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    Huge Concert News

    New winter music and arts festival boasts killer concert lineup: 5 entertainers we don't want to miss

    Elizabeth Rhodes
    Oct 8, 2015 | 5:49 pm

    Free Press Houston — known for organizing the massive annual music event, Free Press Summer Fest — has announced an incredible lineup for this winter's Day For Night, a two-day experiential art and music festival featuring superstar acts on par with those at the summer event.

    With headliners ranging from hip-hop sensation Kendrick Lamar and '80s rockers New Order to minimalist composer Philip Glass and R&B star Janelle Monáe, the event, which takes place in and around Silver Street Studios on December 19 and 20, is sure to rock Houstonians' expectations of future music festivals.

    Not only will Day For Night feature world-class musicians, but also leaders in various disciplines of digital art. The festival environment will be specifically designed around merging technology and sound and the way audiences experience them together.

    Although the entire lineup is astounding, here's a breakdown of a few of the can't-miss artists:

    Kendrick Lamar

    Hailing from Compton, 28-year-old Kendrick Lamar has risen to become a hip-hop superstar in just the last few years. His major-label album debut in 2012 with good kid, m.A.A.d city propelled Lamar to stardom, giving him three Top 40 tracks, including "Swimming Pools (Drank)," "Bitch, Don't Kill My Vibe" and "Poetic Justice."

    In March, Lamar's To Pimp a Butterfly debuted atop the U.S. Billboard 200 chart and established Spotify's global first-day streaming record with 9.6 million listens. Stunners like "King Kunta" and "Alright" showcase his talents for writing and delivery.

    New Order

    New Order's appearance at Day For Night is beyond significant as the famed English rockers haven't performed in Houston since playing at the Southern Star Amphitheater at AstroWorld on April 21, 1989. Formed in 1980, the group consists of the surviving members of legendary band Joy Division — Bernard Sumner and Stephen Morris — as well as Gillian Gilbert, Phil Cunningham and Tom Chapman.

    With immediately recognizable 80s hits like "Blue Monday," "Bizzare Love Triangle" and "Age of Consent" — as well as their latest album, Music Complete, released just last month — this promises to be one of the best performances in Houston this year.

    Philip Glass Ensemble

    While the festival features renowned artists of many genres, the inclusion of Philip Glass and his ensemble is perhaps the most welcome surprise of all. One of the most influential musicians and composers of the late 20th century and known for his signature minimal, repetitive stylings, Glass will perform on keyboard with his namesake ensemble that he founded in 1968.

    He is widely recognized for his film scores, including Academy Award-nominated compositions for Kundun, The Hours and Notes on a Scandal.

    Death Grips

    This experimental hip-hop group from Sacramento has had its fair share of ups and downs — including a temporary disbandment and canceled concert tours — but has managed to soldier on and continue to produce music unlike any other. After garnering attention for the 2012 album The Money Store, which includes popular tracks like "I've Seen Footage" and "Get Got," Death Grips has become notorious for noisy, bass-heavy tracks that feature lyrics with spitfire delivery.

    Their album Fashion Week was released in January and Jenny Death dropped on YouTube in March, leading fans to believe the group is certainly poised to continue their upward trajectory. With wild live performances that are often known to include the destruction of instruments, it is one the most anticipated Day For Night offerings.

    Dan Deacon

    As an impressive electronic musician known for frequently incorporating large-scale audience participation in his performances, Dan Deacon is the perfect choice for an experiential festival like this.

    Deacon, who came to notoriety with 2007's Spiderman of the Rings, honed his interactive live shows at smaller DIY spaces before launching at large venues. He performs on floor level within the audience with his musical devices set up on a table as he's completely surrounded by the crowd. Deacon even created a smartphone app that synchronizes with the live show, usually used during the song "True Thrush."

    With such a wonderful platform for interactive performances, Deacon's performance is one you'll want to catch at Day For Night.

    Check out the full lineup for all the musicians and artists performing at the festival.

    Dan Deacon.

    Dan Deacon for Day For Night promo
    survivingthegoldenage.com
    Dan Deacon.
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    Movie Review

    How to Rob a Bank turns viral YouTube culture into messy crime caper

    Alex Bentley
    Nov 12, 2026 | 4:00 pm
    Nicholas Hoult in How to Rob a Bank
    Photo by Megan Schoenbachler
    Nicholas Hoult in How to Rob a Bank.

    YouTube culture has made its way onto movie screens in a big way in 2026, with several content creators — most notably Kane Parson with Backrooms and Curry Barker with Obsession — making waves. So it’s only natural for movies to integrate the idea of YouTube content into their stories, as is the case in How to Rob a Bank.

    The film throws the audience right into the action as Ryan (Nicholas Hoult), Emi (Anna Sawai), Vince (Pete Davidson), Hugo (Rhenzy Feliz), and other people wearing various animal masks commit their latest bank robbery, recording everything they do for their video channel. The hyper-stylized way in which they edit the videos is designed for maximum engagement, but also as a way to give the middle finger to authorities who have yet to catch them.

    FBI Agent John West (John C. Reilly) is at a loss as to how to stop the group until he discovers an algorithm used by Reagan Gardner (Zoë Kravitz) that can comb social media and other things on the internet to triangulate anyone’s location. The cat-and-mouse game plays out as the criminal group tries to accomplish their mission of exposing banks and corporations for their corruption.

    Directed by David Leitch (The Fall Guy) and written by Mark Bianculli, the film has a timely message that never quite lands. The rollicking nature of the robberies, their accompanying videos, and the fact that they give away some of the money to charity puts the audience on the side of the criminals. But when the film starts to delve into their maudlin personal stories, the shift in tones is jarring and not convincing.

    Leitch and Bianculli also have difficulty figuring out how much to showcase certain characters. The robbers are composed of four main members, but there are at least two more of them who fade in and out of the story without explanation. Reagan is made to seem like an important character, but the technology she made is barely explained, and she too gets sidelined in a way that feels like the filmmakers left much of her story on the cutting room floor.

    The filmmakers short circuit their own storytelling by trying to get the point too quickly. Instead of following the standard cops-and-robbers playbook that is unoriginal but still satisfying, they arrive at the usual end well before the movie finishes, and have to find ways to fill the time afterward. The film is much too long at 122 minutes, with much of the fun washed away by unnecessary digressions.

    Hoult is a fine actor who should be a much bigger star by this point in his career. He’s convincing as the leader of this particular gang, but he never elevates the role. Reilly has his moments as an FBI agent, but he can’t seem to decide whether he wants to be serious or funny. Kravitz is not given much to do in her role, while Davidson is miscast in his. Lesser-knowns like Sawai and Feliz give good performances, but are overshadowed by the stars.

    How to Rob a Bank works best when it leans into the anarchic nature of its main group, as the viral nature of the videos they create is solid commentary on both YouTube as a medium and the righteous anger many feel toward an unjust system. But Leitch and Bianculli can’t find a grip on the deeper parts of the story, leading to an up-and-mostly-down experience.

    ---

    How to Rob a Bank opens in theaters on November 13.

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