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    Good times

    Memories of the '80s: A conversation with Flock of Seagulls, Information Society& When in Rome

    Marcy de Luna
    Sep 3, 2011 | 10:05 am

    When I heard When in Rome, A Flock of Seagulls, Information Society, and Animotion were coming to Stereo Live, I reached for my hairspray and black eyeliner and hit the door running.

    Upon meeting with When in Rome (now When in Rome UK with Rob Juarez and original members Clive Farrington and Andrew Mann), Christopher Anton of Information Society (the lead singer from 2006-2008 and from 2009-present) and Mike Score of A Flock of Seagulls, the first thing I noticed was that they are a group of laid back and accessible guys — the type with whom you want to kick up your feet, have a few beers, and shoot the breeze.

    Score has a great sense of humor, so it is easy to see why Flock of Seagulls’ hits like “I Ran” and “Space Age Love Song” are so fun. His personality shines through in the music.

    The second thing I noticed was, the backcombed big hair of the '80s is long gone. I was bummed because I was looking forward to seeing Score's Flock of Seagulls waterfall coif that is almost as famous as the band itself. Score is now balding and a long blond pony tail in back is all that remains of his once signature look. CultureMap caught up with the band members backstage before their concert a couple of weeks ago.

    CultureMap: Welcome to Houston! Have you spent much time here? Any favorite memories?

    Andrew Mann (When in Rome): The first time we toured we got on a plane, did a sound check, and didn’t have much of a chance to see it. But now that we’re back, we had a bit of a chance today so we’ve had a look around and we love Houston!

    Christopher Anton: I live in Houston now. My wife is from Texas and we got married a few years ago. She was running an independent booking agency and we met at one of my shows.

    Mike Score: Walking away with the money! No, but to me personally, doing shows anywhere as long as it’s a good show, works and you don’t have particular memories unless it’s a historical gig or it’s the biggest gig you’ve ever done.

    CM: Is there anything you're looking forward to seeing or eating?

    AM (WIR): We went downtown and saw all the shops and had brisket and sausage.

    Rob Juarez (WIR): And the Tex Mex here – it is insane!

    MS: My bed, the television and the stage (laughing).

    CM: What are some of your favorite new bands? What's on your iPod?

    Clive Farrington (WIR): Janelle Monae. She is a soul sort of singer with a stage presence very similar to Prince.

    MS: A Flock of Seagulls!

    CM: Do you have any advice for the aspiring musicians out there?

    AM (WIR): You have to keep working at it. You might not think it is going to be a hit record, but keep working on it. It will come eventually. We were in the studio 24 hours a day until we got the hit, "The Promise." So it all comes down to work, really.

    CA: You have to have a love for it and you have to want to do this because you have to be willing to put up with a lot of sacrifices.

    MS: Stick with it, but have a good time with it because you never know if it’s going to take off or not, so why don’t you just enjoy it? True success comes from that.

    CM: Has a company ever approached you to use a song for an advertisement that you thought was an odd request or that was noteworthy?

    AM (WIR): It is always used before we’ve been told. While on vacation in Greece once, there was a peach ad (on television) and “The Promise” was playing in the background. The company was promising to deliver the peach on time.

    RJ (WIR): A lot of times they (the companies) just do it and then you get the publishing check. It is like, what’s this check from? Oh, Sears used “The Promise” for a lawnmower ad – “I Promise” your lawn will be clean. And then of course, there is Napoleon Dynamite. “The Promise” played in the closing scene. Now that was fantastic!

    unspecified
    news/entertainment

    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
    news/entertainment

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