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    Cheapskate's Guide to the Finer Things in Life

    What a deal: I paid $25 for a front-row seat for Joshua Bell

    Leslie Loddeke
    Oct 2, 2010 | 3:23 pm

    If you’re a classical music lover like me, you simply cannot deprive yourself of the opportunity this weekend to hear violinist Joshua Bell play the most heavenly music on his priceless Stradivarius with the Houston Symphony at Jones Hall.

    Speaking of prices — which I do, quite frequently, as one with champagne tastes and a beer budget — wait 'til you hear the amazing deal I got on my ticket. I paid only $25 for a seat in the front row, where I sat Friday night, practically on top of the stage, within feet of my hero. Unbelievable!

    Of course, my top priority was to get as close as I could to optimally hear this talented artist’s marvelous music, but I must admit, it doesn’t hurt that Bell is definitely easy on the eyes, as well as the ears. He looked as adorably boyish and handsome as ever in his classic black shirt and pants, his beautifully coiffed hair flying as he energetically wielded his bow, closed his eyes, and melded with the music. Clearly blessed with a unique artistic gift, combined with his dedication to continually perfect his craft, Bell beautifully played Mendelssohn’s Violin Concerto in E minor, Opus 64, with his own original cadenzas.

    What’s even more unbelievable is that I’ve been attending classical music concerts at various Houston venues for decades, but I just found out about these incredibly cheap HSO front-row seats.

    I knew HSO offered some very low-cost tickets, but I always assumed they were all way up in the nosebleed section, under the rafters with the pigeons and the potential to sit near some novice concertgoer who feels inexplicably compelled to cough, flap his program pages as he tries to read in the dark during the concert, and sometimes even “conducts” the music (Why, Lord, Why?) Some people are just born entertainers, I guess.

    However, I prefer to hear the ones performing on the stage, as clearly as possible, so that’s why I always ask for an orchestra-level seat, about midway toward the front. Normally, it’s optimal to sit “front and center” at a concert in Jones Hall, to have a full view of the orchestra and to hear the music properly. That’s going to cost you well over the $25 I paid last night. But it all depends on your objective.

    For this particular concert, I just wanted to sit as close as possible to Bell. When I described my goal to the customer service representative over the phone, I was offered this ultra-cheap seat in Orchestra Row A. I asked how I could possibly get such a great deal, and the response was that “some people don’t like to crane their necks” during a concert, as you do have to look up. I figured, for Bell, I could crane my neck ad infinitum.

    I was right. In fact, I only had to crane my neck a bit to see and hear Bell in all his glory. I spent an hour in heaven, watching him play, and I still feel as if I’m walking on clouds today. (He performs again Saturday night and Sunday afternoon.)

    Now that I know about these ultra-cheap seats, I may have to buy a front-row ticket for another HSO concert sometime soon.

    OK, so maybe it won’t be Joshua Bell next time -- but what economically minded music lover, equipped with a reasonably flexible neck, could resist an amazing deal like this?

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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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