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    Movie Review

    Stronger is a weak excuse for an inspirational movie

    Alex Bentley
    Sep 21, 2017 | 4:20 pm
    Stronger is a weak excuse for an inspirational movie
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    Less than five years removed from the Boston Marathon bombing in 2013, Hollywood has decided that now is the time to relive the event and/or honor the people who were affected by it. Patriots Day, released earlier this year, overreached, trying to tell the story of the entire city. Stronger goes in the opposite direction, telling the story of one specific survivor, Jeff Bauman.

    As presented in the film, Bauman (played by Jake Gyllenhaal) is a rough-around-the edges kind of guy, someone who screws up at work, drinks way too much, and is never really there for his on-again, off-again girlfriend, Erin (Tatiana Maslany). The one time he does show up for her just so happens to be when she runs the Boston Marathon. And he happens to stand next to one of the two bombs detonated near the finish line that fateful day.

    The bomb obliterates the lower half of both of his legs, leaving him to face months of recovery with help from Erin and from his family. However, his family members, including his mom, Patti (Miranda Richardson), had been kind of a mess before he lost his legs, and they don’t improve much after the incident. Their relative lack of support puts Erin on an island with Bauman, who, as one could imagine, has a lot of trouble dealing with the aftermath of the bombing.

    The traditional trajectory of a movie like this is that we meet our hero, who then gets knocked down a time or three, only to rise up due to sheer perseverance and possibly the help of someone who never leaves his side. Director David Gordon Green and writer John Pollono, working from Bauman’s book, seem uninterested in making Bauman into a traditional hero. In fact, they go so far in the opposite direction that it’s almost shocking.

    Instead of appreciating Erin and other people trying to help him, Bauman lashes out on multiple occasions. It would be easy to chalk this up to the post-traumatic stress he’s enduring, but the manner in which it’s portrayed makes it seem more like a character flaw. Things reach a head during an ill-conceived drunk driving scene with Bauman at the wheel. The moment appears to be played for laughs, ending with a cop asking for Bauman’s autograph, with no apparent punishment coming.

    Similar to Patriots Day, Green and Pollono have a lot of trouble figuring out the tone of the film. Bauman and his family are so aggressively “Boston” that it becomes ridiculous. The drinking, the accents, and the belligerent behavior are so constant that it’s impossible to take them seriously. The audience’s natural instinct is to root for Bauman and his family, but the storyline we’re presented makes it almost impossible to do so.

    One could say that Green and Pollono are merely showing the people with warts and all, but the problem is that doesn’t make for a very good movie. It may be the truth, but it’s about as far from inspirational as you can get. It’s difficult to feel inspired when many of the characters are off-putting and uninteresting.

    Gyllenhaal seems to specialize in characters with questionable morals, and Bauman certainly fits in with others he’s played. The most impressive part of the film, both technically and acting-wise, is presenting Gyllenhaal without legs. There’s not one moment you question that fact, and it’s due to both the CGI work and Gyllenhaal’s acting skills, which are second to none.

    Also impressive are Richardson and Maslany. Richardson, an English actress who often plays upper crust English roles, absolutely disappears into the role of Patti. Maslany, an Emmy winner for playing multiple roles on Orphan Black, acquits herself well in her first major film role.

    Despite some good acting, Stronger is the most feel-bad feel-good movie of the year. Jeff Bauman actually may be an inspiring figure, but this film does everything it can not to show it.

    Jake Gyllenhaal in Stronger.

    Jake Gyllenhaal in Stronger
    Photo courtesy of Lionsgate and Roadside Attractions
    Jake Gyllenhaal in Stronger.
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    Movie review

    Adam Scott explores creepy Irish hotel in moody horror movie Hokum

    Alex Bentley
    May 1, 2026 | 4:30 pm
    Adam Scott in Hokum
    Photo courtesy of Neon
    Adam Scott in Hokum.

    There are relatively few actors who can switch back and forth between comedy and drama easily, but Adam Scott is the rare exception. He’s equally as well known for starring in comedy projects like Parks & Recreation, Party Down, and Step Brothers as he is for dramas like Big Little Lies and Severance. He’s going the latter route again in the new horror film, Hokum.

    Scott plays author Ohm Bauman, who’s trying to finish his latest book. In an effort to avoid distractions and also pay tribute to his parents, he retreats to an Irish hotel where his mom and dad spent their honeymoon. Bauman, who is about as stand-offish as you can get, and the staff of the hotel are at odds almost right away, although Bauman finds a kind of kinship with Jerry (David Wilmot), a seemingly-homeless man he meets in a nearby forest.

    Bauman becomes intrigued with the story of the hotel’s closed-off honeymoon suite, which is said to be haunted. His curiosity, though, seems to trigger a variety of strange things, one of which ends with him in an extended stay at the hospital. He returns to the hotel determined more than ever to discover what’s really happening in the honeymoon suite, with things both normal and supernatural blocking his way at every turn.

    Written and directed by Irish filmmaker Damian McCarthy, the film’s approach to horror is both subtle and overt. On the good side is Bauman’s story, which gradually gets deeper as more is revealed about his past, especially the premature death of his mother. Bauman’s trauma over her loss influences his thinking and actions, and a possible connection between his current situation and his personal history broadens the scope of the plot.

    There is plenty of creepiness to be found in the film, starting with the dark and decrepit nature of the hotel itself. Any building where a particular room is off-limits naturally inspires intrigue, and McCarthy does a solid job of building tension. That’s why it’s strange and disappointing that he gives in to the lamest of horror tropes - a sudden appearance by an odd-looking person accompanied by a big screeching noise - on multiple occasions.

    The film is at its best when it features weird moments that are never or only slightly explained. A dead body in a rabbit suit is echoed by the unexplained broadcast from Bauman’s youth featuring a terrifying TV host with bulging eyes and rabbit ears. Bauman’s explorations take him into the hotel’s basement via a dumbwaiter, where he encounters all manner of strange things, including what seem to be witches. Because most of these things are left to the audience’s imagination, they hit harder in the moment.

    Scott is known to be understated in his acting, and that skill works well in this particular role. Although he clearly plays Bauman as freaked out, he never indicates panic, and that level-headedness makes his character someone you want to follow no matter how dark the path might be. The mostly-Irish supporting cast is not well-known, but Wilmot and Florence Ordesh make the most of their short time on screen.

    Hokum — a title that is also not explained — is a horror film that earns its bona fides through mood more than action. Even though not much of consequence happens throughout the film, it still keeps you on the edge of your seat trying to figure out what will happen next.

    ---

    Hokum is now playing in theaters.

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