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    Simmering September Shows

    11 coolest concerts to catch in Houston this September

    Johnston Farrow
    Johnston Farrow
    Sep 7, 2021 | 11:31 am

    When concerts returned in force it felt like we all had turned a corner. Unfortunately, like the the many memes circulating online, the Delta Variant had other plans for us this summer, leaving venues and artists scrambling to deal with the new, infectious reality.

    Some major concert promoters, such as AEG, announced they would require proof of vaccinations or a negative test within 72 hours starting October 1. At first, Live Nation said they’d leave it up to the artists or venues, but thought better of it and followed AEG’s lead, requiring the same protocols starting October 4.

    Some artists decided to pull out of scheduled tours all together, including indie-rock legends Dinosaur Jr. who were set to play White Oak Music Hall this month.

    In other words, be sure to check your venue listings for the latest show information before you head out. For those ready to rock, September tees up the strongest line-up yet for national and internationally touring acts in 2021. Here are the biggest, best, and most notable, including a few faves.

    City and Colour with Nuevo
    Thursday, September 9
    House of Blues, 1204 Caroline St.

    The award-winning, Canadian chart-topping, folk-punk troubadour, City and Colour (aka Dallas Green), first made his name in hardcore emo act Alexisonfire but began a new phase of his career by replacing his electric guitar for an acoustic one.

    The second act made an even larger impact than with his original band, mostly due to his poignant lyrics and heartfelt intensity. He’s back on the road to finally tour his 2019 album, A Pill for Loneliness.

    Tickets start at $36 plus fees. Doors open at 7 pm.

    Pitbull with Iggy Azalea
    Friday, September 10
    Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Drive, The Woodlands

    The man responsible for the sale of millions of bottles of Bud Light and a favorite of wedding DJs everywhere, Latin superstar Pitbull has carved out a major career serving as the toastmaster to a audiences of a certain age that are looking for non-descript, middle-of-the-road fun.

    He’s touring behind his latest collection of Latin-inspired party jams, Libertad 548. He’ll be joined by much-maligned pop star Iggy Azalea, looking to win back some fans after a couple of hard years of controversies and music beefs.

    Tickets start at $29.95 plus fees. Gates open at 7 p.m.

    CultureMap Show of the Month: Harry Styles with Jenny Lewis
    Monday, September 13
    Toyota Center, 1510 Polk St.

    One of the biggest pop stars in the world rolls through Houston when Harry Styles visits with his "Love On Tour" worldwide jaunt. Taking a page straight out of the Justin Timberlake playbook, Styles left his mega-selling hit boy band, One Direction, and set off on a career that deftly balanced music and movies.

    Smartly, his solo work draws on the best from the history of British music, such as Elton John, Queen, and the Beatles with a healthy dose of pop melody that didn't lose any fans.

    By the the time the Fine Line single "Watermelon Sugar" hit No. 1 during the height of the pandemic, Styles was seemingly everywhere - movie premieres, awards ceremonies, and on Saturday Night Live. Fantastic opener Jenny Lewis is an inspired choice and represents Styles' interest in indie and rock sounds.

    Tickets start at $39.50 plus fees. Doors open at 6:30 p.m.

    CultureMap Local Band of the Month: Transviolet with Space Kiddettes and Lorelei Marcell
    Wednesday, September 15
    The Secret Group, 2101 Polk St.

    Speaking of Harry Styles, alternative rock-pop act Transviolet is in town from San Diego, a group that earned an endorsement from pop singer. But the most exciting thing about this show is the return of Space City favorites, Space Kiddettes, to a Houston stage.

    The fantastically colorful duo comprised of Trent Lira and Devon Will recently made an appearance on the massively popular reality show, America’s Got Talent, and they’ve been hard at work with a variety of projects, including new music which has been hinted for a release on the near horizon.

    Tickets start at $15 plus fees. Doors open at 7 p.m.

    Tinashe
    Thursday, September 16
    House of Blues, 1204 Caroline St.

    Starting her career in the pop world, rising star Tinashe eventually went in a different direction, one that has been paying off on the hip-hop/R&B charts since the 2014 platinum, NSFW smash “2 On.”

    Since then, she’s released a series of eclectic and critically acclaimed albums and singles, appearing alongside RZA, Iggy Azalea Offset, Ty Dolla $ign, Future, and more before signing a management deal with Jay-Z’s Roc Nation. She’s touring behind the recent independent release, 333, which is drawing rave reviews.

    Tickets start at $30 plus fees. Doors open at 7 p.m.

    Kings of Leon with Cold War Kids
    Saturday, September 18
    Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Drive, The Woodlands

    When Kings of Leon first burst onto the scene in the early-2000s, music press labeled the Followill brothers (and cousin) the Southern Strokes. Nearly 20 years later, that designation looked hasty at best, a huge miss at worst.

    The band far surpassed the reach of the hip, rich-kid NYC band, selling six million copies of 2008’s Only by the Night on the strength of major radio singles, “Sex on Fire,” and “Use Somebody." The Nashville-based act returns to the Bayou City for the first time since playing to over 60,000 at RodeoHouston, touting their new album, When You See Yourself.

    Tickets start at $36 plus fees. Gates open at 6 p.m.

    Lucy Dacus
    Saturday, September 18
    White Oak Music Hall, 2915 N Main St.

    One of the huge crop of extremely talented female singer-songwriters of the late-2010s, Lucy Dacus saw her star rise alongside other luminaries, Phoebe Bridgers, Julien Baker, Waxahatchee, and Soccer Mommy, the former two of which she joined to form the one-off band, boygenius.

    Her witty and insightful lyrics drew quick critical notice in indie circles, leading to tours with The Decemberists, Car Seat Headrest, and Sylvan Esso. Her new album, Home Video, is one of the year's best.

    Tickets start at $18 plus fees. Show starts at 8 p.m.

    CultureMap Recommends: Sylvan Esso
    Sunday, September 19
    Bayou Music Center, 520 Texas Ave.

    Speaking of Sylvan Esso, few other bands could boast a pre-pandemic trajectory like the the North Carolina act with headline tours and major festival slots before the world shut down. The duo, comprised of Amelia Meath and Nick Sanborn, first burst onto the scene with the excellent 2014 self-titled debut that featured bouncy electro-indie tunes with heart-on-the-sleeve lyrics, including "H.S.K.T" and "Coffee."

    They followed it up with a Grammy nomination for 2017's What Now, a collection that leaned into their electronic influences. They are back with two albums recorded during lockdown in 2020: the live set With, and Free Love, the latter which would make year-end best lists.

    They'll be back to doing what they do best in front of their largest solo Houston show at Bayou Music Center this month.

    Tickets start at $29.50 plus fees. Doors open at 7 p.m.

    Darryl Hall & John Oates with Squeeze and KT Tunstall
    Sunday, September 26
    Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Dr, The Woodlands

    Oh-oh-here they come... Two of the biggest hitmakers of the late-'70s and early-'80s, Darryl Hall & John Oates produced some of the most recognizable hits for their time, including the aforementioned "Maneater," "Rich Girl," the low-key underrated "I Can't Go for That," "Private Eyes" and more.

    They'll make up for a rescheduled show from way back in June 2020, so the anticipation should be amped for this one. They'll round out a killer line-up with British act, Squeeze ("Tempted," "Cool For Cats"), as well as Scottish singer-songwriter KT Tunstall.

    Tickets start at $29.50 plus fees. Gates open at 5:30 p.m.

    Maroon 5 with Blackbear
    Tuesday, September 28
    Cynthia Woods Mitchell Pavilion, 2005 Lake Robbins Drive, The Woodlands

    Quick: name another member of Maroon 5 outside of lead singer-guitarist Adam Levine. It's hard, right?

    The ubiquitous Levine may be better known among the masses for his time on the popular NBC show, The Voice, but he got there with a penchant for writing songs made for the radio: 15 top ten Billboard hits and four No. 1s, including "Girls Like You," "Moves Like Jagger," "One More Night," and "Makes Me Wonder."

    Nothing screams Girls Night Out more than this show, but dudes who love sugary, schmaltzy adult pop songs are more than welcome too.

    Tickets start at $40 plus fees. Gates open at 6 p.m.

    Willow
    Thursday, September 30
    White Oak Music Hall, 2915 N Main St.

    Willow, the daughter of Will and Jada Pinkett Smith has what one might consider an outside-the-box career. She became the youngest artist to score a double-platinum song with 2010's "Whip My Hair," whose accompanying viral dance video spread across schoolyards around the globe.

    Much like the fashion she's drawn praises for, she's rarely stuck to one taste or genre, mixing up R&B, pop, hip-hop, and more.

    Her latest trick is transforming herself into a pop-punk hero, with her latest single, "Transparent Soul" featuring Blink-182 drummer Travis Barker, getting play on alternative and rock radio. She'll bring her colorful vision to White Oak Music Hall at the end of the month.

    Tickets start at $35 plus fees. Show starts at 7 p.m.

    British pop crooner Harry Styles brings his "Love On Tour" show to Toyota Center on Monday, September 13.

    Harry Styles
    Photo by Lillie Eiger
    British pop crooner Harry Styles brings his "Love On Tour" show to Toyota Center on Monday, September 13.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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