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    Fall Festival Guide

    6 hottest fall music festivals in Houston and beyond

    Kelly Stocker
    Sep 8, 2017 | 12:21 pm

    UPDATE: Sound on Sound Fest, scheduled for November 10-12 in McDade, Texas, has been canceled. The story has been updated.

    ---

    Feel that? It’s the waning days of summer. Admittedly, our fall weather isn’t as glorious as that of our friends in the northern U.S., but cooler temperatures sure do have us feeling a lot more like being outside. Especially when it involves music. In Houston and beyond, here are our picks for seven fabulous fall music fests.

    Utopia Fest
    Utopia, September 22-24
    Now in its ninth year, Utopia Fest has managed to retain the magic of its first year. With a cap on attendees, BYOB policy, cool artisan market, late-night acoustic events at after-hours stage Tank Good Times, and a lineup that spans from Dr. John to Suzanna Choffel, it’s no wonder that this festival inspires cult-like devotion. Limited tickets are still available. Note: This is the final year it will be held at Four Sisters Ranch.

    Trans-Pecos Festival of Music + Love
    Marfa, September 28-October 1
    Trans-Pecos Festival of Music + Love is an amalgamation of music, camping, art, and magical mystery under the big stars of Marfa. It all happens at desert lodge El Cosmico and reflects the bohemian nature of the place — think Burning Man meets the Wild West. Attend workshops, score free Topo Chico, and take advantage the opportunity to stay in a yurt while listening to the likes of Jenny Lewis, Roger Ellis, and Lee Ann Womack.

    Gruene Music & Wine Festival
    Gruene, October 5-8
    Gruene is a small town with mass appeal. It’s just the kind of place to stroll around while listening to music, glass in hand, at The Gruene Music & Wine Festival. The lineup includes Americana and Texas country by Ray Benson, Cory Morrow, Walt Wilkins, Jack Ingram, and a host of other similar artists. You can buy into the whole weekend or pick a day. Wine lovers will want to hit up the Tastings and Tunes event on Saturday, while ice-cold brew aficionados will prefer the Craft Beer Tasting on Sunday. Proceeds benefit the United Way and Hurricane Harvey victims.

    Austin City Limits
    Austin, October 6-8 and October 13-15
    ACL boasts two jam-packed weekends with multiple stages, artists, and vendors, plus fare from Austin food trailers and tons of booze. You can also expect a lot of out-of-town visitors. Because who wouldn’t want to descend upon our Zilker Park to laze about in the sun and listen to some sweet jams? Approximately 450,000 folks attend the festival each year, and the headliners just keep getting bigger. This year, Jay-Z, Red Hot Chili Peppers, and The Killers close out both weekends.

    Houston Open Air
    Houston, October 14-15
    Sister fest to Chicago Open Air, the recently debuted Houston Open Air is every metalhead's dream. Held at at the Cynthia Woods Mitchell Pavilion, the fest showcases high-profilers like Avenged Sevenfold, Mastodon, Five Finger Death Punch, Prophets of Rage, Marilyn Manson, and lots more headbanging heavy rockers.

    Mala Luna Music Festival
    San Antonio, October 28-29
    Mala Luna Music Festival in San Antonio presents a Halloween weekend of rap and EDM tunes at Nelson Wolff Stadium. Only in its second year, Mala Luna attracts big acts like Future, Lil Wayne, and Wiz Khalifa. There's also multiple food vendors and art installations. As you might expect, attendees get creative with costumes, especially those inspired by Dia de Los Muertos. A portion of the proceeds benefits the Network for Young Artists (NYA.)

    Sound on Sound Fest
    McDade, November 10-12
    Enjoy three full days of music and camping at The Lost Pines Forest, a medieval-style village located 35 miles from Austin, via popular new fest Sound on Sound. All genres take the stage, from indie to punk to hip-hop to metal and to dance, along with comedians, podcasts, and panel discussions. Notable names this year are Grizzly Bear, Yeah Yeah Yeahs, Iggy Pop, and The Shins. In order to get the full experience, pop up a tent, rent a glamping spot, or bring your RV. Campgrounds have hot showers, water refill stations, and late-night performances.

    The recently debuted Houston Open Air is every metalhead's dream.

    Houston Open Air Music Fest, September 2017
    Courtesy of Houston Open Air/Facebook
    The recently debuted Houston Open Air is every metalhead's dream.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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