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    Pride of Porter, Texas

    From American Idol to The Voice, country singer Sundance Head gets a second chance at fame

    Bill Van Rysdam
    Dec 1, 2016 | 1:41 pm
    Sundance Head, The Voice contestant
    Sundance Head's rendition of "Me and Jesus" [https://www.youtube.com/watch?v=X9aIRv8Ycnc] on The Voice quickly rose to the top of the iTunes chart.
    Photo courtesy of NBC

    Anybody want to take a guess at who has had the No. 1 song on iTunes this week? Bruno Mars? The Chainsmokers? Andy Grammer?

    Nope, it’s the pride of Porter, Texas — Sundance Head. Never heard of him? Then you must not watch NBC’s The Voice. The highly-rated show, which features celebrity coaches Adam Levine, Blake Shelton, Miley Cyrus and Alicia Keys, features various levels of competition to determine who America thinks has the strongest and most memorable singing talent.

    Head busted out "Me and Jesus" during Monday night's show. The song, written by Tom T. Hall, quickly rose to the top of the iTunes chart and now is at No. 3. Head starts it off slow and than takes off like a freight train, with a sound reminiscent of the Soggy Bottom Boys from the movie Oh Brother, Where Art Thou.

    Head may not be your typical county musician, but there is much more to his repertoire than those"cry in your beer" songs. Check out his cover of Cyrus’s “Climb.” Not only does he perform it in front of the pop superstar, it’s only his voice and guitar. No professional musicians backing him up, it’s just a guy and his guitar, and he blows everyone away.

    Head has music in his genes. His dad, Roy Head was in the band The Traits, best known for their 1965 hit, "Treat Her Right." When he was 20, Sundance Head recorded with ZZ Top, made possible through a friend of his dad's. Thirteen years later, he started to play music professionally.

    A contestant during season six of American Idol, Sundance finished in 13th place, becoming the first American Idol contestant in history to score a recording contract with a major record label, Universal Motown, without finishing in the Top 12.

    His band, aptly named Sundance Head, plays all over Texas, but with his exposure and popularity on the rise, you better catch the self-proclaimed founder of Soul Country while you can.

    music
    news/entertainment

    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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