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    Post-Game Analysis

    Root for the home team: A couple of Texans have a good game — on The Amazing Race

    Tarra Gaines
    Sep 29, 2013 | 11:20 pm

    Aaaand they’re off!

    Usually my Sunday night appointment television consists of vampires, dragons, and quippy dowager countesses. But when reality television’s closest proximity to sports, The Amazing Race, fields a hometown team, I have to get out my virtual pom poms and watch.

    This year, The Amazing Race producers have chosen a Houston team who knows a thing or two about sports and playing well with others, former Texans teammates from 2006-2009, Chester Pitts II and Ephraim Salaam. Will all their experience help them win a million dollars, and even more importantly, help them avoid looking like ugly American idiots while milking a goat in outer Mongolia?

    Considering some of the bizarre challenges The Amazing Race has thrown at racers in the past, Pitt’s talented oboe playing might come in handy more than any tackling skills.

    The Amazing Race is the one television competition where the ability to feign rapport with taxi drivers is sometimes a much more valued asset than brains, brawn, or speed. Considering some of the bizarre challenges The Amazing Race has thrown at racers in the past, Pitt’s talented oboe playing might come in handy more than any tackling skills.

    Over the years, viewers have discovered there are four general, unwritten rules every Amazing Racer should memorize before ever applying.

    1. Never race if you can’t drive a stick shift
    2. Never race if you’re afraid of heights
    3. Never race if reading comprehension is not your forte
    4. Unless you want the whole Internet acting as your judgmental and gossipy armchair couples therapist, never ever use the race as a way to work on your troubled relationship with your partner.

    So how did Chester and Ephraim do this first episode and what does that tell us about their odds for the season? Let’s play armchair team manager for some post-game analysis.

    First off the mark

    For no discernible reason, the race begins at an old western movie ranch in California. Team Texans are profiled first, and we learn how Ephraim brought Chester to the football field at San Diego State, though no mention of Chester’s oboe mastery is given. Is being introduced first a good or bad sign from The Amazing Race editors? Only time will tell.

    The first leg calls for the racers to fly to Iquique, Chile. With little drama, Team Texans manages to get on the first plane and once landed they make their way by taxi to cliffs high above the port city, arriving second to the roadblock. A roadblock is a challenge that only one of the pair can perform and this one calls for one team member to paraglide down to the beach below. After a slight confusion with the wording of the instructions, Chester ends up paragliding while Ephraim must follow him on the ground and navigate with their taxi driver.

    There appeared to be only two real points to this challenge,: Getting the very big Chester into a very small, unstable boat and getting host Phil Keoghan to use the word “fishmonger” in a sentence.

    After a requisite scream of joyous terror, Chester immediately endears himself, to me at least, by taking a few moments for sheer amazement and appreciation of the view as he soars.

    They finish second, but lose time on the way to the second roadblock, ending up at the harbor area in fifth place. The twist of this challenge is that the paragliding partner has do the work again, this time taking a rickety rowboat out onto the bay to find one of three designated fishing boats amid what looked to be a hundred boats. The team member then has to to collect five fish from a fisherman and row his catch back ashore.

    There appeared to be only two real points to this challenge: Getting the very big Chester into a very small, unstable boat and getting host Phil Keoghan to use the word “fishmonger” in a sentence.

    As amused Chilean workers look on from the dock, Chester finds one of the fishing boats quickly, but by that time it only has four fish left. He’s off to search for one of the other boats in order to complete his fish run.

    With breakneck speed, probably helped along by the Amazing editors who have many other teams to highlight, Chester finds the next boat, grabs his fish and rows back to the docks. The guys run to the pitstop, Chilean national monument Teatro Municipal de Iquique, arriving in fourth place.

    Fourth is none to shabby, but how well did they do in accordance to our racer rules?

    1. Stick Shift
    They weren’t required to drive in Chile, so I’ll give them a pass.

    2. Heights
    Both Chester and Ephraim were ready and willing to jump off a cliff. They passed the heights test with gliding colors.

    3. Clue reading abilities
    Four of the 11 teams burned time, and one team team even suffered a 30-minute penalty, all because they didn’t read the clues correctly. Team Texans had no problems.

    4. Team dynamics
    Chester and Ephraim appear to thoroughly enjoy each others’ company and any intra-team ragging, like Ephraim telling Chester he looked like a “military grade jeep” landing on the beach, seemed to be received with affection. Chester’s reply, “I’m comfortable with my width,” was one of the funniest moments of the episode.

    Could this be the year the Texans go all the way? And by all the way, I mean representing Houston admirably while they milk a goat in outer Mongolia.

    Start planning your Amazing Race tailgating parties now because Team Texans is looking good.

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    Movie Review

    Margot Robbie ignites provocative new take on Wuthering Heights

    Alex Bentley
    Feb 12, 2026 | 3:31 pm
    Jacob Elordi and Margot Robbie in Wuthering Heights
    Photo courtesy of Warner Bros. Pictures
    Jacob Elordi and Margot Robbie in Wuthering Heights.

    Emily Brontë’s 1847 novel Wuthering Heights is one of those classic books assigned in high school English classes, and it has received a number of film adaptations over the years — each of which differ in numerous ways from the source material. Purists won’t receive any reprieve from Emerald Fennell’s 2026 adaptation, with a title that is stylized as "Wuthering Heights” for good reason.

    Cathy (played as an adult by Margot Robbie) and Heathcliff (Jacob Elordi) have known each other their entire lives, with Cathy’s alcoholic and inveterate gambler father (Martin Clunes) taking in Heathcliff on a whim when he was a boy. The two bond as they grow up together, although Cathy always seems to have an eye on moving up in society from their relatively impoverished lifestyle.

    Cathy finally gets her wish when the rich Linton familyled by Edgar (Shazad Latif), moves in down the road, Despite discovering she has feelings for the now grown-up Heathcliff, Cathy sees Edgar as her way out and agrees to marry him. A scorned Heathcliff flees, returning years later as mysteriously wealthy. His reappearance ignites something in Cathy’s soul, and the two engage in a perhaps unwise affair.

    Fennell (Promising Young Woman, Saltburn) infuses the dusty material with an energy that’s not typically present in stories set in this particular time and place. Aside from the occasional Charli XCX song (the singer created a whole concept album for the film), the film looks and feels like a period piece, albeit one that doesn’t get bogged down in the drudgery that can sometimes come from films set in the distant past.

    Much of that has to do with the lust the filmmaker puts into the story. Even if you’re not familiar with Brontë’s book, you can rest assured that Fennell has strayed far from the text, giving Cathy and Heathcliff thoughts and actions unthinkable in the 19th century. Fennell plays with expectations by opening the film with audio featuring creaking noises and a man grunting, conjuring up a situation far different than what is actually happening, and she also makes liberal use of rain, sweat, and tears to make the actors enticing.

    What she can’t do, however, is make the two lead characters compelling. Cathy is a striver who never seems to know what she wants out of life, and Heathcliff goes from a bore to a brute over the course of the film, with no clear indication that he likes anybody, much less Cathy. Anyone expecting some kind of grand romance will be disappointed as Fennell is much more interested in making the film weird, like having the walls of Cathy’s room look like her skin, complete with freckles.

    Robbie and Elordi do well enough with the material, and it’s clear that both of them are committed to bringing Fennell’s vision to life. Their styles tend to balance each other out, and if the story had been committed to their characters’ relationship, they might be lauded for their chemistry. In the end, though, the supporting actors feel more interesting, including ones played by Hong Chau, Alison Miller, and Clunes.

    This version of Wuthering Heights should never be construed as an alternative to reading the book for any high schoolers out there. While Fennell makes the film interesting with her technical filmmaking choices, the story never finds its footing as it fails to sell the one thing that it seems to promise.

    ---

    Wuthering Heights opens in theaters on February 13.

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