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    starry nights, so many sunflowers

    Dazzling 'Immersive Van Gogh Exhibit Houston' paints vivid and moving picture

    Steven Devadanam
    Oct 13, 2021 | 5:40 pm

    Did Vincent dream this way?

    One couldn’t be blamed for that immediate thought while floating though the lush, vibrant visuals in the new “Immersive Van Gogh Exhibit Houston,” opening Thursday, October 14 at Lighthouse Artspace Houston.

    The converted, 16,500-square-foot warehouse space (1314 Brittmore Rd., just behind the Powder Keg outdoor outdoor bar) is a fitting easel for the hyper-visual experience made wildly famous in the Netflix series Emily in Paris. Madonna also counts herself a fan. With more than 3 million tickets sold nationwide, the show has outsold Taylor Swift.

    Not to be confused with the current Van Gogh interactive offering (though again, one couldn’t be blamed), this stunning — and original — show animates some of the most iconic works for Van Gogh, who is considered one of humanity’s most important and notable artists.

    Equally a star player in the production is the music, some by Italian composer Luca Longobardi, along with a classic from Edith Piaf, and even a tune from Radiohead lead singer Thom Yorke.

    Masterpieces come alive via some 60,600 frames of video, totaling 90,000,000 pixels and more than 500,000 cubic feet of projections. But as anyone who’s studied the master’s works can attest, that detail is necessary to truly capture his creations.

    Giant walls dance with images of workers in fields, which then wipe to floral settings, or memorable imagery from Van Gogh’s instantly recognizable pieces such as Mangeurs de Pommes de Terre (The Potato Eaters, 1885), Les Tournesols (Sunflowers,1888), La Chambre à coucher (The Bedroom, 1889), and the unforgettable Nuit étoilée (Starry Night, 1889).

    Even the floor — lined with circles to stand or sit on for social distancing — is a piece of art. Visitors can stroll (highly recommended), space permitting, or sit, awash in Van Gogh’s dreamscape.

    “It’s really interesting you comment that this could be Van Gogh’s dream,” Vito Iaia, co-founder of Impact Museums and the event’s co-producer, tells CultureMap. “This is what Massimiliano Siccardi, the protection artist who created the work you see on the walls, believes went through Van Gogh’s head — right before he died.”

    Part art exhibit, part animated film, “Immersive Van Gogh Exhibit Houston” marries the work of three different artists: Van Gogh (of course), aforementioned projection artist Siccardi, and Rowan Doyle, the creative director who created the scenic elements surrounding the venue.

    Those scenic elements include:

    • Sunflower pickup truck: A vintage Ford truck, parked outside the venue, gets a splash of sunflower yellow.
    • Van Gogh Chapel: Meant to be a love letter to Houston and specifically Rothko Chapel, this design is meant to be a contemplative space before entering the main gallery.
    • Van Gogh Timeline: As the name implies, this installation features pivotal moments of Van Gogh's career, with symbols harking to his short life.
    • Texas sunflower sign: Sunflowers dot the Texas state display, perfect for IG selfies.

    A bar and gift shop also add to the experience.

    At once stirring, playful, and poignant — even emotional — the experience is fitting for now, despite the artwork dating back to the late 1800s.

    “People ask why Massimiliano chose Van Gogh right now,” says Iaia. “And part of the answer is there’s probably no better time to tell Van Gogh’s story than right now. This is a reflection of what he went through as a troubled soul and the struggles people are going through today.”

    But it’s not all dark. “The bright side is, this is a great way to remember his work. The reception has been amazing. It’s giving him a new life.”

    Prepare for a serene, honest moment, but don’t be surprised to be affected — especially with the final imagery. “People are driven to joys, or tears, or thought,” says Iaia. I had someone come out and say, ‘I just saw God.’”

    ---

    “Immersive Van Gogh Exhibit Houston”; 1314 Brittmore Rd.; Tickets start at $29.99 per child, $39.99 per adult; $109 for VIP. For more information, visit the official site.

    Sunflowers are a common theme.

    Immersive Van Gogh Exhibit Houston
    Photo by Michael Brosilow
    Sunflowers are a common theme.
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    Movie Review

    Sheriff Bob Odenkirk is back in over-the-top new action movie 'Normal'

    Alex Bentley
    Apr 17, 2026 | 2:30 pm
    Bob Odenkirk in Normal
    Photo courtesy of Magnolia Pictures
    Bob Odenkirk in Normal.

    Screenwriter Derek Kolstad, who wrote the first three John Wick movies, has essentially had a blank check to do what he wants in the movie landscape since 2014. In recent years that has meant writing the action series Nobody for Bob Odenkirk, who has turned from a comedian into an unlikely action star in his sixties. Kolstad and Odenkirk are teaming up again in Normal.

    A film that tries to evoke Fargo in multiple ways, Normal finds Ulysses Richardson (Odenkirk) serving as a temporary sheriff for the small town of Normal, Minnesota after the previous sheriff died. Knowing he’s just a steward until a new sheriff is elected, Ulysses takes a live-and-let-live approach to the job, letting the deputies (Ryan Allen and Billy MacLellan) do the grunt work and trying to stay out of everyone’s way, including Mayor Kibner (Henry Winkler).

    A bank robbery attempt by two non-citizens upsets his best-laid plans in more ways than he can imagine. Not only is he forced to confront a crime not often seen in a town like Normal, but the robbery uncovers secrets that turn the film into an all-out bloodbath. Soon, almost everyone in town becomes involved in what comes to resemble a war, along with — you guessed it — Yakuza henchmen from Japan.

    Directed by Ben Wheatley and written by Kolstad, the film is a slight twist on the everyman-turned-hero character Odenkirk played in the two Nobody films. While Ulysses is in law enforcement, he prefers to use words instead of weapons, and it’s only when he’s pushed to the brink that he crosses that line. Naturally, his skills are beyond what anyone would expect of him, allowing him to match up well with people half his age.

    The film is not a comedy in the traditional sense, but instead aims for laughs by catching the audience off-guard with its ultraviolence. Some characters are dispatched in shockingly unexpected ways, with one of the only natural reactions to the jarring nature of their deaths being laughter. That’s not necessarily the case for other killings, which range from blasé to sadistic, and the only reason they count as entertainment is because the filmmakers have primed the audience to accept them as such.

    After a relatively solid setup, where Wheatley and Kolstad seem to take their time getting to know the main characters, the second half of the film is pure action that dispenses with good storytelling. Like many action movies, there are double crosses, surprise revelations, and more, but the filmmakers don’t seem to care about making sense of any character arcs. All they care about is delivering mayhem, and they succeed on that front.

    Odenkirk has perfected the mild-yet-intimidating nature of his action characters, and it is satisfying to see him get the better of those who have done him wrong. He doesn’t run or jump like fellow 63-year-old Tom Cruise, but — with the help of fast-paced editing — he still makes for a credible action hero. The only other actors of any note in the film are Winkler, who’s a nice presence with his sardonic personality, and Lena Headey, whose small role doesn't match up with her experience.

    You have to have a certain mindset to enjoy a film like Normal, but if you can abide its over-the-top bloodiness, it’s a serviceable action film. Few would have expected Odenkirk to take on these kinds of roles at this late stage of his career, but he’s making the most of his opportunities.

    ---

    Normal opens in theaters on April 17.

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