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    Live Music Now

    11 coolest concerts to catch in Houston this November

    Johnston Farrow
    Johnston Farrow
    Nov 2, 2021 | 6:00 am

    The local music industry is bouncing back in a big way this November.

    Dozens of concerts are taking place across the city, with more tickets purchased than any point in the last two years. The biggest sign the Houston live music scene is headed in the right direction is the opening of a brand new venue located in the heart of downtown, decked with all the bells and whistles.

    What was known as 713 Music Hall opens its doors at the new POST Houston, a multi-purpose building with a food hall, shops, office space, and a massive rooftop garden. The crown jewel, however, is the 5,000-capacity theater that will draw a wide-variety of artists from many genres, all within walking distance to major downtown destinations.

    In addition to the grand opening, the Bayou City welcomes it's biggest shows since early 2020. Here are the biggest, best, and most notable shows for the month ahead.

    CultureMap Recommends: The Hives with Mystery Lights and The Killer Hearts
    Tuesday, November 2
    White Oak Music Hall, 2915 N Main St.

    Yes, Sweden's The Hives reached their greatest heights around the early-2000s indie rock heyday, playing alongside other "The" bands like The White Stripes and The Strokes on the strength of killer singles such as "Hate to Say I Told You So" and "Tick Tick Boom."

    And yes, they haven't put out an album of original material since 2012's Lex Hives. But one thing this five piece hasn't lost is their live chops, with every show played like it's the last one.

    Look for incredible energy from frontman extraordinaire "Howlin'" Pelle Almqvist and his ultra-octane bandmates, where three-minute pop songs become motivational tools to run through the nearest brick wall, all done with stylish, matching-suits panache and more than enough charisma to go around.

    Tickets start at $27 plus fees. Show starts at 7 p.m.

    CultureMap Show of the Month: Astroworld Fest
    Friday, November 5 and Saturday, November 6
    NRG Park, 1 NRG Park

    Now one of the biggest music festivals in the world in terms of sheer popularity — tickets sold out in minutes — Missouri City's proud son Travis Scott is trying something new this year at his Astroworld Festival: diversity.

    Sure, hip-hop is still the dominant force, represented by Master P, Young Thug, Bad Bunny, SZA, Lil' Baby, Roddy Ricch, and more. But Scott, who plays a huge hand in curating the event, has invited Australian psych-rockers Tame Impala to the stage in addition to chillwave artist Toro y Moi and R&B-funk legends Earth, Wind, & Fire.

    They are all welcome additions and a nod to the strong influences on the mega-star's sound.

    Tickets are sold out but available on the resale market. Gates open at 10 a.m.

    Enrique Iglesias and Ricky Martin with Sebastian Yatra
    Friday, November 5
    Toyota Center, 1510 Polk St.

    Spanish-language pop music fans are in for a huge treat when two of the biggest stars of the genre in the last 20 years team-up for a co-headlining tour. Enrique Iglesias and Ricky Martin are bringing their TRL Live credentials to the Toyota Center, an insane 36 No. 1 Latin hits between them.

    But they both also had English crossover success, with Iglesias belting out "Bailamos," and "Hero," and Martin scoring the massive cultural touchstone, "Living La Vida Loca." It also helps they are two of the best looking men to walk the earth. No pyro needed at this show — these dudes radiate enough heat on their own.

    Tickets start at $39.95 plus fees. Doors open at 6:30 p.m.

    Chris Stapleton with Jamey Johnson and Yola
    Saturday, November 6
    Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Dr, The Woodlands

    Nashville star Chris Stapleton first got rich writing huge songs for some of the biggest country acts such as George Strait, Kenny Chesney, and Luke Bryan before rocketing to fame as a solo act, scoring No. 1 songs, the inescapable "Tennessee Whiskey" and "Broken Halos," and four No. 1 country albums.

    The seemingly annual RodeoHouston performer is back on the road behind 2020's Starting Over, and he's joined by two up-and-coming acts that could very well achieve his heights in Jamey Johnson and Grammy-nominated Yola.

    Tickets start at $45.72 on the resale market. Gates open at 5:30 p.m.

    Chvrches with Donna Missal
    Tuesday, November 9
    White Oak Music Hall Lawn, 2915 N Main St.

    The Glaswegian electro-indie act Chvrches return to White Oak Music Hall after a triumphant appearance back in 2019, but this time around, they are promoting their strongest album since their debut classic in Screen Violence, one of the best of 2021.

    Fronted by the affable and whip-smart Lauren Mayberry, singing over anthemic, pulsating synth tracks laid down by Martin Doherty and Iain Cook, the good news is the trio gets better every year as they embrace their roles as modern pop stars, each successive tour featuring better visuals and performances, and an ever-growing catalog of unassailable singles ("The Mother We Share," "Clearest Blue," "Get Out," among many others).

    It's no surprise they are slowly transforming into the Depeche Mode or New Order of their generation. They're that good.

    Tickets start at $36 plus fees. Show starts at 6 p.m.

    Kaytranada with Sango
    Friday, November 12
    White Oak Music Hall Lawn, 2915 N Main St.

    The groove produced by Haitian-Canadian producer Kaytranada endeared him to audiences worldwide since he first burst onto the scene, his profile as a festival draw increasing over the last few years.

    His 2016 debut album, 99.9% earned high accolades in his native land, picking up the Juno Award (equivalent to a Grammy) for Electronic Album of the Year and the Polaris Music Prize, given to the best album of the year based on artistic achievement. It led to him signing with a major label for 2019's Bubba, garnering more notoriety south of the border for his infectious beats and R&B dance sounds.

    The White Oak Music Hall lawn will grooving late into the fall night.

    Tickets start at $37 plus fees. Show starts at 7 p.m.

    Willie Nelson & Family
    Wednesday, November 17
    Post Houston, 401 Franklin St.

    Who better to christen a brand new music venue than the Pasadena, Texas native and country music legend, Willie Nelson? As he is wont to do, the 88-year-old will bring his "family" along to back him up, including son Lukas Nelson.

    Anyone who saw his inspired and passionate performance at the 2020 edition of RodeoHouston knows the red-headed stranger still has the goods to deliver a great show, buoyed by a veritable bible of hit songs. The star of the evening, however, will be Post Houston, a gorgeous space designed to bring medium-sized shows to the old Barbara Jordan Post Office, which will no doubt have a huge effect on downtown Houston.

    Tickets start at $59.50 plus fees. Show starts at 8 p.m.

    Rüfüs Du Sol
    Thursday, November 18 and Friday, November 19
    Post Houston, 401 Franklin St.

    Continuing the opening week party at Post Houston, world-beating Australian dance act Rüfüs Du Sol will play two shows, the first one selling out.

    Unlike other dance acts, the trio relies on live instrumentation during performances, showcasing an intimacy that few other EDM acts can match. They've headlined major music festivals around the world with their blend of atmospheric indie rock-influenced electronica and are touring behind this year's album, Surrender.

    Tickets for the second show start at $39.50 plus fees. Doors open at 8:30 p.m.

    Lost 80’s Live 2021
    Saturday, November 20
    Arena Theatre, 7326 Southwest Fwy.

    Bust out those legwarmers and head bands, it's going to get radical. Fans of '80s New Wave and synth-pop will find a lot to love at the Lost 80's Live 2021 tour, not named due to the age of the performers, but for their place as cult acts in one of the most fertile decades of music.

    The retro tour features a who's-who of MTV hitmakers, including Flock of Seagulls ("I Ran," "Space Age Love Song"), Men Without Hats (the stone-cold classic "Safety Dance," "Pop Goes the World"), Missing Persons ("Destination Unknown"), Dramarama, Stacey Q, Animotion, The Flirts, Tommy Tutone, and Anything Box.

    Tickets start at $39.50 plus fees. Show starts at 8:30 p.m.

    Charley Crockett
    Friday, November 26
    White Oak Music Hall Lawn, 2915 N Main St.

    Old-school crooner Charley Crockett comes with an origin story made for a hard-scrabble Americana-country musician: He's a distant relative of Davy Crockett. He was born and raised on San Benito, Texas, before escaping to New York to busk on street corners.

    He had to put his career on hold to have a open-heart surgery to fix a defect. Then he returned beating stronger than ever, his career taking off with the prolific run of albums, 2019's The Valley, 2020's Welcome to Hard Times, and this year's 10 for Slim: Charley Crockett Sings James Hand.

    He plays his largest show in Houston, headlining the White Oak Music Hall lawn.

    Tickets start at $25 plus fees. Show starts at 6 p.m.

    No Limit Reunion Tour
    Saturday, November 27
    Smart Financial Centre at Sugar Land, 18111 Lexington Blvd., Sugar Land

    At one point, Master P was the most famous hip-hop rapper/producer in the world. As CEO of No Limit Records, Master P released some of the most popular rap albums from the South, his base of operations being the melting pot of New Orleans.

    The roster of stars he built made him millions, first starting in the underground, then achieving mainstream success with "Make 'Em Say Uhh!" which led to him building a multimedia empire and coming up with some of the most iconic videos of the late-'90s. He'll bring back some of the most notable names from years past including Mystikal, Silkk The Shocker, Mia X, Fiend, and Mr Serv On.

    Tickets start at $72 plus fees. Show starts at 7:30 p.m.

    The Hives perform at White Oak Music Hall on Tuesday, November 2.

    The Hives
    Courtesy Facebook/The Hives
    The Hives perform at White Oak Music Hall on Tuesday, November 2.
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    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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    news/entertainment

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