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    Music Matters

    This week in Houston music: Silent Disco, Bleachers, and Gucci Mane

    Johnston Farrow
    Johnston Farrow
    Dec 6, 2017 | 3:05 pm

    You've had a busy week: It can be tiring navigating work, then fighting your way through the mall for that last SNES Classic — only to then rush home to save your Amazon packages from front-door thieves. We suggest you take a respite in this busy week of live music, instead, one that boasts hip-hop superstars, big name alt-rock acts, and a hush-hush DJ party.

    Best show to cater to its audience
    Picture this: you walk into a large venue. The crowd is dancing up a storm, glow sticks are waving in the air, and people are having a great time. It almost looks like a rave. Only, someone hit the mute button — there’s no sound coming out of the speakers.

    This is Silent Disco, where attendees get to choose the music selection from three DJs spinning on stage at a time. When they arrive, they receive a set of glow-in-the-dark headphones that will allow them to switch to the channel of a corresponding DJ and a different genre of music. Not a fan of Top 40? Switch over to the electronic channel. Fan of Latin or hip-hop? Switch over to that channel. The headphones light up a different color for the particular channel and sound.

    Apparently, this type of party has replaced foam and blacklight parties across college campuses as the event du jour, which we can get behind. (Foam really hurts the eyes and tastes awful, right?)

    Doors open at 7 pm for Silent Disco Holiday, at Revention Music Center on Friday, December 8. The event features 21 DJs, over the course of the evening. Tickets start at $15.

    Best show for Maroon 5 fans...who like it dark
    Moderate rock radio success The Neighbourhood brings their moody, atmospheric alt-rock to White Oak Music Hall this Friday. The band, fronted by smooth sounding, charismatic vocalist Jesse Rutherford, is touring behind the 2017 EP release, Hard, which hasn’t made much of an impact compared to some of their earlier hits, including “Sweater Weather,” which went to No. 1 on the Alternative Rock charts, and “Afraid” from 2013 album I Love You, the latter still being played on regular rotation at alt-rock stations. If you like a dose of goth mixed with the sugary sounds of Maroon 5, this is your kind of show.

    They’ll be joined by fellow Californian band, HEALTH, who are notorious for making glorious, electro-driven noise, having had their remix of New Order’s “Blue Monday” being featured in this year’s action flick, Atomic Blonde. Lo-fi folk rocker Field Medic will round out the bill.

    Doors open at 7 pm for The Neighbourhood, with HEALTH and Field Medic, White Oak Music Hall, Friday, December 8. Tickets are $40 in advance.

    Best show to see a trap megastar
    The story of trap rapper Gucci Mane is the stuff Hollywood dreams are made from. Finding early fame in the mid-2000s with his debut album, Trap House, he then faced a murder charge after associates of a rival rapper stormed into his friend’s house intent on killing him. After years of legal back and forth, Mane faced two years of prison for gun possession, but came out a new man, releasing two No. 2 albums, 2016’s Everybody Looking and this year’s Mr. Davis.

    He’ll be in town to promote that album at the Rap Caviar Live show alongside Tory Lanez, Houston’s own Bun B and more. Fun fact: Mane shot the video for “Nonchalant” in the famed $500,000 closet of Houston socialite, Theresa Roemer in 2016.

    Things get bumpin' at 8 pm, Thursday, December 14. Gucci Mane performs at Rap Caviar Live with Tory Lanez, Bun B and guests at Revention Music Hall. Tickets go on sale to the general public December 12, at the Revention Music Center site at 10 am, but you can get a promo code through Spotify, Ticketmaster and Live Nation.

    Best bang for your buck
    Holiday acoustic shows hosted by radio stations are as common as milk and cookies are to Santa, but they usually offer a great value for your ticket price with several up-and-coming artists playing a set they normally wouldn’t attempt on a regular tour.

    The Mix 96.5 Acoustic Holiday Show will showcase a quartet of radio friendly artists “unplugged,” the most famous being the Jack Antonoff vehicle Bleachers. Antonoff, formerly of New York band .fun, and songwriter/producer for Taylor Swift and Lorde (and beau to Girls creator Lena Dunham), has seen his upbeat rock band’s profile rise with appearances on late night television and a few decent albums, including 2017’s Gone Now. He recently went acoustic with an episode of the recently resurrected MTV Unplugged.

    He’ll be joined by emo leaning pop-punk act All Time Low, earnest, Mumford aping Phillip Phillips, and most interesting of the bunch, the progressive Canadian pop singer Lights, who released one of 2017’s finest albums in Skin & Earth, who will attempt to transform her acclaimed electronic tracks to the wood and wires of an acoustic performance.

    Doors open at 7 pm for the Mix 96.5 Acoustic Holiday Show with Bleachers, Lights, All Time Low and Phillip Phillips, at House of Blues, Wednesday, December 13. Tickets start at $35.

    Other shows of note

    Friday, December 8
    Poptone with Daniel Ash and Kevin Haskins will play songs from their highly influential post-punk/goth bands Bauhaus, Love and Rockets and Tones On Tail with Diva with Geneva Jacuzzi at Warehouse Live. Advanced tickets are $27.50. Show starts at 8 pm.

    Saturday, December 9
    Grunge throwback Nashville Bully, led by Courtney Love vocal clone, Alicia Bognanno, is joined by Smut at Walter’s Downtown. Tickets start at $12. Doors open at 8 pm.

    Sunday, December 10
    Remember when the swing revival was the big thing for a few years in the late ‘90s? Personally, I’d rather forget, but one band that benefited was The Brian Setzer Orchestra. The former Stray Cats singer/guitarist will be at the Arena Theatre as part of the annual Christmas Rocks! Tour. Tickets start at $39.50. Show starts at 9 pm.

    Thursday, December 14
    Dust off those leather jackets and ripped jeans. L.A. Guns, the band that would inspire the formation of Guns N’ Roses, plays Proof Bar with Enuff Z’Nuff and Eddie Truck at Proof Bar. Tickets are free with RSVP, $30 VIP. Doors open at 6 p.m.

    Gucci Mane takes a break from hanging out in Houston closets to play the Revention Music Center on Thursday, December 14.

    Gucci Mane in Nonchalant video at Theresa Roemer house
    youtube.com
    Gucci Mane takes a break from hanging out in Houston closets to play the Revention Music Center on Thursday, December 14.
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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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