to infinity and beyond!

Unprecedented space-themed virtual reality experience blasts into Houston for first U.S. show

"The Infinite" lands in Houston for the first U.S. show.

Image courtesy of Infinity Productions

From the earliest days of our circling the planet in a tiny NASA capsule — to Elon Musk’s SpaceX current commercial journeys — Houston and space travel will be forever and inexorably linked.

Fitting, then, that an unprecedented new immersive experience centered on the International Space Station (ISS) is making its U.S. debut here in Space City. “The Infinite”— a multi-sensory, interactive virtual reality experience — will zoom into Sawyer Yards on December 20 for a special, and limited, run, organizers announced.

This sprawling, 12,500-square-foot exhibition shuttles viewers into a never-before-seen perspective of life on the ISS, bringing an almost-too-real feeling of being in outer space.

Tickets are on sale now for a soft open preview period beginning on December 20; admission is $29. Tickets then jump to $36 for the full-scale limited engagement beginning on January 13, 2022.

Boasting footage shot over a period of nearly three years that created some 200 hours of high-end virtual reality scenes, the four-part immersive series documents the life of eight international astronauts inside — and outside — the International Space Station. (The outside experience promises to be an especially wild ride.) The show comes to Houston off a wildly popular Canadian run in Montreal.

Specific to this Houston launch, the show boasts new footage from the first-ever cinematic spacewalk captured in 3D — 360-degree virtual reality shot outside the International Space Station on September 12, 2021 — while offering visitors a self-directed experience aboard the ISS itself, according to a press release.

Throughout the 60-minute journey, per press materials, viewers will engage with physical objects, virtual reality, multimedia art, soundscapes, light design, and even the subtle scents of a forest, meant to evoke memories of stargazing while lying on the grass.

“The Infinite” is the brainchild of Montreal-based Infinity Experiences, a joint venture of PHI Studio and Felix & Paul Studios, and is an extension of the recent Primetime Emmy Award-winning immersive series, “Space Explorers: The ISS Experience,” the largest production ever filmed in space, produced by Felix & Paul Studios in association with Time Studios.

That this show will run next year is also especially timely for Houston’s space saga. Next year marks the 60th anniversary of President John F. Kennedy’s famous moon-shot speech given at Rice University on September 12, 1962. That speech, with its now-legendary “we choose to go to the moon” line, galvanized the nation and propelled the U.S. into a space race that found Neil Armstrong and “Buzz” Aldrin on the moon only seven years later.

“The exploration of space and the unknown is an endless source of fascination to us,” said Félix Lajeunesse, co-founder of Felix & Paul Studios and creative director of The Infinite, in a statement.

“We are thrilled to bring The Infinite to Houston — the global epicenter of human space exploration — to share this massive, fully immersive exhibition, and we look forward to virtually transporting thousands of people off the Earth to enjoy the joy and wonder of space with audiences in the U.S. This unprecedented project is made possible thanks to our partners at NASA, the ISS National Lab, international space agencies and the incredible power of virtual reality.”

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Movie Review

Denzel Washington brings new spectacle to the Colosseum in Gladiator II

Photo courtesy of Paramount Pictures

Paul Mescal in Gladiator II.

There are some films for which making a sequel is natural, and others where a follow-up is wholly unnecessary. Gladiator, which made both tons of money and was named Best Picture at the Oscars, told an impactful stand-alone story that ended with the protagonist dead and no real loose ends. And yet because there’s always more money to be made, here we are 24 years later with Gladiator II.

The lead character this time around is Lucius (Paul Mescal), a general in a North African army who becomes a prisoner of war when the Roman army led by Marcus Acacius (Pedro Pascal) bests him and his troops in battle. Taken back to Rome, he is put in the pool of captured men forced to fight at the Colosseum for the amusement of twin emperors Geta (Joseph Quinn) and Caracella (Fred Hechinger).

Lucius is controlled by Macrinus (Denzel Washington), an ambitious schemer who bets liberally on his prized fighter and always has an eye to move up in the world. Meanwhile, Lucilla (Connie Nielsen), the sister of Emperor Commodus from the first film, is now married to Marcus Acacius and has a unique connection with Lucius that is fairly obvious from the get-go.

Directed once again by Ridley Scott and written by David Scarpa, the film commits a number of sins throughout its 150-minute running time, the most blatant of which is that, aside from a few embellishments, it essentially tells the same story as the first film. Lucius, like Maximus, is a deposed military leader who’s out for revenge on the person who killed his family. Instead of one obnoxious emperor, there are now two. And the only way for Lucius to earn his freedom is to fight his way out.

Stories told in the same world can echo each other and, if done well, overcome those similarities. But Gladiator II is shockingly boring for a purported sword-and-sandals epic. Scott and his team try to introduce new elements to the fights, like a gladiator riding a rhinoceros or a ship battle inside the Colosseum (with sharks!), but most of the sequences are inert with no propulsion to them.

The action fails because none of the relationships in the film amount to much. There are stand-out characters like Macrinus and the twin emperors, but instead of creating antipathy or strong feelings of triumph or defeat, the story just kind of happens without any sense of excitement or importance. Much of that issue lies at the feet of Lucius, who simply doesn’t inspire in the same way that Russell Crowe’s Maximus did.

Mescal is a fine actor who’s done good work in more intimate roles, but he’s not up to the task of being an action star, at least not in this film. Any bombast he shows with the character feels forced, and the story doesn’t give him enough opportunities to counteract that lack. Washington, however, fills up the screen with his charisma, and it’s during his scenes that the film comes closest to being rousing. Quinn and Hechinger are a lot of fun as the twin emperors, but in the end they feel like retreads of Joaquin Phoenix from the original.

Any sequel should have a purpose that sets it apart from what came before, but Scott, Scarpa, and the rest of their team fail in that respect in Gladiator II. It’s a mostly lifeless film that delivers scenes that would be exciting if they had any kind of good story to back them up.

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Gladiator II opens in theaters on November 22.

movies film

to infinity and beyond!

Unprecedented space-themed virtual reality experience blasts into Houston for first U.S. show

Movie Review

Denzel Washington brings new spectacle to the Colosseum in Gladiator II

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