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    Married to Medicine Houston Recap

    Married to Medicine Houston Recap Episode 6: Imanchild, hot mama, and restaurant confrontation

    Kaitlin Steinberg
    Dec 9, 2016 | 9:01 pm

    I have a serious question: How do I get Maribel’s life?

    For real, though. This week’s episode of Married to Medicine Houston opens with Rachel and James stumbling across what looks to be the remnants of a wild party in their backyard. Cigarettes are strewn across the ground near the pool, and several crushed Miller High Life tallboys litter the table. If you’re thinking, “Damn, them Suliburks party hard,” you are mistaken, my friend, because this is all the work of one person: Maribel.

    Apparently while trying to figure out which Tinder hottie to swipe right on next, she’s been chain smoking in the backyard and nursing can after can of the champagne of beers. She doesn’t pay rent, she doesn’t cook, and, clearly, she doesn’t clean up after herself. I repeat: How do I get Maribel’s life?

    Of course, I wouldn’t be upset with Dr. Ashandra’s life either. She finishes up with a patient at her dental practice, then walks into her office only to find her hubby, Ricky, lounging seductively in her chair and holding a bottle of wine. He says he’s here to play “sexcretary,” and the vino he’s brought pairs well with “black men, 34, named Ricky.” I’ll take some!

    Over glasses of vino, Ashandra breaks down the current feuds among the girls for Ricky. Rachel was offended that Erika didn’t seem to be into the crawfish boil, and Erika had every right to be annoyed with Rachel’s behavior. Monica has claimed that Elly isn’t a real doctor, and Elly feels that undermines her hard work and career. Dr. A, meanwhile, is the only one above the fray, so, naturally, it’s her duty to host a get-together to air grievances and move on.

    Next, we catch up with Erika and Derek (can I just call them Derika from now on?) who are meeting with the fertility specialist once again to talk about their options for parenthood. The tests show that 29-year-old Derek is perfectly healthy, while 37-year-old Erika’s test results are more troubling, leading her to feel guilty that she may not be able to give her younger husband a child. She also didn’t expect the process of having a baby to be so difficult. She tells Derek later, “I’m not sure I’m in this anymore.” If they really want a child, they could just ask one of their mothers to move in with them. That seems to be working for Rachel and James.

    Speaking of adults who behave like children, Imad is back! He apparently retreated to San Antonio immediately after the Roses’ party last week, and he has just returned to Houston to discuss his future with Monica.

    To Monica’s credit, she finally gives Imanchild an ultimatum. If he isn’t ready to commit to marriage and children with her, the relationship is over. Imad says she’s springing this on him, but, um, did he forget he’s been filmed for the past few months? I’ve seen the show, and Monica has brought this up in nearly every episode. If you’re going to make shit up, Imad, make sure cameras haven’t been following you around recording your every move.

    Back at the party house, Rachel and James decide that they need to have another talk with Maribel, because apparently their first attempt at discussing the mess she left in the backyard ended with her storming out and staying with Rachel’s sister for a few days.

    Have I mentioned yet that James is a saint? The dude’s level of tolerance for his mother-in-law is truly admirable. He reminds Maribel that it isn’t hard to pick up after oneself, but Maribel blames the mess on the wind. Oh, honey. James is a doctor. Give him a little more credit. They all decide to come up with a goal date for Maribel’s “emancipation,” at which time I’ll be moving in. Surprise!

    Later, Derika chat about their fertility issues. Erika thinks the whole baby thing might be more stress and trouble (and money) than it’s worth, and Derek actually seems on board with that assessment. I want to take a break from being snarky here to note that I think showing these fertility struggles on TV is very brave and also very meaningful to others who are experiencing the same thing. Man, if any reality TV couples should procreate, it’s these two genuine and levelheaded individuals.

    Awesome parents

    Next, we get to know Elly’s sister, Pegah, a little more. She’s been living with Elly and Elly’s husband while her own husband is finishing his residency in Cleveland. Hell yeah, girl, stay in Houston over Cleveland. I did some research, and a list of “75+ Fun Things to Do in Cleveland” includes dining off a “create-your-own-taco menu” and visiting an old jail cell.

    Anyway, Elly and Pegah’s parents have come over for dinner and brought an entire home-cooked Persian meal with them. Everyone on this show has awesome parents. Also, where can I score some of that food?

    The most awesome of the parents, Mama Maribel, has agreed that she needs to move out of Rachel and James’s house eventually, but Rachel’s efforts to get her to think about her finances aren’t going well. Maribel is a little preoccupied by her underwear with butt padding, and she’s prancing around shaking dat ass while poor Rachel tries to draw pie charts. “I’m so tired of talking about finances,” Maribel says exasperated. “Let’s talk about fine asses!” Then the conversation was over, and she lived with the Suliburks forever.

    Lest all this booty dancing and Persian food has you settled into a pleasant reverie where everyone gets along and all the rear ends are twerk-worthy, let me remind you that there is a catfight a-brewing, and in true Bravo fashion, it will take place among the crisp white tablecloths and homemade biscuits of Ouisie’s Table. Enter: Ashandra.

    Dr. A has brought place cards to the restaurants to strategically manage the she-said-she-said on the horizon. This is a solid move, but she really should have put herself in the middle of the table, rather than at one end, so she could just slap some sense into anyone who got out of line.

    As the ladies (minus Monica, who is always late) take their seats, Erika notes she does not have blood on her clothes this time (gee, thanks), to which Rachel replies, “This is a real doctor over here!” And then she immediately puts her foot in her mouth. Remember #doctorgate, the reason we’re all gathered at this ill-fated brunch?

    It’s cool, though, cause Elly knows Rachel was joking, and Rachel turns the same color as her red romper, which is punishment enough for that slip of the tongue. On that note, though, Rachel wants to apologize to Erika for being bitchy at the crawfish boil, and Erika apologizes for…leaving, I guess?

    More shots, please

    Finally, Monica arrives, trailed by a bartender carrying a tray of shots, because nothing goes better with an angry confrontation than liquor!

    As the shots go down, so does the mood. Rachel compliments Monica on her bling, and the ladies comment on how large her diamond rings are. Monica shrugs and says, “Some people just move in different circles.” Was this a dig at Elly, who maybe can’t afford such things because she maybe isn’t a real doctor? Maybe. Elly sure took it that way. She claims to have a jeweler who lets her borrow flashy things, too, but Monica notes she can “actually afford it.”

    When Elly looks flabbergasted by that dig, Monica pulls a line out of Cindi’s playbook, accusing her and Pegah of having “negative energies.” Well, that sets Elly right off, and we begin the rehashing of #doctorgate, in which Monica may or may not have said “they’re just handing out doctor degrees.” Monica claims she merely stated that if there were an emergency, Elly couldn’t help because she isn’t a medical doctor.

    At this point, Elly’s eyes have turned into two red lasers, and, much like Cyclops, the hot X-Men character with the optic beam that can destroy buildings, she uses her powers to take down the entirety of Ouisie’s Table, leaving in its place a smoking pile of ash and bling.

    Well, sort of. She starts yelling, then Monica starts yelling, then Dr. A starts yelling at them to stop yelling, and I think Pegah joins in, but the true star of this bitchfest is Erika, who gets up and goes to another table, where she calls Derek and tries to put her embarrassment into words. I appreciate that Erika is mature and removed enough to keep out of these petty arguments, but also…her parents were wrestlers. Slam down, Erika! Give these ladies some hook kicks and show them how to fight like a pro!

    Long story short, Elly calls Monica a bitch, Monica calls Elly (and Pegah for some reason) trashy and low class, Rachel misquotes Monica (again), Ashandra gives up and Monica storms out. Erika and Ashandra follow her into the women’s restroom, which seems to be filled with the production crew, so where do the patrons of the restaurant pee? I’m very concerned about this.

    Eventually, Monica agrees to return to the table, where Elly is shooting her the most intense bitch face I have ever seen. If looks could kill, everyone in River Oaks would fall down dead.

    Monica says, “I apologize if I hurt your feelings.” That’s great that’s she’s apologizing, but couching it with an “if” is soooooo uncool. “If I hurt your feelings, which maybe I didn’t, I don’t know, I can’t tell by the look on your face.”

    Erika breaks it down well, noting that Monica basically told Elly she isn’t an MD and she’s trash five minutes before returning to the table trying to make amends and pop champagne. It’s no wonder Elly isn’t having it.

    Elly’s only response to what seems like a sincere apology is, “I really just want some food.” Ashandra wisely notes, “Carbs heal everything.” If only it were mimosas and unnaturally colored shots that healed everything. Then — and only then — might these ladies be able to dine in peace.

    Next week, there are a ton of obnoxiously large hats as the ladies celebrate the Kentucky Derby, and Cindi Rose returns to throw shade at Rachel within a prayer for love. Amen!

    ----------------

    Previous recaps:

    Here's everything that happened on the first episode of Married to Medicine Houston

    Married to Medicine Houston Recap Episode 2: Holi Moley, pole dancing, and a visit to the dog wash

    Married to Medicine Houston Recap Episode 3: Crawfish drama and other cheesy moments

    Married to Medicine Houston Recap Episode 4: Cindi Rose returns, praise Monica!

    Married to Medicine Houston Recap Episode 5: Shabbat ShalOMG!, iPhone love and shots for everyone

    At this point, Elly’s eyes have turned into two red lasers, and, much like Cyclops, she uses her powers to take down the entirety of Ouisie’s Table.

    Married to Medicine Houston episode 6 recap, Elly bitchface
    Photo courtesy of Bravo
    At this point, Elly’s eyes have turned into two red lasers, and, much like Cyclops, she uses her powers to take down the entirety of Ouisie’s Table.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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