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    Art world drama

    Facebook war: Outlaw Picasso tagger's gallery debut spurs online dispute inHouston arts community

    Tyler Rudick
    Oct 9, 2012 | 3:21 pm
    • As his Oct. 26 solo show approaches, Picasso tagger Uriel Landeros has been atthe center of a Facebook war slamming his work and the outspoken galleryrepresenting him.
      Uriel Landeros VS Pablo Picasso/Facebook
    • Landeros, currently hiding in Mexico, claims his stencil attack in June waspolitically-motivated. Judging from the online battle, many critics disagree.
      Tadeeo43/YouTube
    • A dispute between gallery-owner James Perez and Houston artist Jonatan Lopez ledto this shocking post. Perez quickly removed the comment and has sinceapologized.
      Uriel Landeros VS Pablo Picasso/Facebook
    • Love him or hate him, the artist has landed himself in a upcoming group show ata well-known museum in Mexico City.
      Museo de Arte Carrillo Gil

    Uriel Landeros may have fled the country after tagging a 1929 Picasso at the Menil Collection in June, but the Houston artist is as controversial as ever — thanks to a nasty Facebook war surrounding his first solo gallery show, which opens on Oct. 26.

    Trouble started last week, when the James Art Gallery — led by artist James Perez, who has represented Landeros since July — created a Facebook listing for the event, which unleashed a trash-talking session that quickly spread to the gallery's business account and onto another group page titled Uriel Landeros vs. Picasso.

    Tensions peaked Thursday, when an online dispute between gallerist James Perez and Ho uston artist Jonatan Lopez led to accusations of homophobia.

    Tensions peaked Thursday, when an online dispute between Perez and Houston artist Jonatan Lopez led to accusations of homophobia.

    According to both men, Lopez doled out a particularly vulgar comment (something about not wearing a condom) with regard to Landeros' relationship with the James Gallery. Perez replied by posting a picture of Lopez wearing a tutu in a performance art piece with the note, "This is the little fag who is insulting out gallery. Nice tu tu johnathan."

    Perez quickly found out that Lopez is gay and promptly removed the posts, along other negative comments from earlier in the week. Nevertheless, screen shots of the Perez' post continued to circulate, taking the Facebook war to new heights until Sunday, when conversation turned to the artist who tagged a Rothko painting at the Tate Modern.

    On Monday, the James Gallery limited Landeros' show to 100 guests, warning that IDs would be checked and asking attendees to wear Halloween costumes. Needless to say, the guest list capped off almost immediately and the Facebook war continues. (Houston art blog The Great God Pan Is Dead posted highlights on Tuesday.)

    Explanations, mea culpas and a museum show

    "Honestly, I'm not offended by the 'fag' comment," Lopez told CultureMap Monday afternoon. "I'm proud of who I am and I'm glad to have friends who were so willing to defend me. I am offended, however, by what Uriel did to the Picasso. It sets a bad example for younger artists and I feel that someone needs to speak out against how ridiculous he is. It's so disrespectful."

    Lopez explained that a lot of artists are upset by Landeros' willingness to damage someone else's art. "If he did this, explained himself and turned himself into the cops right away, maybe the act could've meant something. Otherwise, by running away, it's just become an empty gesture."

    "Honestly, I'm not offended by the 'fag' comment," Lopez said. "I am offended, however, b y what Uriel did to the Picasso."

    Perez — who, like Lopez, said he enjoys feeding the heated online battle — explained to CultureMap that his homophobic comment was a direct response to Lopez' sexually-charged insult.

    "I had no idea he was gay," Perez said. "A lot of people in my life are gay, people very close to me. I would have never said that had I known and I really want to apologize to everyone I offended. It was a stupid, thoughtless thing for me to do. There's no excuse."

    As far as Landeros' upcoming show is concerned, Perez noted that the artist's current work is further evolved than the pieces shown in the wake of the Picasso attack. He said a number of Landeros' new paintings have already been sold and that a museum in Mexico City will feature the artist in a forthcoming group show titled Los Irresputuosos (The Disrespectful).

    "I was one of the first people to congratulate Uriel on Facebook after the incident and I'm proud to represent him. It was a ballsy thing he did and I think he kind of started something. Just look at what happen to that Rothko over the weekend . . . I think he's a genius, but he's not always well-spoken about what he's done. Hopefully, I can do that for him."

    Uriel Landeros: Houston We Have a Problem will be on view from 7 to 11 p.m. on Oct. 26 at the James Art Gallery, located inside the Summer Street Studios directly across from the artist's old workspace. The guest list, unfortunately, is closed.

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    appropriate attire required

    RodeoHouston announces new dress code for attendees

    Eric Sandler
    Mar 17, 2026 | 8:30 am
    Houston Livestock Show and Rodeo carnival
    Courtesy of the Houston Livestock Show and Rodeo
    It's the third time HLSR has received the award.

    The Houston Livestock Show and Rodeo has updated its dress code to emphasize the family-friendly nature of the event. Released Monday, March 16, the changes to the rodeo’s “guest code of conduct” read as follows:

    HLSR reserves the right to deny admission to or remove any person wearing attire that is considered inappropriate or attire that could detract from the experience of other guests. Clothing that is not appropriate for the HLSR show grounds includes, but is not limited to, clothing with objectionable material (including obscene language or graphics), excessively torn cloth, visible undergarments, and/or clothing which, by nature, exposes excessive portions of the skin that may be viewed as inappropriate for a family environment.

    In addition, a separate policy states: “No clothing or apparel that intentionally obscures the face is permitted unless worn for cultural or religious reasons or a medical condition.”

    At this time, it is not clear how HLSR will enforce the policy. All visitors agree to observe the code of conduct when they purchase tickets online. It is also posted at various places through the rodeo grounds, including at ticket booths and other stations on the property.

    Rodeo representatives have yet to respond to CultureMap’s request for comment on the reasons behind the new policy. However, it may be due to social media posts over the past few days showing people in the sort of attire that’s just been banned.

    In a viral Instagram post that’s drawn more than 200,000 views and 22,000 likes, local photographer Desmun Dangerfield summarized the problem succinctly. “Excuse my language, but I should not see your whole ass out at the Houston rodeo.”


    View this post on Instagram
    A post shared by Desmun Dangerfield (@dangerfieldmedia)


    Community reaction has been largely in support of the new policy. Erica Harrison, who comments on current events on her Black Girls Who Brunch social media account, supported the rodeo’s decision. “Houstonians of all backgrounds, including Black people, were calling for a dress code,” she said in a post published after the changes were announced Monday night.

    The Houston Livestock Show and Rodeo runs through this Sunday, March 22. Texas-born country singer Cody Johnson will close out the event with a concert-only performance on Sunday.

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