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    This ain't no Indie show

    Enrique Iglesias & Jennifer Lopez get wild: Rum shots, stage rushes, sexy hairand a flipping boy toy

    Tyler Rudick
    Aug 27, 2012 | 9:09 am
    • Jennifer Lopez was in full form Sunday night, handling an intense dance-filledperformance with almost superhuman ease.
      Photo by © Michelle Watson/CatchLightGroup.com
    • Always the charmer, Enrique Iglesia brought audience members up on stage to joinhim for classics like "Hero."
      Photo by © Michelle Watson/CatchLightGroup.com
    • Rocking a Madonna microphone, Lopez sang her way through acrobatic danceroutines and multiple costume changes.
      Photo by © Michelle Watson/CatchLightGroup.com
    • Opening act Frankie J offered up an impressive range of song styles thatincluded "Suga Suga," the hit he recorded with Houston's own Baby Bash in 2003.
      Photo by © Michelle Watson/CatchLightGroup.com
    • Dressed in his trademark jeans and t-shirt, Iglesias pulled off a evening thatmanaged to fuse soothing moments of classical guitar with loud moments ofdubstep clubiness.
      Photo by © Michelle Watson/CatchLightGroup.com

    Enrique Iglesias and Jennifer Lopez taught me a little something Sunday night at the Toyota Center . . . I've wasted my life going to indie shows.

    No one ever carries signs saying things like "Dance with me Beach House" or "I want to have your babies Guided by Voices" at indie shows. No one rushes the stage the second a singer gets close to the audience. There's rarely a smoke machine and certainly never a laser show. Ever think of backup dancers, Sonic Youth?

    Anyway, people were so excited to see Enrique, who kicked off the evening, that many fans attached LED lights to their signs so they could be read in the dark. Kind of genius, really.

    People were so excited to see Enrique, many fans attached LED lights to their si gns so they could be read in the dark. Kind of genius, really.

    After showing an ad for Atlantico Rum, a liquor he's promoting, Iglesias started his set with clubby 2010 hit "Tonight (I'm Loving You)," which morphed into its more awkwardly-titled version "Tonight (I'm Fucking You)" by the end of the song.

    Blasts of steams and some simple pyrotechnics kept the excitement high as he transitioned to thumping jams like "I Like How It Feels" and "Dirty Dancer."

    A mid-tempo song in Spanish led to an impressive rendition of "Bailamos" — which I just learned was originally from Will Smith's bizarre late-1990s film Wild Wild West — before an unsuspecting young man named Robin was called to the stage to help sing the Ben E. King oldie "Stand by Me." Nervous at first, Robin ended up belting out the lyrics like he was the headliner.

    Surely, the shots of Atlantico Rum Iglesias poured into his mouth helped.

    Robin's guest performance was one of the highlights of the night until Iglesias brought a very pregnant Roula from KBRE's Roula & Ryan morning show onstage for his chart-topping 2001 ballad "Hero." Knowing no limitations when it comes to entertainment, Enrique kissed her on the lips . . . and then on her stomach.

    No indie rocker in his or her right mind could've pulled that off.

    Jennifer Lopez: Icon

    After Iglesias closed his show in a plume of white confetti, the crowd waited patiently as the roadies changed sets and Jennifer Lopez quite literally sprung onto the stage (through a trapdoor) for a classic Hollywood top-hat-and-cane routine with her dancers. While admittedly a little odd at first, the number helped remind us all of JLo's palpable A-list star power.

    Whereas the personable Enrique worked the crowd with his casual charm and catchy songs, Lopez was focused on an athletic array of tightly-orchestrated dances that matched the cool intensity of her two opening tracks, "Get Right" and "Love Don't Cost a Thing."

    Lopez took a moment to pay tribute to Tejano legend Selena.

    The Lil' Wayne collaboration "I'm into You," complete with some psychedelic graphics of Aztec ruins, was up next as she moved into the early dance single "Waiting for Tonight." As JLo worked her way across the stage, she would stop in front of these concealed air machines that majestically blew back her hair.

    Following a sequence of hits with a choreography — and bicycle shorts — harkening back to Lopez's time as a Fly Girl on In Living Color, she took a moment to pay tribute to Tejano legend Selena, who Lopez played in the 1997 independent film about the singer's life.

    The biggest surprise came during the encore, when Lopez's twentysomething boyfriend Casper Smart came onstage to dance and pull off a few back flips.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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