica worries that they won’t be cool with the fact that Imad is Muslim or that he’s a chauvinistic jerk. She admits to having residual issues from her past relationship, but Imad convinces her that they need to move forward, so Monica calls her parents right then to make plans to introduce them to Imad.

    Throughout this whole exchange, Imad was…like…nice. And understanding. He even ate Monica’s shitty eggs. Am I in the Twilight Zone? Quick, Imad, say something awful so I can go back to hating you! I don’t know how to function in this brave, new world!

    Party time

    Later, in a universe where people are staying true to their characters and not messing with my head, Imad, the ladies are preparing for the Havana Nights fundraiser in different ways. Rachel and Maribel are getting spray tans, Erika is getting her makeup done while wearing bloody scrubs, and Pegah picks Elly’s nose for her, because that’s what sisters do. I mean, I think. I’m an only child. Is that what sisters do? It’s weird.

    The venue for the fundraiser has indeed been transformed, with palm fronds and flowy white fabric and…giant gilded love seats? Eh, whatever, it works. Not working so much are all the damn fedoras in the building. It’s like the only thing people know about Cuba is that people there wear fedoras, but they’ve been so woefully co-opted by hipsters in recent years that all the party-goers look like they’re wandering around trying to find the best mixology joint in Brooklyn.

    Apparently the venue is incredibly hot, though, so that fits perfectly with the theme. Props for authenticity there, guys.

    Then the fashion show begins, and, thankfully none of the non-models in the show take it too seriously and try to Ramona Singer down the runway. J. Michael, creator of crazy hats and wearer of obnoxious tutus, stands up and starts dancing as Ashandra walks down, though, and I want to tell him to sit the fuck down and stop trying to steal her thunder!

    At the end of the event, Ricky announces that the silent auction raised $14,000, which is a little shy of the $50,000 goal and a lot shy of the $500,000 that Ashandra initially said was needed for the wellness center to open its dental practice. But aside from the intense sweating, the party was deemed a success. Rachel got to show Cindi Rose that she can throw an event, Erika got to show Maribel that she can dress for a theme, and Ashandra got to give back to her community.

    San Antonio surprise

    Surprisingly, things are going well in San Antonio, too, where Monica is joining Imad for his brother’s birthday party. Monica’s family has never met Imad, but she is fairly close with his family, particularly his sister-in-law Suzie, who serves as a couples counselor for the pair and probably has to see a therapist of her own because of it.

    Imad tells Suzie that he wants to make things work with Monica, but he feels like she’s never willing to compromise — she wants to get married and have kids on her timeline and in her city. He also reveals that he bought a ring to propose to Monica, but he keeps changing his mind about doing it. And then…crap, he doesn’t say anything remotely offensive or misogynistic. Well, that’s disappointing. I’m feeling things for Imad that I never knew I could feel…like understanding…sympathy…not pure hatred.

    This is very unsettling. Fortunately, it looks like he’s back to his smarmy ways in the next episode, and thank god for that. Actually kind of liking Imad is more than I can bear.

    -----------------

    Next up: The Season Finale. Previous recaps:

    Here's everything that happened on the first episode of Married to Medicine Houston

    Married to Medicine Houston Recap Episode 2: Holi Moley, pole dancing, and a visit to the dog wash

    Married to Medicine Houston Recap Episode 3: Crawfish drama and other cheesy moments

    Married to Medicine Houston Recap Episode 4: Cindi Rose returns, praise Monica!

    Married to Medicine Houston Recap Episode 5: Shabbat ShalOMG!, iPhone love and shots for everyone

    Married to Medicine Houston Recap Episode 6: Imanchild, hot mama, and restaurant confrontation

    Married to Medicine Houston Recap Episode 7: It's time to party with the Mad Hatters!

    Married to Medicine Houston Recap Episode 8: Twinkle, Twinkle...how bizarre!

    Theresa, send from left, says Ashandra, left, walks like a stripper, and Rachel, second from right, walks like a chihuahua, so this is one fashion show you won’t want to miss.

    Married to Medicine Houston episode 9 fashion show, Theresa Roemer, Rachel, Ashandra
    Photo courtesy of Bravo
    Theresa, send from left, says Ashandra, left, walks like a stripper, and Rachel, second from right, walks like a chihuahua, so this is one fashion show you won’t want to miss.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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