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    Spoiler alert

    A bloody good, bad & WTF mess: Mopping up True Blood's explosive finale

    Tarra Gaines
    Aug 27, 2012 | 7:48 am
    • In the season finale, Stephen Moyer goes all Carrie on us.
    • Season five of True Blood was a bloody mess for stars, from left, Stephen Moyer,Anna Pacquin and Alexander Skarsgard
      Photo courtesy of HBO

    As season five of HBO’s gothic southern soap opera, True Blood, drew to a close Sunday night, I was reminded of the old adage about storytelling: Content must dictate form. So perhaps it’s appropriate that True Blood’s fifth season was filled with so much bloody goo, staining the rugs and furniture in every episode, that the plots became such a formless mess.

    When it’s good, True Blood works on several levels: as satisfying soap opera, as cultural satire, and as dark comedy. To achieve this balance the show always has several different plots running but usually manages to weave the majority together by the end of the season. This year the overabundance of supernatural beings, characters and themes seemed to reach a critical mass that exploded and left everyone, pretty much literally, with bloody gunk on their faces.

    Was the season about faith, fanaticism, group hierarchies, assimilation, or supernatural niche bars and nightclubs? The True Blood writers never seemed able to decide.

    Was the season about faith, fanaticism, group hierarchies, assimilation, or supernatural niche bars and nightclubs? The True Blood writers never seemed able to decide. There were many incomprehensible storylines, yet there were also moments of very funny black comedy.

    So as Bill, Eric, Sookie and Lafayette did in the first episode, let’s get our mops out and try to clean up this mess of a season.

    The Good

    Baby Vamps

    Vampire youth culture had its day, or night in their cases, as Jessica, Tara, and Reverend Steve brought the fun and poignancy this season so desperately needed.

    After years of feisty victimhood, Tara Thornton came into her own as a vampire. Once she went through some tough love therapy from maker Pam, Tara settled into vampire life with surly grace. With the exception of the slutty wardrobe, her personality has not changed much at all.

    Yes, Rev. Newlin is a vicious killer, but he has such enthusiasm for his new undead life and such a sporty sweater collection, it’s hard to stay mad at him.

    Jessica grew up on her own while her vampire daddy (Bill Compton) was stuck in the Byzantine and sometimes Bore-antine Vampire Authority plot. She started off as a party girl, was kidnapped by a vigilante hate group, and late in the season she managed to find some peace by letting her first love Hoyt go.

    Rev. Steve Newlin came out of the closet and coffin and became a cable news star for the Vampire Authority. Yes, he’s a vicious killer, but he has such enthusiasm for his new undead life and such a sporty sweater collection, it’s hard to stay mad at him. His May/December (times a thousand) romance with the 3000-year-old Russell Edgington was strangely sweet and innocent.

    Bon Temp’s new cultural critic Lafayette Reynolds
    After playing a pivotal role in several major plots in season four, Lafayette got shoved to the background this summer. Yet whether he was making Ghost jokes while cashing in on his medium skills or providing running commentary to a live faerie birth, Lafayette somehow always managed to bring some much needed snarky sanity to a crazy season.
    Jason and Sookie Stackhouse
    Since the siblings Stackhouse usually spend seasons getting into or out of romantic entanglements, it was refreshing for the two to band together to search for meaning in their faerie ancestry. However, when Jason is the voice of reason and intellect throughout the season, which he was, we know Bon Temps is in trouble.
    Russell Edgington
    The former king of Mississippi, and forever king of bad puns, got back in the game after being dug from his cement tomb. He stacked up some impressive kills and never fell under the thrall of the big villain of the season, whatever the hell the bloody apparition Lilith was supposed to be.
    While it was fitting Russell finally met the true death at Eric’s stake, I am disappointed I’ll never get to see a Russell and Steve HBO comedy spin off where Russell owes 3,000 years of back taxes, has to get a real job, and Steve stays home to raise their adopted werewolf/shapeshifter daughter. I would have totally watched that instead of Girls.

    The Bad

    The Iraqi Ifrit Plot

    Terry Bellefleur, who has been struggling with PTSD since the beginning of the show, was cursed with his own big plot line this year. Long backstory short, after Terry’s army unit killed unarmed Iraqi civilians during the war they were killed one by one by an ancient fire jinn. Not even bringing Lafayette in for an episode could save this monster of a tonal misstep they should have staked in the writers’ room.

    Too Many Naked People

    Unlike some HBO shows (looking at you Game of Thrones), True Blood is is an equal opportunity depicter of naked people, but after a while even naked people become redundant, especially if said naked people are about to be eaten by vampires or are covered in buckets of blood.

    Lame Faeries

    Back in season three Sookie came to the realization that she’s part faerie and faeries are lame. This still holds true today. Sure they shoot a kind of taser light from their fingertips, can read minds and they throw a decent rave, but when it comes to dancing and strategizing they fail miserably. Obviously the only way they’ve survived this long is their amazing ability to give birth to litters of faerie/human babies on pool tables.

    The WTF Did I Just Watch

    For many years, the show has given hints about vampire culture’s secret ruling body, so season five seemed to hold much promise that we would finally get to see the inner sanctum of the mysterious Vampire Authority.

    Unfortunately, that government storyline turned into a religion plot turned into some commentary about cults, ambition, and mindless faith before finally becoming a kind of slasher movie where one by one all the nubile vamps get offed by the crazy serial killer, who turned out to be Bill.

    Perhaps the worse aspect of this goopy plot was that we were never told what or who Lilith actually was. She was presented as that optical illusion where from one point of view we see a vase of blood and another a naked lady covered in blood but what she really wanted or why she was making appearance now was never explained.

    The final scene of this final episode was of Bill drinking the alleged blood of Lilith, dissolving into a pool of blood and then reforming as a bloody Bill.

    Though True Blood creator, Oscar-winning screenwriter Alan Ball will remain with the show as executive producer, this was his final season as showrunner, so here’s hoping that last image of a newly formed villain Bill was his promise the plots of season six will have some actual form.

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    Texas will always love you

    Superstar Dolly Parton dies at 80 — her legacy includes many Texas ties

    Associated Press
    Aug 25, 2026 | 7:47 pm
    Dolly Parton onstage
    Photo by Jason Kempin/Getty Images
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    NASHVILLE, Tenn. (AP) — Dolly Parton, the country music icon whose soaring vibrato vocals, poignant songwriting and sparkling costumes defined her rise from a log cabin in the Tennessee mountains to the height of stardom and acclaim, has died. She was 80 years old.

    Parton died peacefully Tuesday in Nashville, Tennessee, her publicist said in a statement. A cause of death was not disclosed.

    Known for her curvy physique, massive blond wigs and skin-tight outfits that served her self-deprecating wit, she was among the most beloved personalities in music and beyond — the rare celebrity whose appeal transcended generations, geography and politics.

    She wrote hundreds of songs, including classics like “Jolene,” “Coat of Many Colors” and “I Will Always Love You,” that totaled more than 100 million worldwide sales and more than 1 billion online streams. Parton, who plucked bejeweled banjos, guitar and dulcimers with her long fingernails during performances, was a generous philanthropist and successful businesswoman whose projects included a theme park in the Smoky Mountain foothills near her birthplace.

    Her career was forever influenced by her upbringing as one of 12 children born into what she called a “dirt poor” Tennessee family. She started her education nonprofit, Imagination Library, to send free books to children in Tennessee because her father, who quit school to work on the farm, struggled to learn to read.

    Parton's first musical performances were in church, where her grandfather was a preacher. By age 10, she was learning guitar and singing on local television shows. At 13, she appeared on the Grand Ole Opry in Nashville, where Johnny Cash introduced her as “a little girl here from up in East Tennessee.”

    With a suitcase of songs, she followed her uncle, Bill Owens, also a songwriter, to Nashville after graduating high school in 1964. Fred Foster, who produced Roy Orbison, Willie Nelson and more, saw her potential and got her songs cut by other artists, as well as recording and releasing Parton singing her own material. By the mid-1970s, Parton was a Nashville queen.

    Parton's partnership with Porter Wagoner, a pencil-thin pompadoured star with flashy rhinestone outfits, was key to her career. She honed her acting skills on his syndicated TV show and he advocated for her to get a record deal at RCA. Their first duet, “The Last Thing On My Mind,” was released in 1967, the same year she started her own publishing company.

    She got her first No. 1 solo single with “Joshua,” and reached the Top 5 with the ballad “Coat of Many Colors,” about how her mother sewed together scraps of clothes to make a coat Parton wore “so proudly” even as her peers mocked her for being poor. The song, with its Biblical references and ode to maternal love, was later made into a children’s book and a TV movie.

    In 1973, she had the hit that made her career — “Jolene,” a country music standard with its steady, churning rhythm and Parton's repeated delivery of the title as she pleads for the woman not to steal her man.

    A pop crossover star
    She followed “Jolene” with a huge hit in 1974, “I Will Always Love You,” an ode and farewell to Wagoner that helped her win the Country Music Association’s female vocalist of the year back-to-back in 1975 and 1976. She famously turned down Elvis Presley, who wanted to record it, because she would not share publishing rights.

    Decades later, Whitney Houston’s version of “I Will Always Love You” became a smash for the soundtrack of her 1992 film “The Bodyguard,” and broke sales records. Houston won a Grammy for her performance in 1994, presented to her by Parton.

    “Here You Come Again,” a pop crossover hit and one of the few she didn’t write, further established Parton as a multi-genre entertainer and brought her first Grammy Award in 1979.

    “A lot of people thought I had totally lost my mind,” she told The Associated Press in 1979 of changing her singing style. “But I had no fear of change. I expected success, but I was braced for failure. I didn’t care if people thought I was wrong. In my own heart, I knew I was doing the right thing.”

    Parton's other crossover hits included the title song from “9 to 5,” the 1980 comedy starring Parton, Jane Fonda and Lily Tomlin; and her duet with longtime friend Kenny Rogers, “Islands in the Stream,” written by brothers Barry, Maurice and Robin Gibb of the Bee Gees. In 1987, she collaborated with Linda Ronstadt and Emmylou Harris on the million-selling “Trio” album.

    Down home charm
    For millions of fans, she was simply “Dolly,” a mixture of Southern charm, humor and glamour. But she was also considered a feminist role model for holding the reins of her own career, writing her own songs, owning her content and looking after her finances in an entertainment world dominated by men.

    Parton was open to making fun of herself; when she hosted “Saturday Night Live” in 1989 she told the writers that her only restrictions were she wouldn’t curse and she wouldn’t make fun of Jesus. She regularly joked about her breasts or her dumb blonde appearance, but with a wink that she was the one controlling the laughs.

    Throughout her career, she embraced her glamorous style, often wearing custom curve-hugging rhinestone dresses and bodysuits even if they drew tsk-tsks from others in the industry. Her look was always a part of her larger musical business plan.

    “I knew my songs were good even if I had been ugly as sin,” she told the AP in 2014. “So I thought, ‘Well, I would have probably chose to look this way even if I had been a waitress.’ I mean, this is my look. I mean, I like a lot of makeup. I like a lot of hair. I like flashy clothes. I like to show it off. But that’s just who I am.”

    She married Carl Dean, an asphalt paving contractor, in the mid-1960s; they were together until his death in 2025 at the age of 82. Though rarely seen in public, he was an influence on her career. She told NPR that she wrote “Jolene” about a flirty bank teller who seemed to take an interest in Dean.

    ‘9 to 5’ to Hollywood and Broadway
    In her first major film role, Parton played alongside Fonda and Tomlin as office workers who rebel against their tyrannical boss in “9 to 5.” Critic Roger Ebert called her a “natural-born movie star” and the title song earned her two Grammy Awards and a ranking of 78 on the American Film Institute's list of top 100 movie songs. Starring roles in “The Best Little Whorehouse In Texas” and “Steel Magnolias” followed.

    Her love affair with TV and film continued for decades, with appearances alongside her goddaughter Miley Cyrus on “Hannah Montana” and adaptations of her music for Christmas specials, films and streaming series. She also became an author, her books ranging from the memoir “Dolly” to a bestselling novel co-authored by James Patterson, “Run, Rose, Run."

    The stage adaptation “9 to 5: The Musical” debuted in 2009, and “DOLLY: A True Original Musical” is set to open Jan. 19, 2027, on what would have been her 81st birthday.

    United States of Dolly
    Beyond her music, Parton’s most lasting legacy might be her generosity and broad appeal.

    When a deadly wildfire swept through the Smokies in 2016, she held an all-star telethon and set up a foundation that sent monthly checks to residents whose homes were damaged or destroyed.

    She opened up her Dollywood theme park in East Tennessee, a major economic driver in Appalachia that draws tourists from around the country, and established the Dollywood Foundation. She wrote books and memoirs, was inducted into the Country Music Hall of Fame and was given a lifetime achievement award by the Recording Academy. She was selected for the Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences in 2025.

    With 55 Grammy nominations and 10 wins, Parton is the third-most nominated woman in Grammy history, only behind Beyoncé and Taylor Swift.

    Parton spanned social and political divides, through multiple generations of fans, urban and rural and in between. In tumultuous election years, it wasn't uncommon to see “Dolly for President” shirts. But she was strict in not voicing her own political beliefs.

    When the Rock & Roll Hall of Fame Foundation sent out a ballot in 2022 with her name on it, though she said she felt she hadn't earned it, the voters answered with a “Hello, Dolly." Parton showed up to the induction ceremony, performed and then put out a rock album.

    Ties to Texas
    Though Parton didn't live in Texas, it was more than her Southern charm that tied her to the Lone Star State. Her campy persona and many ties to the state endeared her to Texans. The most famous was her lead appearance in the 1982 musical comedy film, The Best Little Whorehouse in Texas, which took place in a fictional town but was filmed on location around Austin.

    But with such a long career — in which she was active until her death — there are plenty more Texas connections to look back on.

    She co-wrote and filmed the 1991 TV movie Wild Texas Wind at the historic Broken Spoke in Austin. In 2016, she looked back fondly on "[all] the wonderful people in Austin and what a good time we had living there during that period."

    "It was just a wonderful time," Parton said. "It was a sad ass story as you know. Gary Busey played an abusive husband. But we really had a lot of fun, and I was proud to be part of that.”

    Parton also had a close relationship with Texas country music icon Willie Nelson. The two met in Nashville, and the two country singers later collaborated on some tunes, including their first duet, "From Here to the Moon and Back," in 1982. More than 50 years after their time in Nashville, Parton spoke on the relationship after winning the prestigious Willie Nelson Lifetime Achievement Award at the 2016 CMA Awards Show.

    Parton famously only played the Houston Livestock Show and Rodeo once, all the way back in 1978, but she led lists of performers that Houstonians most wanted to see return to the star-shaped stage. “While Parton still continues to make new music with the likes of Sabrina Carpenter, she’s said she’s done touring aside from special shows. Well, RodeoHouston is pretty dang special, we think,” CultureMap music expert Craig Hlavaty wrote last year.

    HLSR paid tribute to Parton on social media.


    View this post on Instagram
    A post shared by RODEOHOUSTON (@rodeohouston)


    Indeed, it’s been almost 10 years since Parton brought her Pure & Simple Tour to NRG Arena in December 2016. She demonstrated her versatility by playing the banjo, fiddle, saxophone, dulcimer, piano, autoharp, harmonica and other instruments at various times throughout the concert.

    “Even though she chatted incessantly between songs, telling long stories about her parents and growing up poor in the mountains of Tennessee in what seemed to be a ploy to give her body time to recover in order to belt out yet another big song — at one point she even admitted she was stalling, "trying to catch my breath," Parton more than proved that she can still captivate a crowd,” Clifford Pugh wrote in his review.

    Parton also had many appearances in Dallas-Fort Worth, including as co-host (with Garth Brooks) of the ACM Awards in Frisco in 2023. During the broadcast, Parton sang rock 'n' roll, wheeled a goat on stage, and Facetime'd with Willie Nelson.

    In one of her last and most memorable Texas appearances, Parton headlined the 2023 halftime show between the Dallas Cowboys and the Washington Commanders at AT&T Stadium in Arlington.

    Her performance became as buzzed-about for her wardrobe choice — the iconic, skimpy Dallas Cowboys Cheerleaders uniform — as it did for her musical delivery. "Well, hello, Dallas! Dolly does Dallas. You like my outfit?" she asked the adoring crowd from the stage.

    Her appearance even got its own segment, appropriately titled "9 to 5," in the hit Netflix docu-series America's Sweethearts: Dallas Cowboys Cheerleaders.

    ---

    Stephanie Allmon Merry and Eric Sandler contributed to this report.

    "Well, I love Willie as much as I love anybody outside of my own family, and he feels like family to me," said Parton. "... We used to sit out in the same building and write songs for the same publishing company and record for the same record label, and we've known each other for a long time."

    The pair collaborated on a 1977 tour

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