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    The Oscars of the H

    13 winners and one big loser to be named at Houston Film Critics Society Awards

    Joe Leydon
    Dec 17, 2010 | 1:00 pm
    • Jeff Bridges in "True Grit"
    • Natalie Portman in "Black Swan"
    • "The Social Network"
    • "The King's Speech"
    • James Franco in "127 Hours"
    • "Black Swan"

    Think of it as H-Town’s answer to the Academy Awards, or the Golden Globes. Only without the red carpet and all those annoying celebrities.

    The Houston Film Critics Society will present its fourth annual year-end awards program this weekend at the Museum of Fine Arts, Houston — festivities begin at 4 p.m. Saturday — and the organization has proudly announced that special tributes to George Clooney (winner of the 2010 HFCS Humanitarian Award) and Texas native Sissy Spacek (winner of this year’s Lifetime Achievement Award) will be part of the program. Mind you, neither Clooney nor Spacek actually will be present to accept their accolades, but they’ll be honored nonetheless.

    On the other hand, two other honorees, winners of the HFCS Outstanding Achievement in Cinema awards, are expected to be on hand: Hector Luna, founder and editor of C-47 Houston magazine, and Charles Dove, director of the Rice University Media Center.

    As for the competitive prizes, Members of the HFCS — an organization representing 22 Houston area film critics for print, broadcast and online outlets — will announce winners in 13 categories (and a loser in the 14th, Worst Picture) during the MFAH program. Once again, none of the winners are expected to be on hand to claim a prize. But, hey, admission to the awards program is free and open to the public, and organizers promise a plethora of film clips to delight all movie buffs in attendance. Better still, after the show there’ll be a free-admission reception where avid discussions and diligent networking will be actively encouraged.

    And if you’re in the mood to handicap the various HFCS award races, note that Best Picture hopefuls True Grit, The Social Network and 127 Hours lead the pack this year with six nominations each. The full list of nominees follows:

    BEST PICTURE:
    
127 Hours
    Black Swan
    Inception
    Kick Ass
    The Kids are All Right
    The King’s Speech
    The Social Network
    Toy Story 3
    True Grit
    Winter’s Bone

    BEST DIRECTOR:
    
Darren Aronofsky, Black Swan
    
Danny Boyle, 127 Hours
    
Joel & Ethan Coen, True Grit

    David Fincher, The Social Network
    
Christopher Nolan, Inception

    BEST ACTOR:
    Jeff Bridges, True Grit
    
Robert Duvall, Get Low
    
Jesse Eisenberg, The Social Network

    Colin Firth, The King’s Speech
    
James Franco, 127 Hours

    BEST ACTRESS:
    Annette Bening, The Kids are All Right

    Nicole Kidman, Rabbit Hole

    Jennifer Lawrence, Winter’s Bone
    
Natalie Portman, Black Swan

    Noomi Rapace, The Girl with the Dragon Tattoo

    BEST SUPPORTING ACTOR:

    Christian Bale, The Fighter

    Andrew Garfield, The Social Network

    Bill Murray, Get Low
    
Jeremy Renner, The Town

    Geoffrey Rush, The King’s Speech

    BEST SUPPORTING ACTRESS:
    Helena Bonham Carter, The King’s Speech

    Melissa Leo, The Fighter
    
Julianne Moore, The Kids are All Right
    
Hailee Steinfeld, True Grit

    Jackie Weaver, Animal Kingdom

    BEST SCREENPLAY:
    The Kids Are All Right, Lisa Cholodenko & Stuart Blumberg
    Winter’s Bone, Debra Granik & Anne Rosellini (based on the novel Winter’s Bone by Daniel Woodrell)
    Toy Story 3, John Lasseter, Andrew Stanton and Lee Unkrich (story) and Michael Arndt (screenplay)
    Inception, Christopher Nolan
    The Social Network, Aaron Sorkin (based on the book The Accidental Billionaires by Ben Mezrich)

    BEST ANIMATED FILM:
    
Despicable Me
    How to Train Your Dragon
    Tangled
    Toy Story 3

    BEST CINEMATOGRAPHY:
    Roger Deakins, True Grit

    Matthew Libatique, Black Swan

    Anthony Dod Mantle & Enrique Chediak, 127 Hours

    Wally Pfister, Inception

    Eduardo Serra, Harry Potter and the Deathly Hallows, Part One

    BEST DOCUMENTARY:
    Client 9: The Rise and Fall of Eliot Spitzer
    Marwencol
    Restrepo
    The Tillman Story
    Waiting for Superman

    BEST FOREIGN LANGUAGE FILM:
    Biutiful, Mexico
    Carlos, France/Germany
    Mother, South Korea
    The Girl with the Dragon Tattoo, Sweden
    The Secret in their Eyes, Argentina

    BEST ORIGINAL SCORE:
    Carter Burwell, True Grit

    John Powell, How to Train your Dragon
    
A.R. Rahman, 127 Hours

    Trent Reznor & Atticus Ross, The Social Network

    Hans Zimmer, Inception

    BEST ORIGINAL SONG:
    “If I Rise,” from 127 Hours, music by A.R. Rahman and lyrics by Dido Armstrong & Rollo Armstrong
    
“Shine,” from Waiting for Superman, music & lyrics by John Legend
    
“The Clap,” from Get Him to the Greek, music & lyrics by Dan Bern & Mike Viola

    “We are Sex Bob-Omb!” from Scott Pilgrim vs. the World, music & lyrics by Beck

    “You Haven’t Seen the Last of Me,” from Burlesque, music & lyrics by Diane Warren

    WORST MOVIE OF THE YEAR:
    
Furry Vengeance
    Jonah Hex
    Sex and the City 2
    Splice
    The Last Airbender

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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