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    Music Matters

    Concert picks of the week: Two Billy's and a "Not so Silent Night"

    Michael D. Clark
    Michael D. Clark
    Dec 17, 2009 | 9:17 pm
    Billy Joe Shaver at Firehouse Saloon

    If last week’s all-Saturday night slate of CultureMap concert picks presented any quandaries for those who had early Sunday morning church service, this week’s picks should be a revelation (no pun intended… sort of).

    In an effort to get the holiday week started off right, the best shows in Houston are all on Friday night.

    Even touring artists want to go home for the holidays. In that spirit, Houston should be the last stop (or maybe second-to-last stop) for these folks before they pack up the guitars and point the tour bus in the direction of family and eggnog.

    Friday

    “104.1 FM, KRBE Not So Silent Night,” featuring All-American Rejects, Cobra Starship, Jay Sean and Justin Bieber at the Verizon Wireless Theater

    Look closely at this line-up, friends. This is the future of your FM dial (or, for the more technologically advanced, satellite new rock stations). If top 40 pop-rock is your genre of choice then you won’t want to miss this line-up of up-and-comers who one day in the not-too-distant future could all be headlining their own shows.

    The All-American Rejects are the best known of the bunch and those who enjoyed year-old third album, “When the World Comes Down,” will want to mark this date as a “cant-miss.” The band has dubbed this month of dates as the last in support of the album before they go into the studio to create new songs in 2010.

    No doubt, that older AAR favorites like “Swing, Swing” and “Dirty Little Secret” will make the set list as well.

    Cobra Starship adds a much needed blast of smart-aleck teenage pop and British beatboxer Jay Sean will add the thump. But the most curious member of this line-up is Justin Bieber. Riding a wave of cotton candy-coated pop confection hits like “Favorite Girl” and “One Time,” it’s possible he’s getting ready to be the “It” boy of teeny-bop for 2010.

    If so, this will definitely be the most intimate setting he’ll ever play in Houston.

    Sold out, but KRBE listeners have a chance to win tickets. Tune in at 11:07 a.m. for a chance to meet Jay Sean, 2:37 p.m. for a chance to meet Cobra Starship and 4-7 p.m. for a chance to meet Justin Bieber. 714-490-KRBE.

    Billy Bob Thornton and the Boxmasters at Fitzgerald’s

    To see a movie star like Billy Bob Thornton (yes, the BBT who was married to Angelina Jolie and liked “french-fried ‘taters” in Sling Blade) trying to expand his artistic range on a small club concert stage, one normally has to pay big bucks to attend a music conference like South by Southwest. This is a rare chance to see a show like that for a mere $20 ($15 in advance).

    Even if it’s not the most inspired night of music you’ll ever see, Billy Bob and his band have proven over the last few years to be musically competent and much better than your average local bar band.

    And give Thornton and his band points for having guts. It takes a lot of belief in the music to come down to this part of Texas playing rockabilly and electric country and expect to win a crowd. (It doesn’t help that Billy Bob and The Boxmasters dropped out of a Canadian tour supporting Willie Nelson earlier this year for reasons that are still not totally clear).

    Curiously, Thornton does not place himself front-and-center like past actors-gone-rock-stars Russell Crowe and Juliette Lewis. He sings, but he does so from the behind the drum kit.

    Give it a chance. You may like it enough to buy a copy of The Boxmasters new album, “Modbilly.” Or you may just have a good story about seeing a celebrity perform in a great ol’ Houston landmark. Either way it’s a win-win.


    Ticket $15-$20.

    Billie Joe Shaver at the Firehouse Saloon

    It has been said that the key to being a successful songwriter is experiencing enough life and strife to keep the artist well supplied with material. If that’s true, Corsicana native Billy Joe Shaver has enough lyrical fodder for about the next 200 years.

    Shaver has worked for the military and as a rodeo cowboy. He’s been married, divorced, married and divorced again… and that was just to the woman who gave birth to his son, Eddy.

    He, sadly, lost both his wife and mother to cancer in 1999 and tragically lost his son, guitarist and songwriter Eddy Shaver, to a heroin overdose a year later.

    Through it all Shaver has kept on writing and stayed on the road touring for some 35 years now. Some say his first album, 1973’s “Old Five and Dimers Like Me” is a classic outlaw country album, (with all due respect to Willie, Johnny, Waylon and Kris). Others feel he represents the definition of “Texas music” about as well as anybody could.

    Whatever, you believe, come hear his stories set to song. It’s well worth the price of admission for a man who’s given a lot for his art.

    Tickets $15.

    British rapper Jay Sean at Verizon Wireless Theater

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    news/entertainment

    Where the River Took Us

    Texas Pulitzer winner discusses new podcast about life after July 4th flood

    Natalie Grigson
    May 29, 2026 | 11:30 am
    Aaron Parsley
    Photo courtesy of Texas Monthly
    Aaron Parsley's new podcast "Where the River Took Us" looks at how the flood has impacted his own family and others this past year.

    Less than a year ago, the Guadalupe River swallowed everything in its path. Houses. Roadways. Lives. For many Central Texans, time now splits cleanly into a before and an after, and for Aaron Parsley, senior editor at Texas Monthly, that divide is deeply, irreversibly personal. After winning a 2026 Pulitzer Prize for his firsthand account of the flood, he's expanding the narrative in Where the River Took Us, a seven-episode limited narrative podcast out now.

    On July 4, Parsley's family was spending the holiday weekend together at their river house on the Guadalupe: Aaron and his husband Patrick; Aaron's father, Clint, and sister, Alissa; and Alissa's husband, Lance, and their two children, Clay and Rosemary. In the early, still dark hours of the morning, flood waters tore through the Texas Hill Country in what quickly became one of the deadliest natural disasters in recent history.

    Aaron escaped. Patrick escaped. Lance escaped. Clint escaped. Alissa escaped, saving her daughter's life. But Alissa's 20-month-old son, Clay, did not.

    Telling the story
    In the days that followed, Parsley did what writers do: he wrote. Feverishly, at 1, or 3, or 4 in the morning, he wrote. His first-person account of the flood, which started out as an email to his boss, was the cover story for Texas Monthly last August. The story became an instant landmark piece — intimate and devastating in a way only someone who had lived it could make it. In the beginning of May, 2026, the story won Parsley his Pulitzer for feature writing.

    Following up on the original story, Parsley has also written a new feature for Texas Monthly, a quiet reflection on life for his family since the flood, grief's persistence, and the strange, ongoing work of being changed by something.

    In conversation with CultureMap, Parsley — speaking from his home office in Lockhart, where he and Patrick moved in December — was candid about the decision to keep his work focused on something so personal and traumatic.

    "I will say that this experience itself, and then the story, and the response that I got to the story, was so overwhelming in all different kinds of ways," Parsley says. "It would have been on my mind no matter what. I was thinking and asking questions and exploring what this experience means. So, to be able to make that part of my job, I think, is a real privilege and a real opportunity."

    The podcast features voices beyond Parsley's own. Listeners will hear from his sister, Alissa. From a father who lost his daughter at Camp Mystic. From the people who took Aaron and Patrick in when they crawled out of the river that morning. From neighbors who are still out there, still rebuilding.

    Sitting down to formally interview his own family, including his husband and Alissa, was something else entirely.

    "It was extremely strange," he says. "It was emotional. It made me feel really proud of them. Every single person showed up in the best way possible for something like this... And ultimately, those conversations are unforgettable to me, and I really appreciate that I was able to do that. I guess it sort of provided this moment for us to take some time, and sit face-to-face, and ask each other questions, and explore our experience and our lives since."

    Being in the podcast studio helped, he says. "It's dark, it's quiet, we're right in front of each other. It's peaceful in there. It is an intimate setting, and I think it serves the purpose that we were looking for, which is to open up and share."

    Moving forward
    What Parsley is describing feels beyond journalism, though it is, of course, that too. It's a reckoning with his own personal grief, his faith, his relationship with those he loves, and his priorities in life.

    "I was going to be looking at this experience no matter what," he says. "It felt right to be able to do that exploration about what it means to be a survivor of something like this."

    The flood has reshaped nearly everything in his life. The move out to a smaller, quieter, and less hectic community than Austin happened faster than it might have otherwise. Patrick, a talented painter, is now pursuing his art full-time. Parsley describes a new relationship with spirituality, a changed family dynamic, and a clarity about priorities that comes from simultaneously losing so much, but not everything.

    "It's been life-changing," says Parsley. "I've embraced that. I've wanted to prolong the experience of being changed by something. Continuing to write about it, and learn about it, and share about it has been a way that I can ensure that this thing that happened continues to shape my life."

    Parsley also adds that the podcast is an immersive experience. Listeners don't just see the event that changed lives; they get access to the feelings and the unexpected details that come later.

    "It's a depiction of what it feels like to survive something, and all these things that come with that," says Parsley. 'You don't just get back to normal life. There's all this stuff you carry with you, and I'm grateful to have the opportunity to explore that and present what we find in a way that I think is heartfelt and ultimately beautiful."

    Where the River Took Us is written and hosted by Aaron Parsley and executive produced by Melissa Reese. Additional production and editing are by Patrick Michels and Sara Kinney. It is produced, engineered, and scored by Brian Standefer, with story editing by J. K. Nickell, fact-checking by Doyin Oyeniyi, and artwork by Emily Kimbro and Victoria Millner. Studio musicians are Jeff Queen and Peter Shults.

    The podcast launched May 26 with the first two episodes immediately available on Apple Podcasts and other major podcasting platforms. All seven episodes will drop by June 30.

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    news/entertainment

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