Instead of a title, the album featured four hand-drawn symbols on the inner sleeve and record label, each one chosen by the band member it represents.
It was on this day in 1971 Led Zeppelin released its fourth album. The eight-song album came unnamed, but soon became known as Led Zeppelin IV, ZOSO, or Zep IV.
If you were growing up in the early '70s, the importance of this album cannot be understated. It would be hard to argue against "Stairway to Heaven" being the greatest rock song of all time. You would also be hard pressed to find an album with the incredible mix of songs. From the hard driving "Rock n' Roll" to the mystical "Battle of Evermore," Led Zeppelin IV captures the brilliance and diversity of one of the all-time great bands.
If you were growing up in the early '70s, the importance of this album cannot be understated. It would be hard to argue against "Stairway to Heaven" being the greatest rock song of all time.
Did radio overplay many of the songs found on the album? You bet, but don't blame the band for that. It was more a result of radio researching songs to death and then shoving the most popular down the consumer's throat. It should not diminish or take away from the greatness of whatLed Zeppelin IV was — and still is.
The album was released at a time when FM radio was just taking off and many stations went to a rock format. Imagine DJs picking the songs they wanted to play. What an amazing rush it must have been for DJs to cue up "Stairway to Heaven" for the first time!
Some records are called great because record labels market them as such while others are called great because they stand the test of time. ZOSO falls into the later category.
See the video of "Stairway to Heaven":
Instead of a title, the album featured four hand-drawn symbols on the inner sleeve and record label, each one chosen by the band member it represents.
Career revivals like the one that has happened to Ke Huy Quan are extremely rare in Hollywood. As a child, he scored two big back-to-back roles in Indiana Jones and the Temple of Doom and The Goonies. While he found occasional work after that, his career mostly went dormant starting in 2002 until he was cast in Everything Everywhere All at Once, a role that won him an Oscar.
Now, he’s the toast of the town, including his first-ever starring role as the lead in Love Hurts. Quan plays Marvin Gable, a relentlessly positive real estate agent who’s the top seller in his area. But from the beginning of the film, it’s clear that he has a hidden backstory, as he receives a veiled threat in a note from a woman named Rose (Ariana DeBose), who is seen early on defacing many of his advertisements around town.
When a heavy called The Raven (Mustafa Shakir) confronts Marvin at his office, he is pulled back into his old life, one where he was involved in the criminal enterprise of his brother, Knuckles (Daniel Wu). Soon he’s dodging attacks on multiple fronts, looking out for Rose, and all the while trying to keep up appearances at his day job.
Directed by Jonathan Eusebio (a stunt coordinator making his directorial debut) and written by Matthew Murray, Josh Stoddard, and Luke Passmore, the film is one big excuse to have Quan show off the martial arts skills he demonstrated in his Oscar-winning role. While there is some semblance of a story, it’s mostly to set up the various fight scenes; there’s little attempt to make the audience care about any of the stakes.
Instead, Eusebio and his team vacillate between moments of calmness and sequences with extreme violence. Quan and his fellow combatants (in addition to Shakir, he faces off against Marshawn Lynch, Cam Gigandet, and others) engage in a series of creative moves designed to inflict as much pain as possible. The juxtaposition of the seemingly mild-mannered Marvin with his abilities works relatively well, as does the variety of implements used as weapons (pencils, boba straws, feathers, and more come into play over the course of the film).
But the lack of a full story catches up with the film in the end, as instead of building to some kind of grand finale, there are diminishing returns with every scene. The filmmakers try to distract with a semi-amusing romantic connection between The Raven and Marvin’s assistant, Ashley (Lio Tipton), something that works much better than allusions to a bond between Marvin and Rose. There’s also a mini-Goonies reunion with Sean Astin as Marvin’s boss that’s kind of fun, but the antipathy between Marvin and his attackers never fully develops.
Quan is a joyful presence who does his level best to make himself into a lead actor, but he’s not served well in the film as a whole. DeBose, an Oscar winner herself, seems to be stuck in a rut of mediocre roles, ones that don’t allow her to show off her skills like West Side Story. Lynch shows again he’s reliable in comic sidekick roles, while Tipton and Shakir are the only other actors to make any kind of impact.
The Valentine’s theme of Love Hurts is not the only part of the film that feels tacked on. While the idea of letting Quan show off his skills is a good one in theory, very little thought appears to have been put into making that showcase effective. The result is a forgettable action comedy that puts more emphasis on ultraviolence than its story.
