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    Gucci

    Rapper Gucci Mane shoots steamy music video in Houston's most famous closet

    Clifford Pugh
    Dec 5, 2016 | 3:07 pm
    Theresa Roemer, Gucci Mane at rap video shoot
    Gucci Mann and Theresa Roemer pose for a photo during a break in the action.
    Courtesy photo

    Theresa Roemer's infamous 3,000-square-foot, three-story closet is in the spotlight again. Last week the socialite/entrepreneur got a call from representatives for Atlantic Records, asking permission to use the closet — and much of the rest of the palatial Carlton Woods mansion she shares will oilman hubby Lamar Roemer — for a glitzy music video featuring rapper Gucci Mane.

    Of course, she said yes, and on Sunday the rapper, along with 30 scantily-clad models and a large production crew, occupied the home for 13 hours, filming in the closet, along with the master bedroom (where a stripper pole was installed), in the kitchen (where a model wearing nothing but sushi lay on the granite countertop), in the wine room (amid flashing red lights), in the master bathroom/shower (where a lot of models were shaking their booties), and elsewhere in the spacious 17,300-square-foot mansion.

    "I've been involved with five to six reality shows in the past five years, but it's the first time I've ever been involved in a music video," Roemer said. "All I can say is, 'Wow!'"

    Roemer and her husband stayed behind the scenes as filming took place in The Woodlands mansion, where Mane was joined by Young Thug, founder of the YSL record label, who made a cameo appearance in the video. Mane opened the BET Hip-Hop Awards in October with Young Thug, Travis Scott, Migos’ Quavo, and Zaytoven on the piano.

    Since being released from prison earlier this spring, where he was serving a three-year sentence for federal drug and gun charges, Mane has been on a tear, releasing three albums — Everybody Looking in July, Woptober in October, and The Return Of East Atlanta Santa, due out on December 16.

    While the music video, which is scheduled to be released in a couple of weeks, was racy, Mane was the perfect gentleman, Roemer said. "He has turned his life around, (he) gave up drugs and alcohol, found the Lord, lost weight and has a beautiful fiancée," she explained. "We felt honored. They could have chosen any house in Houston."

    The record company secured a $2 million production insurance policy to ensure that the home and its contents would be safeguarded.

    The closet, with its rows of Louboutins and Hermés handbags, first gained national attention in 2014 when CultureMap noted a story about it in a Neiman Marcus fashion blog. It was soon dubbed "the most famous closet in America," particularly after a brazen burglary in which it was cleaned out of nearly $1 million in accessories while the Roemers where having dinner at a nearby country club. That case took several twists and turns but remains unsolved.

    music
    news/entertainment

    Movie Review

    Toy Story 5 proves that Pixar's toy box still holds some surprises

    Alex Bentley
    Jun 18, 2026 | 3:30 pm
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5
    Photo courtesy of Pixar
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5.

    For fans of Pixar, the idea that it’s been over 30 years since the original Toy Story came out is a little mind-boggling. While the animation studio has had varying degrees of success with their other properties, they’ve always managed to make something special with each installment of their signature franchise. They’re now rolling the dice yet again with Toy Story 5.

    The story is mainly focused on cowgirl toy Jessie (Joan Cusack), who — along with Buzz Lightyear (Tim Allen), Hamm (John Ratzenberger), Forky (Tony Hale), and others — is concerned that new owner Bonnie (Scarlett Spears) is falling prey to the scourge of technology in the form of the tablet Lilypad (Greta Lee). They’re worried that the “friends” she makes through games online pale in comparison to those she could play with in person.

    Woody (Tom Hanks) and Bo Peep (Annie Potts), living an on-the-go lifestyle but still in touch with the main group, come to help when Jessie goes missing while trying to help Bonnie. And — just because — a large group of new-and-improved Buzz Lightyears that have fallen out of a shipping container that has crashed on an island go on a mission that puts them on course to meet up with everyone else.

    Written and directed by McKenna Harris and Andrew Stanton, the film is a mixed bag, mostly because of the disjointed nature of the story. When the group was separated in previous films, things rarely felt out of sync as everybody was still heading toward the same goal. But the different factions in this film seem to be after something different, especially the wholly superfluous addition of the fancy Buzz Lightyears, whose ultimate purpose doesn’t live up to the time dedicated to them.

    There’s no way around it: While Jessie is a good character and has a lot of great moments in this film, the relationship aspect of the series is not as strong this time around. She mostly spends time with her mute horse Bullseye, but even when she interacts with new characters like Smarty Pants (Conan O’Brien), that ineffable magic is not there. Woody and Buzz have scenes together, but since they’re secondary to the main story, they don’t add as much to this film as they have in others.

    However, even if the film can’t live up to the first four movies, it still makes for a fun time. The storyline about technology turning kids (and adults, for that matter) into zombies is a strong one, and the way they incorporate different devices is clever. The large number of characters is unwieldy, but when the filmmakers truly dig down to the personal lives of certain toys or humans, the film is as effective as Pixar has ever been.

    Cusack, Hanks, Allen, and other returning voices are so attuned to their respective characters that you know they’ll deliver each line perfectly. People like Lee, O’Brien, and Craig Robinson are welcome additions to the group, but it’s tough to get used to new voices taking over for actors who’ve passed like Don Rickles, Estelle Harris, and Carl Weathers.

    The pitch-perfect ending of Toy Story 3 made the idea of Pixar making Toy Story 4 seem strange, but then that film proved the studio knew what it was doing. While Toy Story 5 is not a disaster, it’s not to the standard set by the previous films. It should finally be time to put the franchise to bed, knowing that the toys have given all the joy they can give.

    ---

    Toy Story 5 opens in theaters on June 19.

    moviesfilm
    news/entertainment
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