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    RodeoHouston 2020

    RodeoHouston welcomes Willie Nelson, Gwen Stefani, and K-Pop stars in 2020 lineup

    Johnston Farrow
    Jan 10, 2020 | 1:00 am
    RodeoHouston 2020 line-up
    RodeoHouston announced its lineup for 2020 at a VIP event on January 9.
    Courtesy RodeoHouston

    It may not have the star-studded impact of the last two years, but RodeoHouston is back with a diverse lineup that still plays to the Houston tent pole event's strengths: big-name country artists.

    Odds pointed to the difficulty of following up two sold-out performances by Garth Brooks, the top-selling country artist of all time, in 2018, followed by an RodeoHouston and NRG Stadium attendance record shattering show by the King of Country (and second highest all-time selling country artist), George Strait, in 2019. Regardless, there's a lot to like about the 2020 edition, especially if you were a fan of previous rosters.

    A second leak of the lineup in the last two years before the announcement took some of the anticipation out to the proceedings at a special VIP event at NRG Stadium's Director's Club, overlooking the home field of the Texans. But there was a sense of elation in the crowd when Reid Ryan of the Houston Astros announced the performers in front of a killer smorgasbord of rodeo-inspired food, especially among the cowboy hat and boot wearing attendees.

    This year's edition runs a little later this year, kicking off on Tuesday, March 3, with Texas country act Midland and closing with still huge solo country star Luke Bryan on March 22. Big names making their first appearance this year are pop queen and The Voice judge Gwen Stefani (March 17), girlfriend to five-time RodeoHouston performer Blake Shelton; R&B pop artist Khalid (March 18), and fast-rising, talented country voice Maren Morris (March 7), set to fill the role that Kacey Musgraves played in 2019.

    "When we began to do the deal, I was hoping for a little pillow talk there [from Blake Shelton], to say, ‘Honey, it’s okay, go ahead and do it," Jason Kane, managing director of entertainment for the Houston Livestock Show and Rodeo, joked about the Stefani booking.

    Country acts include many familiar faces, many of them past performers. Local legend Willie Nelson will star for Armed Forces Appreciation Day on March 4, making his 11th appearance on the star-shaped stage. Chris Young makes his sixth appearance on March 9. Kane Brown parlayed his well received 2019 set into his second, back-to-back appearance on March 11.

    Cody Johnson will play his fourth RodeoHouston in a row on March 12. Dierks Bentley returns for his seventh appearance on March 15, followed by Keith Urban for the eighth time on March 16. Chris Stapleton is set for March 19, his fourth year in a row. The one-two shot of Brad Paisley (12th slot, seventh year in a row) and Bryan (ninth appearance in a row) closes out the season on March 21 and 22, respectively. Hot C&W star Jon Pardi makes his RodeoHouston debut on March 14.

    Pop is represented by 23-year-old Becky G on March 5. Go Tejano Day, one of the biggest draws of every RodeoHouston, will feature Ramon Ayala on Sunday, March 8. New to RodeoHouston is the bold booking of chart topping K-Pop act NCT 127, a band almost anyone over the age of 21 has never heard of before, but one that will definitely attract a crowd of screaming preteens and teenagers on March 10, made possible by Spring Break for most local school districts falling that week.

    “It’s my job to look over the horizon and see what’s going on out there and you can’t deny that there is a trend," Kane, known for his booking smarts, told CultureMap. "There’s a wave that’s hit these shores. Of course, the leading artist is BTS, but we feel great about NCT 127 — they are starting to breakout. They just did the Today show, they did the Macy’s Thanksgiving Day parade and I feel great about that.”

    Three performers, one hip-hop/R&B, another hip-hop/pop, and an EDM artist, weren't announced at the event. Rather, they will be announced on February 4 in special, smaller events at local schools, which could make for some big clues as to who they'll be. Interestingly, they will all perform on a Friday night. Kane promised some big surprises - addressing the noticeable lack of major headliners.

    “Obviously, the last couple of years, we had Garth, we had George Strait," Kane said. "There’s only so many of them. And once you’ve had them, they don’t always come back around every year. I think when you see the full line-up in its complete form, you’ll see where our star power is.”

    Once again, Kane is banking on the seemingly left-field bookings to drawing in new fans to NRG Stadium and the rodeo grounds.

    “My one goal would be to fill the stadium for something different like our K-Pop offering and bring people to the rodeo that have never been here before," he said. "I think we did some of that last year for Cardi B, and I think we have a great chance of doing that again with this year’s lineup.”

    Tickets go on sale Thursday, January 16 at 10 am at rodeohouston.com. Friday performances will go on sale February 6 at 10 am. The online waiting room will open at 9:30 am; customers in the waiting room will be randomly selected to enter the store to purchase tickets at 10 am, according to RodeoHouston.

    Willie Nelson makes his 11th appearance at RodeoHouston on March 4.

    Willie Nelson
    Photo courtesy of RodeoHouston
    Willie Nelson makes his 11th appearance at RodeoHouston on March 4.
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    Movie Review

    Summer camp drama The Plague proves middle school is still pure horror

    Alex Bentley
    Jan 2, 2026 | 2:30 pm
    Everett Blunck in The Plague
    Photo courtesy of IFC
    Everett Blunck in The Plague.

    Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

    A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

    Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

    Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

    No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

    Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

    The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

    Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

    ---

    The Plague is now playing in theaters.

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