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    Magic & Incense

    Growing up with George Harrison: My time in Crackerbox Palace with the quiet,gardening Beatle

    Kristen O'Brien
    Oct 9, 2011 | 5:36 am
    • George Harrison steers my sister and I across one of the Friar Park lakes.Circa 1980
    • George Harrison with my Grandmother Ruth at my dad's wedding in Vancouver. Onthat occasion my little sister fell into the jacuzzi in her bridesmaid dress andluckily Harrison was standing by and swooped in to pull her out.Circa 1979
    • George Harrison with his son Dhani and wife Olivia at their home in Henley onThames.Circa 1978
    • George Harrison backstage holding hands with his tour manager, his wife Olivia,and my dad, far right.Circa 1976
    • Dad taking my sister and me out for an excursion on the lake at Friar Park. Circa 1979
    • Playing frisbee with Dhani Harrison on the grounds of George's estate, FriarPark.Circa 1980

    Editor's note: Martin Scorsese's two-part documentary on the Quiet Beatle, George Harrison, debuted in two segments on HBO this week. CultureMap contributor Kristen O'Brien didn't need the film to remember Harrison.

    I can’t say I ever really knew George Harrison, but he was definitely an integral part of my life for 20 years. He was much more present in my youth, when we still lived in London, with Henley on Thames and the magical world of Friar Park only an hour away down the M4 motorway. When I was 10, we moved to the U.S. with our mother and her new husband, leaving behind our weekend visits with our father’s enigmatic but kindly client: George Harrison.

    As a small child, I loved going to Friar Park, Harrison’s 120-room neo-gothic mansion; a former Catholic school he affectionately called "Crackerbox Palace." And what was so enchanting to me was the time spent playing and exploring the amazing gardens.

    My father, Denis O'Brien, met Harrison through another client, Peter Sellers. In 1973 he became Harrison’s business manager, initially tasked with sorting out Harrison’s tax issues, post-Beatles break-up. Later, he ran their joint production company, Handmade Films. Handmade created some interesting British cinema during the '80s, including Life of Brian, The Long Good Friday, Time Bandits, Mona Lisa and Withnail and I.

    Working with Harrison so closely meant being a part of his interesting life. This included going to India with Harrison to visit with Ravi Shankar, going on world tours to promote his solo albums and supporting his philanthropic interests. It meant vacation time at his Maui home, and watching Formula One racing (another passion of Harrison’s).

    My father also represented Harrison at Apple Records board meetings, occasionally making enemies (such as Yoko Ono, who once irritably sent Dad a postcard with a hand on the front giving him the finger).

    As a small child, I loved going to Friar Park, Harrison’s 120-room neo-gothic mansion, a former Catholic school he affectionately called "Crackerbox Palace." And what was so enchanting to me was the time spent playing and exploring the amazing gardens. I never got tired of running blindly through the maze in front of the house; I loved crossing over the stepping stones on the pond and under the waterfall. Galloping over bridges, then taking a boat on the lake and going into secret caverns.

    Everything from the sandstone Matterhorn replica to the friendly gnomes residing in the gardens made his Crackerbox feel like my own Wonderland.

    Most people know that Harrison’s favorite pastime was working in the garden. His son, Dhani, recently told Rolling Stone that when he was growing up, he thought that his dad earned his living as a gardener.

    Every time we’d go to Henley with Dad for all day, all night meetings, I could create new adventures for myself in those gardens. But the house, with its turrets and gargoyles, also inspired my creativity and never ceased to entertain.

    There was the ever-present scent of incense floating in the air, the enchanting jukebox in the living room, the walk-in, wood-carved open fireplace and the kitchen with the large silver fridge with curious magnets. Dhani’s playroom, with the most incredible collection of toys I had ever seen, included a fully functioning car that was child-size. I did not want to hang out with Dhani when we visited, because he was seven years younger, and my sister and I didn’t like to have to eat scrambled eggs with a toddler when we could eat with the grownups at the big wooden dining room table.

    Harrison’s wife, Olivia, always took good care of us and, like her husband, had a gentle, calming disposition. I loved going up the great gothic staircase in the living room to the recording studio on the first floor. I was fascinated by the recording console and the selection of instruments. Sometimes, Harrison would play new music for us and ask for our feedback.

    I remember thinking it was funny, but yet perfectly natural, to be sitting here with Madonna laughing over Miss Piggy and Kermit the Frog.

    Adjacent to the recording studio was a room with gold records and awards and an Oscar statuette. I remember the exhilarating sensation I got picking up the Oscar earned for "Let It Be" and feeling it weigh down my hand.

    When it got late, and Dad was still in meetings, we would go to bed in one of the guest rooms down the hall from the studio with sounds of Harrison’s sitar lulling us to sleep.

    Once we moved away from London, I saw Harrison less. Maybe at a concert here or there, but I did not go back to Friar Park again until I was thirteen.

    On this last visit to Friar Park we met first to view footage from the film Shanghai Surprise. I joined Dad to watch the dailies with Harrison and the principal actors in the film, Madonna and Sean Penn. After the screening, we went back to Friar Park for dinner. However, before dinner was served, we gathered in the TV room so that Madonna could get Harrison’s feedback on her latest as-yet-unreleased video. It was "Live to Tell," and she shyly played it for all of us, looking earnestly to George for his approval.

    After the video we watched The Muppet Show, and I remember thinking it was funny, but yet perfectly natural, to be sitting here with Madonna laughing over Miss Piggy and Kermit the Frog.

    My last memory of Harrison is from several years later, when I was in college in New York. Dad arranged tickets for me, my sister and our friends to go to a Bob Dylan tribute concert at Madison Square Garden. After the show, we went backstage with Dad and his guests, Susan Sarandon and Tim Robbins. We were all waiting to meet with Harrison, who had performed one of the tributes in honor of his close friend. But Harrison never emerged from his dressing room area, and eventually we left and headed back to school.

    This seemed to mark the beginning of the end between my father and Harrison. They soon parted ways over financial disagreements, and we went from having Harrison as an extended family member, receiving visits and birthday presents from him, to reading in various magazines and newspapers around the world that the parties were involved in a bitter dispute.

    And then, nearly 10 years ago on November 29, 2001, George Harrison died, and there were no more opportunities to get to know the mysterious man with the kind eyes and distinct Liverpudlian accent.

    Although I may have had exposure to this former Beatle and "knew" him in a privileged way, I still didn't really know who he was. To me, he will always remain an extension of the magical fairy worlds I explored as a child.

    Watch the trailer for George Harrison: Living in the Material World below:

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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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